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Research Paper from the year 2016 in the subject English Language and Literature Studies - Literature, University of Balochistan (Department of English), course: Literature, language: English, abstract: Applying Derridean deconstructive hermeneutics to Samuel Beckett's "Waiting for Godot," the author of this paper introduces a new portrait of the personages of the play. The study will retrace the pathways of Western tradition of the metaphysics of presence and its compelling influences, which have proved to be the inhibiting and fossilizing deadlocks of aporia of meaning and authoritative structures of human thought to explore the new horizons. In its concluding mode, the study exposes preventive stumbling aporic blocks of centralized structure of the minds of characters in the given play. Jacques Derrida (1930-2004) is the most eminent French philosopher and literary theorist of deconstruction. He challenges the logocentric Western tradition of the metaphysics of pres-ence, which has been dominant from Plato's "Phaedrus" until Edmund Husserl's "Origin of Geometry" in Western philosophy. His trend-breaking theory of deconstruction attacks the metaphysical presuppositions of Western philosophy, ethics, culture, politics and literature. It may give a new meaning and perspective to Samuel Beckett's "Waiting for Godot," which has always been a focal point for the world's literary critics. They have applied various theories to it, but this paper tries to scrutinize the different facets of the play from Derridean deconstructive theory.
A play by Samuel Beckett in which two characters, Vladimir and Estragon, engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives.
Barbara Johnson investigates the significant and illuminating ways in which both literature and criticism ate "critically different" from what they purport to be. Her subtle and provocative studies of Balzac, Mallarme, Baudelaire, Apollinaire, Melville, Poe, Bathes, Lacan, Austin, and Derrida take a refreshing new approach to the fundamental questions of meaning, interpretation, and the relationship between literature and criticism. In each of seven essays, a clear, precise, and detailed reading of the rhetoric of one of more literary or critical works reveals the text's fundamental discrepancies, ambuquities, and contradictions. If rhetoric is seen as language's capacity to differ from literal statement, and if "to differ" can also mean "to disagree," then the reading of the rhetoric of literature and theory here is an attempt to capture the logic of a text's own disagreement with itself.
A collection of research by leading international scholars on Beckett and phenomenology - both comparing and contrasting his work with key figures in phenomenology and analysing phenomenological themes and their dramatization in Beckett's work.
Literature and Theory is designed to assist students to apply key critical theories to literary texts. Focusing on representative works and authors widely taught across classrooms in the world – Joyce, Dickinson, Shakespeare, Beckett, Eliot, and Octavia Butler – it picks up different aspects of studying literature in an accessible format. The volume also brings together chapters that represent major modern literary schools of thought, including structuralism, poststructuralism, myth criticism, queer theory, feminism, postcolonialism, and deconstruction. This book will be of great interest to scholars and researchers of literary and critical theory, as well as culture studies.
This volume brings together three of Nobel Prize winner Samuel Beckett’s major short stories and thirteen shorter pieces of fiction that he calls “texts for nothing.” Here, as in all his work, Beckett relentlessly strips away all but the essential to arrive at a core of truth. His prose reveals the same mastery that marks his work from Waiting for Godot and Endgame to Molloy and Malone Dies. In each of the three stories, old men displaced or expelled from the modest corners where they have been living bestir themselves in search of new corners. Told, “You can’t stay here,” they somehow, doggedly, inevitably, go on. Includes: “The Expelled” “The Calmative” “The End” Texts for Nothing (1-10)
Scientific Essay from the year 2016 in the subject English Language and Literature Studies - Literature, University of Balochistan (Department of English Literature), course: Literature, language: English, abstract: This paper intends to focus on the different facets and meanings of "Waiting for Godot" by Samuel Beckett. The different occurrences of conflicting and contradictory meanings within the text of the play show existence of the late modernist bourgeois ideology. Based on the theoretical concern of the discussions of Post-Structuralist Marxist theorists Louis Althusser and Pierre Macherey, the main concern of the discussion concentrates on the theory of decentred or disparate text, expounded by Pierre Macherey in his book, "A Theory of Literary Production" (1978). This paper asks how the significant gaps, silences, absences and non-saids in the text of "Waiting for Godot" reflect the presence of the late modernist bourgeois ideology. This paper aims to reflect on the significance of ideology to articulate Post-Structuralist Marxist theory of decentred or disparate text. To make vocal the non-saids of Samuel Beckett s text, the theory and methodology, I seek in this research paper is Post-Structuralist Althusserian Hermeneutics that helps to find conflict, disparity and contradiction of meaning within the text and between the text and its ideological content. It also helps to make speak and vocal the silences and non-saids of the play with conceptual framework of Post-Structuralist Althusserian theory of decentred or disparate text. The study would analyse how the ideological processes keep the author silent at certain stages in trying to tell the truth in his own way. It is hoped that this paper would enable the readers and students of literature to theoretical reading of the literary texts, making vocal the unspoken portions of them. They are also expected to find different, conflicting and contradictory meanings within the text of "Waiting for Godot" an"
Modern thinkers have often declared the end, or even the “death,” of the subject and have been searching for new ways of “being a self.” Indeed, many contemporary scholars regard this search as one of the most significant effects of the general crisis of secularity. Post-Subjectivity is a contribution to that search, conducted with a renewed attention to the centrality of religion, in a pluralistic and global context. This volume of essays guides the reader through, but also beyond, the crises of modernity and postmodernity, toward an attempt to “resurrect” the subject in new forms. The volume resonates with voices from across the humanistic disciplines: the theological turn in recent phenomenology, new directions in Christian and Jewish theology, and reappraisals of figures in the history of philosophy, psychoanalysis, and the study of sexuality—all are represented in an attempt to rethink, from the beginning, what it is to be a “self.”
This comprehensive guide to the history of literary criticism from antiquity to the present day provides an authoritative overview of the major movements, figures, and texts of literary criticism, as well as surveying their cultural, historical, and philosophical contexts. Supplies the cultural, historical and philosophical background to the literary criticism of each era Enables students to see the development of literary criticism in context Organised chronologically, from classical literary criticism through to deconstruction Considers a wide range of thinkers and events from the French Revolution to Freud’s views on civilization Can be used alongside any anthology of literary criticism or as a coherent stand-alone introduction
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.