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One summer chasing tornadoes could finally change Jane's life for the better Seventeen-year-old Jane McAllister can't quite admit her mother's alcoholism is spiraling dangerously out of control until she drives drunk, nearly killing them and Jane's best friend. Jane has only one place to turn: her older brother Ethan, who left the problems at home years ago for college. A summer with him and his tornado-chasing buddies may just provide the time and space Jane needs to figure out her life and whether it still includes her mother. But she struggles with her anger at Ethan for leaving home and feels guilty--is she also abandoning her mom just when she needs Jane most? The carefree trip turned journey of self-discovery quickly becomes more than Jane bargained for, especially when the devilishly handsome Max steps into the picture.
On the eighth birthday of Ethan "E.A". Allen, who lives with his mother and Gran in a Vermont town decades behind the rest of New England, a drifter named Teddy comes into their world, teaching E.A. how to play ball and the secrets of baseball.
This ingeniously useful compendium--organized to suit whatever time that the reader has available at that moment--offers reading material to fill those gray, in-between moments in life with beauty, wonder, insight, and emotion.
These three short plays by Oscar-winning screenwriter Coen explore the theme of hell--both on earth and in the hereafter. Clever, provocative, and engaging, these plays showcase yet another talent from one of the most celebrated contemporary writers.
The #1 name in bestselling thrillers continues to lead the way with this page-turning chiller about a young girl being stalked by a killer who phones his victims before dropping in.
Set in New England, a farmer struggles to survive a bare existence, tethered to his farm, first by his helpless parents and then by a hypochondriac wife. Yet, when his wife's alluring cousin comes to stay, his dreams are rekindled
“The best mingling of history with historical magic that I have ever seen.”—Gene Wolfe In a snowbound inn high in the Alps, four people meet who will alter fate. A noble Byzantine mercenary . . . A female Florentine physician . . . An ageless Welsh wizard . . . And Sforza, the uncanny duke. Together they will wage an intrigue-filled campaign against the might of Byzantium to secure the English throne for Richard, Duke of Gloucester—and make him Richard III. Available for the first time in nearly two decades, with a new introduction by New York Times-bestselling author Scott Lynch, The Dragon Waiting is a masterpiece of blood and magic. “Had [John M. Ford] taken The Dragon Waiting and written a sequence of five books based in that world, with that power, he would’ve been George R.R. Martin.” —Neil Gaiman At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
2018 Outstanding Academic Title, given by Choice Magazine How mobile devices make our in-between moments valuable to media companies while also providing a sense of control and connection In moments of downtime – waiting for a friend to arrive or commuting to work – we pull out our phones for a few minutes of distraction. Just as television reoriented the way we think about living rooms, mobile devices have taken over the interstitial spaces of our everyday lives. Ethan Tussey argues that these in-between moments have created a procrastination economy, an opportunity for entertainment companies to create products, apps, platforms, subscription services, micropayments, and interactive opportunities that can colonize our everyday lives. But as businesses commoditize our free time, and mobile devices become essential tools for promotion, branding and distribution, consumers are using these devices as a means of navigating public and private space. These devices are not just changing the way we spend and value our time, but also how we interact with others and transform our sense of the politics of space. By examining the four main locations of the procrastination economy—the workplace, the commute, the waiting room, and the “connected” living room—Ethan Tussey illuminates the relationship between the entertainment industry and the digitally empowered public.
The fifth entry in Chloe Neill's Chicagoland Vampires series, perfect for fans of Charlaine Harris and Kelley Armstrong Clouds are brewing over Cadogan House, and recently turned vampire Merit can't tell if this is the darkness before the dawn or the calm before the storm. With the city itself in turmoil over paranormals and the state threatening to pass a paranormal registration act, times haven't been this precarious for vampires since they came out of the closet. If only they could lay low for a bit, and let the mortals calm down. That's when the waters of Lake Michigan suddenly turn pitch black - and things really start getting ugly. Chicago's mayor insists it's nothing to worry about, but Merit knows only the darkest magic could have woven a spell powerful enough to change the very fabric of nature. She'll have to turn to friends old and new to find out who's behind this, and stop them before it's too late for vampires and humans alike.
The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.