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Pocket Chillers is part of Pocket Reads, a superb collection of quality books that really capture children's imaginations! Pocket Reads have fantastic breadth and variety of genre, with Pocket Facts, Pocket Tales and Pocket Sci-Fi making up the rest of the collection of independent readers. The fiction books are beautifully illustrated and are guaranteed to appeal to even the most reluctant of readers. The non-fiction readers are equally as stunning and will captivate and excite children with fascinating facts. The 105 pocket-sized fiction and non-fiction readers have each been carefully levelled to the National Curriculum and Book-Banded to ensure children make progression. You can therefore be assured that every reading experience is one that counts.
This book is a detailed oral history of early San Pedro punk, from 1977 to 1985, told through countless interviews with artists, locals and fans, all of whom lived there or lived through it. Topics include iconic gigs by bands the Minutemen, Black Flag, the Descendents, and lesser-known but highly original and fascinating artists; personal interviews with the major players, friends and families; and descriptions of the nightlife haunts and hangouts, all told through never-before-published thoughts, memories, and opinions from that seminal time. The interviews are woven together in a firsthand narrative of this innovative music and arts scene, often dismissed as too remote, too artsy, and too experimental for the prevailing hardcore and rock scenes of the time. Years later, this book provides fascinating details of the iconic scene now sought after by music and history fans and those interested in the hidden gems of Los Angeles culture of the '70s and '80s.
One of the country’s most picturesque cities and conveniently located just a few hours’ drive from Hollywood, San Francisco became the most frequently and extensively filmed American city beyond the production hubs of Los Angeles and New York in the three decades after World War II. During those years, the cinematic image of the city morphed from the dreamy beauty of Vertigo to the nightmarish wasteland of Dirty Harry, although San Francisco itself experienced no such decline. This intriguing disconnect gives impetus to Hollywood in San Francisco, the most comprehensive study to date of Hollywood’s move from studio to location production in the postwar era. In this thirty-year history of feature filmmaking in San Francisco, Joshua Gleich tracks a sea change in Hollywood production practices, as location shooting overtook studio-based filming as the dominant production method by the early 1970s. He shows how this transformation intersected with a precipitous decline in public perceptions of the American city, to which filmmakers responded by developing a stark, realist aesthetic that suited America’s growing urban pessimism and superseded a fidelity to local realities. Analyzing major films set in San Francisco, ranging from Dark Passage and Vertigo to The Conversation, The Towering Inferno, and Bullitt, as well as the TV show The Streets of San Francisco, Gleich demonstrates that the city is a physical environment used to stage urban fantasies that reveal far more about Hollywood filmmaking and American culture than they do about San Francisco.
From the New York Times bestselling author of Tom Clancy: Code of Honor (The Jack Ryan Universe) comes the first in the acclaimed Arliss Cutter series set in the beautiful and deadly wilds of Alaska. U.S. Marshal Arliss Cutter is a born tracker. After enlisting in the military and fighting in the Middle East, Cutter is sent to the icy wastelands of southeast Alaska. Three people have disappeared on Prince of Wales Island. Two are crew members of the reality TV show, Alaska Adventure Jobs. The other is a Tlingit Indian girl who had the misfortune of witnessing their murders. Cutter’s job is to find the bodies, examine the crew’s footage for clues, and track down the men who killed them. Easier said than done. Especially when the whole town is hiding secrets, the trail leads to a dead end – and the hunter becomes the prey. A gritty thriller set in one of the toughest climates on Earth from master author Marc Cameron, perfect for fans of Lee Child, Mark Greaney and James Deegan. Praise for Marc Cameron ‘A double-barreled blast of action’ C.J. Box ‘Cameron’s books are riveting page turners’ Mark Greaney 'One of the hottest new authors in the thriller genre' Brad Thor
A fusion of reflections on the spiritual importance of rocks and stones in the world's cultures and religions and practical tips on creating and maintaining a rock garden. With illustrations from an internationally known garden designer and artist.
As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond.