Download Free Waihoura The Maori Girl Book in PDF and EPUB Free Download. You can read online Waihoura The Maori Girl and write the review.

Reproduction of the original: Waihoura, the Maori Girl by W.H.G Kingston
"Waihoura, the Maori Girl" by William Henry Giles Kingston. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
No previous collection of criticism has focused on gender in the broad range of children's literature. No previous collection has embraced both children's literature and material culture. Beverly Lyon Clark and Margaret R. Higonnet bring together twenty-two scholars to look closely at the complexities of children's culture. Girls, Boys, Books, Toys asks questions about how the gender symbolism of children's culture is constructed and resisted. What happens when women rewrite (or illustrate) nursery rhymes, adventure stories, and fairy tales told by men? How do the socially scripted plots for boys and girls change through time and across cultures? Have critics been blind to what women write about "masculine" topics? Can animal tales or doll stories displace tired commonplaces about gender, race, and class? Can different critical approaches—new historicism, narratology, or postcolonialism—enable us to gain leverage on the different implications of gender, age, race, and class in our readings of children's books and children's culture?
"Waihoura, the Maori Girl" by W.H.G. Kingston is an engaging tale that explores cultural exchange and the effects of colonialism in 19th-century New Zealand. The novel centers around Waihoura, a young Maori girl, and her interactions with European settlers. As she navigates the challenges posed by the encroaching colonial presence, Waihoura struggles with her cultural identity, torn between the traditions of her Maori heritage and the new ways introduced by the settlers. Set against the backdrop of the stunning New Zealand landscape, the story is rich with adventure and exploration. Waihoura's journey is marked by conflicts between different cultural groups, as well as moments of friendship and understanding that bridge these divides. Themes of survival in the wilderness are prominent, highlighting the resilience and resourcefulness required to thrive in such a setting. Throughout the narrative, Kingston emphasizes the importance of Maori traditions and customs, showcasing their significance in Waihoura's life. The novel also addresses the broader theme of integration, exploring the challenges and opportunities that arise when different cultures come into contact. Through Waihoura's story, readers gain insight into the complexities of cultural exchange, the impact of colonialism, and the enduring strength of identity and tradition.
Through a comparison of Canadian, Australian, and New Zealand texts published between 1840 and 1940, From Colonial to Modern develops a new history of colonial girlhoods revealing how girlhood in each of these emerging nations reflects a unique political, social, and cultural context. Print culture was central to the definition, and redefinition, of colonial girlhood during this period of rapid change. Models of girlhood are shared between settler colonies and contain many similar attitudes towards family, the natural world, education, employment, modernity, and race, yet, as the authors argue, these texts also reveal different attitudes that emerged out of distinct colonial experiences. Unlike the imperial model representing the British ideal, the transnational girl is an adaptation of British imperial femininity and holds, for example, a unique perception of Indigenous culture and imperialism. Drawing on fiction, girls’ magazines, and school magazine, the authors shine a light on neglected corners of the literary histories of these three nations and strengthen our knowledge of femininity in white settler colonies.
The first part of this book deals with Britain’s imperial age, its militants and its critics. The selection of works generates a large field of debate explored using traditional or innovative approaches. The 19th century is presented as a time for writers (J. E. Aylmer, E. Marryat Norris, G. A. Henty, Conan Doyle) who tell stories of Europeans venturing forth into “uncivilised” regions of the world where they meet other races. But writers of a different outlook are also considered. Before the twilight of Empire, women were born in England (Virginia Woolf) and in Ireland (Elizabeth Bowen) who would use the ductile means of literature to narrate journeys into the female self, instead of masculine tales set in distant lands. The imperial experience is a subject of concern and reflection with special interest when authored by natives of (former) colonies, such as Michael Ondaatje’s Hindu/Sirk hero in The English Patient and the Nigerian girls in some of Patience Agbabi’s poems. The idea of travelling into or out of the culture to which one apparently belongs, and the contradictory feelings such an experience causes, pervades the writer’s mind and the ensuing narrative. The second part can be regarded as a North American miscellany, mostly devoted to the African culture, although also dealing with European heritage. In order to recognise Asian and South American influences as well, authors such as Fred Wah, Ariel Dorfman and Julia Alvarez have been included. Black literature is represented by two 19th century writers, Mary Ann Shadd and Martin R. Delany, who remind us of the fight against slavery and segregation and the path to equality. Various 20th century writers (Toni Morrison, Ernest Gaines, Harryatte Mullen, August Wilson) address the African-Americans’ quest for identity, presented by some as a journey southwards, away from the place of birth or an unsatisfactory life and in search of self-knowledge in the land of their forefathers. These journeys provide materials for different genres and tones, enabling readers to examine the aspirations and fears of a community whose contribution to the history and literature of America has stimulated continuous study. The two parts of the book are connected by the underlying discussion of essential conflicts that have occupied “travellers” traversing imperial spaces or experiencing foreign lands as well as “travellers” who, instead of exotic adventures or romantic sojourns, want to settle in a “new” country, be accepted by a nation their ancestors did not know, or exercise rights they were denied on their native soil.