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Jessica M. Keady uses insights from social science and gender theory to shed light on the Dead Sea Scrolls and the community at Qumran. Through her analysis Keady shows that it was not only women who could be viewed as an impure problem, but also that men shared these characteristics as well. The first framework adopted by Keady is masculinity studies, specifically Raewyn Connell's hegemonic masculinity, which Keady applies to the Rule of the Community (in its 1QS form) and the War Scroll (in its 1QM form), to demonstrate the vulnerable and uncontrollable aspects of ordinary male impurities. Secondly, the embodied and empowered aspects of impure women are revealed through an application of embodiment theories to selected passages from 4QD (4Q266 and 4Q272) and 4QTohorot A (4Q274). Thirdly, sociological insights from Susie Scott's understanding of the everyday - through the mundane, the routine and the breaking of rules - reveal how impurity disrupts the constructions of daily life. Keady applies Scott's three conceptual features for understanding the everyday to the Temple Scroll (11QTa) and the Rule of the Congregation (1QSa) to demonstrate the changing dynamics between ordinary impure males and impure females. Underlying each of these three points is the premise that gender and purity in the Dead Sea Scrolls communities are performative, dynamic and constantly changing.
Jessica M. Keady uses insights from social science and gender theory to shed light on the Dead Sea Scrolls and the community at Qumran. Through her analysis Keady shows that it was not only women who could be viewed as an impure problem, but also that men shared these characteristics as well. The first framework adopted by Keady is masculinity studies, specifically Raewyn Connell's hegemonic masculinity, which Keady applies to the Rule of the Community (in its 1QS form) and the War Scroll (in its 1QM form), to demonstrate the vulnerable and uncontrollable aspects of ordinary male impurities. Secondly, the embodied and empowered aspects of impure women are revealed through an application of embodiment theories to selected passages from 4QD (4Q266 and 4Q272) and 4QTohorot A (4Q274). Thirdly, sociological insights from Susie Scott's understanding of the everyday - through the mundane, the routine and the breaking of rules - reveal how impurity disrupts the constructions of daily life. Keady applies Scott's three conceptual features for understanding the everyday to the Temple Scroll (11QTa) and the Rule of the Congregation (1QSa) to demonstrate the changing dynamics between ordinary impure males and impure females. Underlying each of these three points is the premise that gender and purity in the Dead Sea Scrolls communities are performative, dynamic and constantly changing.
Recent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
A reexamination of the people and movements associated with Qumran, their outlook on the world, and what bound them together Dead Sea Scrolls, Revise and Repeat examines the identity of the Qumran movement by reassessing former conclusions and bringing new methodologies to the study of the Dead Sea Scrolls. The collection as a whole addresses questions of identity as they relate to law, language, and literary formation; considerations of time and space; and demarcations of the body. The thirteen essays in this volume reassess the categorization of rule texts, the reuse of scripture, the significance of angelic fellowship, the varieties of calendrical use, and celibacy within the Qumran movement. Contributors consider identity in the Dead Sea Scrolls from new interdisciplinary perspectives, including spatial theory, legal theory, historical linguistics, ethnicity theory, cognitive literary theory, monster theory, and masculinity theory. Features Essays that draw on new theoretical frameworks and recent advances in Qumran studies A tribute to the late Peter Flint, whose scholarship helped to shape Qumran studies
We understand the world around us in terms of built spaces. Such spaces are shaped by human activity, and in turn, affect how people live. Through an analysis of archaeological and textual evidence from the beginnings of Hasmonean influence in Galilee, until the outbreak of the First Jewish War against Rome, this book explores how Judaism was socially expressed: bodily, communally, and regionally. Within each expression, certain aspects of Jewish identity operate, these being purity conceptions, communal gatherings, and Galilee's relationship with the Hasmoneans, Jerusalem, and the Temple in its final days.
Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted. With contributions from 14 leading and emergent experts in their fields, the collection forges innovative connections between spatial studies and cultural geography, cognitive studies, memory studies, phenomenology and the history of the emotions, gender and race studies, rhetoric and language, translation studies, theatre history and performance studies. Each chapter offers methodological reflections on intersections such as space/mobility, space/emotion, space/supernatural, space/language, space/race and space/digital, whose critical purchase is demonstrated in close readings of plays like King Lear, The Comedy of Errors, Othello and Shakespeare's history plays. They testify to the importance of space for our understanding of Shakespeare's creative and theatrical practice, and at the same time enlarge our understanding of space as a critical concept in the humanities. It will prove useful to students, scholars, teachers and theatre practitioners of Shakespeare and early modern studies.
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Eighteen months ago Earth was thriving. Now it is reduced to a deserted wilderness containing one oasis of frenetic activity: the town in England newly named Foundation. Earth's valiant hero, Benjamin Stanzini, has sacrificed his all and lived long enough to see the survivors safe. At last he can let go, but while he's in free-fall Earth's leaders come to realise that their saviours are not all they claim to be. The magnificent Emperor, one-time slave to the Vinctalin, joins forces with the Earth humans in the fight against the beasts. With growing trust the leaders of Earth's tiny community are forced to re-evaluate old enemies as well as new-found allies.
Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.
Based on exclusive access to Turkish archives, Defending Gallipoli reveals how the Turks reacted and defended Gallipoli. Author and Turkish language expert Harvey Broadbent spent five years translating everything from official records to soldiers' personal diaries and letters to unearth the Turkish story. It is chilling and revealing to see this famous battle in Australian history through the 'enemy' lens. The book commences with a jihad, which sees the soldiers fighting for country and God together. But it also humanises the Turkish soldiers, naming them, revealing their emotions, and ultimately shows how the Allies totally misunderstood and underestimated them Defending Gallipoli fills a huge gap in the history of the Gallipoli campaign.