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Lively informal narrations of the pastimes of Lord Krishna in Vrindavan filled with little known details by the master story teller, Deena Bandhu. The author takes us on a thrilling tour of the Holy Places of Vraja. With more than 30 years of guiding pilgrims on the spiritual journey of Vrindavan, the author has deep insights to the subject.
Now available Vraja-Lila Part Two, with foreword by Indradyumna Swami. Deena Bandhu das continues his thrilling journey through Vraja Mandala. He takes the readers with him through different mystical places of Vraja where Lord Krishna performed numerous pastimes that are little known to mankind. He recounts lively narrations in this book, like the previous one which was well received by readers. It includes many rare pictures, as well as, delightful illustrations. In this volume, the author also takes us to a side of Vraja not visited by the casual pilgrim. His style is such that the reader gets the experience of actually being there! With more than thirty-five years of residing in Vraja and guiding pilgrims on the spiritual journey of Vrindavan, the author has deep insights to the subject. Most narrations are backed by scriptures and many are known only by those who reside in Vrindavan.
The Beggar (Part I) – The Greatest Enemy of the Spiritual Leader is comprised of daily meditations and prayers that enable the reader to beg and cry out more for mercy, especially divine intervention. Many of the prayers in these books often draw tears and can touch the psyche in a very profound way. Although these prayers are short reading, they are compact with very deep spiritual messages.
On Krishna, Hindu deity.
Black Lotus: The Spiritual Journey of an Urban Mystic explores the life and mission of His Holiness Bhakti Tirtha Swami, an African-American seeker who became one of the most influential spiritual leaders of the twentieth century. His story begins in a Cleveland ghetto and culminates in the spiritual world. Along the way, readers meet John Favors, known by family and friends as “Johnny Boy.” A particularly gifted youth, he overcame numerous obstacles, including a speech impediment and impoverished conditions, to reveal his exceptional character, wisdom, and spirituality.
Srila Rupa Goswami, one of the six Goswamis of Vrindavana, was an incarnation of Rupa Manjari, the most important of the eight confidential maidservants of Srimati Radharani in the eternal transcendental Vrindavana. It is said that without taking shelter of Rupa Gosvami one cannot enter into the pastimes of Lord Caitanya, and without taking shelter of Rupa Manjari one cannot enter into the confidential loving pastimes of Sri Sri Radha Krishna. Srila Rupa Gosvami's lineage can be traced back to Karnataka, South India where his Sarasvata brahmana descendants held influential positions. Rupa Gosvami's nephew, Jiva Gosvami has explained in his Laghu Toshani that Rupa's descendants were of the Bharadvaja gotra and were learned in the Yajur Veda.
NBS # 25 Features:- 1) Conversation Between Lord Krishna And Nanda MaharajaSrila Sukadeva Goswami 2) Why Lord Krishna Cited The Karma-Mimasa Philosophy ?Srila Sridhar Swami 3) Govardhana-PujaHis Divine Grace A .C. Bhaktivedanta Swami Prabhupada 4) The Glories Of Govardhana HillSrila Narahari Chakravarti Thakur 5) Hari-Dasa-Varyo Sri GovardhanaSrila Giriraja Swami 6) Sri Govardhana-Vasa-Prarthana-DasakaTen Appeals for Residence at Govardhana HillSrila Raghunatha Das Goswami
Among the priceless books contributed by Srila Sanatana Gosvami to the literary heritage of the Gaudiya Vaishnavas, his Sri Krsna-lila-stava is the shortest and simplest. An offering of praise in 432 verses, it gives a personal meditation of Krishna's Vrindavana pastimes as told by Sukadeva in Srimad-Bhagavatam. This is an authentic spiritual work that has inspired Gaudiya Vaishnavas for centuries. Able to touch both heart and mind, it steps forward from a living tradition to bear witness to the working of the spirit. This edition of the Sri Krsna-lila-stava is especially praiseworthy because it gives a scholarly but easily understandable translation of the Sanskrit text interspersed with helpful and sensitive commentaries. In Sri Krsna-lila-stava, Sanatana evokes remembrances of Krishna's childhood pastimes by summarizing Sukadeva's narration in simple verses. These verses give us a taste of Krishna's Vrindavana pastimes, one after another, thus immersing us in the nectar of the Bhagavatam.
This unique work was composed in 1731 A.D. by Sri Nayanananda Thakur. The word preyo is used in the Bhakti-rasamrita-sindhu as a synonym for sakhya (fraternity). Nayanananda Thakura was a resident of Mangala-dihi village, and hailed from the disciplic branch of the famous Sri Parni Gopal, who was the direct disciple of Lord Nityananda's personal associate known as SriSundarananda Gopal. Sundarananda is celebrated as the incarnation of Sudama, one of the principal cowherd boys, who are eternal associates of Lord Balarama. These dear boyfriends incarnate on earth in order to sport with Balarama when He descends as Lord Nityananda during the performance of Gauranga-lila. This is described in the Sri Chaitanya- Charitamrita, Adi-lila, 11.13-48. The author's composition naturally follows in the footsteps of Sudama. Therefore we find the ecstatic descriptions of a day in the life of the cowherd boys of Vraja.
A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns.