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It is perhaps not altogether easy to appreciate the multiplicity of difficulties with which the first editor of Mrs. Behn has to cope. Not only is her life strangely mysterious and obscure, but the rubbish of half-a-dozen romancing biographers must needs be cleared away before we can even begin to see daylight. Matter which had been for two centuries accepted on seemingly the soundest authority is proven false; her family name itself was, until my recent discovery, wrongly given; the very question of her portrait has its own vexed (and until now unrecognized) dilemmas. In fine there seems no point connected with our first professional authoress which did not call for the nicest investigation and the most incontrovertible proof before it could be accepted without suspicion or reserve. The various collections of her plays and novels which appeared in the first half of the eighteenth century give us nothing; nay, they rather cumber our path with the trash of discredited Memoirs. Pearson's reprint (1871) is entirely valueless: there is no attempt, however meagre, at editing, no effort to elucidate a single allusion; moreover, several of the NovelsÑ and the Poems in their entiretyÑ are lacking. I am happy to give (Vol. V) one of the Novels, and that not the least important, The History of the Nun, for the first time in any collected edition. Poems, in addition to those which appeared in Mrs. Behn's lifetime, and were never reprinted after, have been gathered with great care from many sources (of which some were almost forgotten). It is hoped that this new issue of Mrs. Behn may prove adequate. Any difficulties in the editing have been more than amply compensated for by the interest shown by many friends. Foremost, my best thanks are due to Mr. Bullen, whose life-long experience of the minuti¾ of editing our best dramatic literature, has been ungrudgingly at my service throughout, to the no small advantage of myself and my work. Mr. Edmund Gosse, C.B., has shown the liveliest interest in the book from its inception, and I owe him most grateful recognition for his kindly encouragement and aid. Nay, more, he did not spare to lend me treasured items from his library so rich in first, and boasting unique, editions of Mrs. Behn. Mr. G. Thorn Drury, K.C., never wearied of answering my enquiries, and in discussion solved many a knotty point. To him I am obliged for the transcript of Mrs. Behn's letter to Waller's daughter-in-law, and also the Satire on Dryden. He even gave of his valuable time to read through the Memoir and from the superabundance of his knowledge made suggestions of the first importance. The unsurpassed library of Mr. T. J. Wise, the well-known bibliographer, was freely at my disposal. In other cases where I have received any assistance in clearing a difficulty I have made my acknowledgement in the note itself.
Reproduction of the original: The Works of Ophra Behn by Montague Summers
Inquiring into the formation of a literary canon during the Restoration and the eighteenth century, Barbara Benedict poses the question, "Do anthologies reflect or shape contemporary literary taste?" She finds that there was a cultural dialectic at work: miscellanies and anthologies transmitted particular tastes while in turn being influenced by the larger culture they helped to create. Benedict reveals how anthologies of the time often created a consensus of literary and aesthetic values by providing a bridge between the tastes of authors, editors, printers, booksellers, and readers. Making the Modern Reader, the first full treatment of the early modern anthology, is in part a history of the London printing trade as well as of the professionalization of criticism. Benedict thoroughly documents the historical redefinition of the reader: once a member of a communal literary culture, the reader became private and introspective, morally and culturally shaped by choices in reading. She argues that eighteenth-century collections promised the reader that culture could be acquired through the absorption of literary values. This process of cultural education appealed to a middle class seeking to become discriminating consumers of art. By addressing this neglected genre, Benedict contributes a new perspective on the tension between popular and high culture, between the common reader and the elite. This book will interest scholars working in cultural studies and those studying noncanonical texts as well as eighteenth-century literature in general. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Bradshaw's railway &c. through route and overland guide to India, Egypt, and China; or The traveller's manual [&c. Title varies. Afterw.]. Bradshaw's through route overland guide to India, and colonial handbook [afterw.] Bradshaw's through routes to the capitals of the world and overland guide to India, Persia, and the Far East [afterw.] Bradshaw's through routes to the chief cities of the world. [Issues for 1858-62, 65, 69, 71/2, 73/4, 75/6, 78/9, 84, 98, 1903, [07] 13].

George Bradshaw

Published: 1858

Total Pages: 396


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The first English woman to earn her living by her writing, the Restoration author Aphra Behn broke cultural barriers, serving as a literary role model for later generations of women authors. This comprehensive eBook presents Behn’s complete works, with numerous illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Behn’s life and works * Concise introductions to the novels and other texts * All 16 plays, with individual contents tables * Includes Behn’s pioneering novels * Images of how the books were first published, giving your eReader a taste of the Restoration texts * Excellent formatting of the texts * Includes Behn’s poetry - spend hours exploring the author’s diverse works * Features two biographies - discover Behn’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays THE FORC’D MARRIAGE THE AMOROUS PRINCE THE DUTCH LOVER ABDELAZER THE TOWN FOP THE ROVER, PART 1 AND PART 2 SIR PATIENT FANCY THE FEIGNED COURTESANS THE YOUNG KING THE FALSE COUNT THE ROUNDHEADS THE CITY HEIRESS THE LUCKY CHANCE THE WIDOW RANTER THE YOUNGER BROTHER THE EMPEROR OF THE MOON The Fiction THE FAIR JILT AGNES DE CASTRO LOVE-LETTERS BETWEEN A NOBLEMAN AND HIS SISTER OROONOKO MISCELLANEOUS FICTIONAL WORKS The Poetry THE POETRY OF APHRA BEHN The Biographies MEMOIR OF MRS. BEHN by Montague Summers AFRA BEHN by Edmund Gosse Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks