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Written by a member of the Thai Royal Family, this is the first book to present a complete history of votive tablets in Thailand, covering their production from the sixth century AD to their present day manifestation in the popular practice of wearing amulets.
This wide-ranging collection of essays examines the arts of Southeast Asia in context. Contributors study the creation, use, and local significance of works of art, illuminating the many complex links between an object's aesthetic qualities and its origins in a community.
The Present Book, Thai Art With Indian Influences, Studies The Subject In Its Different Spheres. As A Major Pioneering Scholar In The Field, Dr. Promsak Jermsawatdi Possesses An Extraordinary Background In Art History, Aesthetics And Asian History And Philosophy. This Fascinating Study Is One Of His Finest Works Which Will Continue To Be Regarded As One Of The Most Significant Contributions To Our Understanding Of Thai And Indian Art For A Long Time To Come. Divided Into Five Chapters, The Book Takes Into Account Material From The Earliest Archaeological Finds Through The Bangkok Period Including The Early Art And Craft Works. Most Of The Study Deals With Thai Art But India And The Peripheries Of South East Asia Are Covered Where They Reflect Indian Influences. The Focus Of This Study Is Upon Architecture, Sculpture And Iconography. However, It Also Encompasses Other Aspects Of Art And Crafts. Background Information On The History And Geography Of The Area Is Also Provided Along With Philosophical Religious And Social Insights That Are Significantly Valuable To Readers In General And Those Of South-East Asia And India In Particular.As A Student Of Ancient History And Art In India, Dr. Promsak Jermsawatdi Was Deeply Sensitive To The Beauty Of Thai And Indian Art Works. As A Result, The Illustrations He Had Selected Are Unusually Pertinent And Fitting, Comprising Some Of The Most Impressive Examples Of Thai Art. Students Of The History Of Oriental Art Could Ask For No Finer Exposition Of The History And Aesthetics Of Thai And Indian Art. The Author S Penetrating Cultural Insights Make It An Indispensable Text For All Who Plan Further Study In The Field. This Is Also A Book Which General Readers Will Read With Great Interest And Pleasure.
Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first study of the few surviving Saiva images in Burma), of a spectacular find of bronze Mahayana Buddhas, and of the sculpted bronzes of the Dian culture. New research on craft goods and crafting techniques deals with ancient Khmer materials, including recently discovered ceramic kiln sites, the sandstone sources of major Khmer sculptures, and the rare remaining traces of paint, plaster and stucco on stone and brick buildings. More widely distributed goods also receive attention, including Southeast Asian glass beads, and there are contributions on Southeast Asian heritage and conservation, including research on Angkor as a living World Heritage site and discussion of a UNESCO project on the stone jars of the Plain of Jars in Laos that combines recording, safeguarding, bomb clearance, and eco-tourism development.
Based on two decades of fieldwork, including over a hundred interviews with various political and economic actors at different social levels, as well as documentary and media analysis, this volume presents an account of the Buddhist monarchy in Thailand, offering a sociology of elites, an analysis of the economic influence of the Crown and an examination of the magic and ritual dimension of kingship. An exploration of the role and status of the Palace over the last century, whether as a guarantor of democracy, a symbol of stability, a source of power or an object of popular discontent, Thailand’s Buddhist Kingship in the 20th and 21st Centuries will appeal to scholars of sociology and anthropology with interests in material religion, politics and Southeast Asian studies.
This biographical study of an unusual southern policeman explores the relationship between religion and power in Thailand during the early twentieth century when parts of the country were remote and banditry was rife. Khun Phan (1898–2006), known as Lion Lawman, sometimes used rather too much lethal force in carrying out his orders. He was the most famous graduate of a monastic academy in the mid-south, whose senior teachers imparted occult knowledge favoured by fighters on both sides of the law. Khun Phan imbibed this knowledge to confront the risks and uncertainty that lay ahead and bolster his confidence and self-reliance for his struggle with adversaries. Against the background of national events, the story is rooted in the mid-south where the policeman was born and died. Based on a wide range of works in Thai language, on field trips to the region and on interviews with local and regional scholars as well as the policeman’s descendants, this generously illustrated book, accompanied by short video clips, brings to life the distinctive environment of the lakes district on the Malay Peninsula.
Things Thai presents over 60 different items from Thailand along with extensive cultural and historical background information. Each is a collectible in its own right, and has some cultural relevance or a story to tell. Each object, be it a work of art, an emblem or something more everyday, represents an aspect of Thai life. Some items are devotional objects inspired by Theravada Buddhism, others are representative of the strong crafts tradition in the country; some have distinctive Thai design motifs, such as the kanok flame and vegetal motifs, others are simply pieces of clothing or jewelry--but all have a distinct bearing on Thai customs and culture. Each item is photographed separately and detailed text explains its historical importance and cultural significance.
Thailand is the only nation in South-east Asia, in modern world history, that remained independent despite the colonising efforts of the European powers. Thailand Condensed provides readers with an overview of key events in the nation’s past, Kings and even famous Thai personalities. Also featured are interesting nuggets of information on Thai icons and culture such as elephants, tuks tuks, dance and silk. which are presented in one volume for the reader’s ease of reference.
This comprehensive and absorbing book traces the cultural history of Southeast Asia from prehistoric (especially Neolithic, Bronze-Iron age) times through to the major Hindu and Buddhist civilizations, to around AD 1300. Southeast Asia has recently attracted archaeological attention as the locus for the first recorded sea crossings; as the region of origin for the Austronesian population dispersal across the Pacific from Neolithic times; as an arena for the development of archaeologically-rich Neolithic, and metal using communities, especially in Thailand and Vietnam, and as the backdrop for several unique and strikingly monumental Indic civilizations, such as the Khmer civilization centred around Angkor. Southeast Asia is invaluable to anyone interested in the full history of the region.