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Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks, a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life.
James Greene's acclaimed translations of the poetry of Osip Mandelshtam, now in an extensively revised and augmented edition.
Offers the complete body of work of one of the twentieth century's greatest Russian poets for the first time in English.
Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks, a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life.
"Katherine Eaton has compiled a collection of essays on the destruction of the arts in Russia in the 1930s. The essays provide information about what we know was lost, and speculation about what might have been lost, in the Stalinist Great Purge"
Osip Mandelstam was one of the great poets of the twentieth century, with a prophetic understanding of its suffering, which he transformed into luminous poetry. Childish and wise, joyous and angry, at once complex and simple, he was sustained for 20 years by his wife and memoirist Nadezhda Mandelstam, who became, with Anna Akhmatova, the saviour of his poetry.In May 1934, after years of persecution, Mandelstam was arrested for writing an unflattering poem about Stalin, and subjected to gruelling interrogations and torture. He attempted suicide twice, slashing his wrists in prison, and jumping from a hospital window in Cherdyn. Exiled to Voronezh, he seemed crushed. A friend described him then as 'in a state of numbness. His eyes were glassy. His eyelids were inflamed, and this condition never went away. His eyelashes had fallen out. His arm was in a sling.'But it was to be four more years before Mandelstam was completely beaten. In Voronezh he broke a silence of 18 months after a concert by the young violinist Galina Baranova. Her music released him into the most fertile phase of his writing, his last two years in exile, when he wrote the ninety poems of the three Voronezh Notebooks. Nadezhda's memoir Hope Against Hope includes a moving account of their time in Voronezh, and Anna Akhmatova's poem 'Voronezh' describes her visit there in 1936, when 'in the room of the exiled poet / fear and the Muse stand duty in turn / and the night is endless / and knows no dawn.'This edition is now out of print but the whole book is reprinted as part of The Moscow and Voronezh Notebooks.
The story of the poet Osip Mandelstam, who suffered continuous persecution under Stalin, but whose wife constantly supported both him and his writings until he died in 1938. Since 1917 The Modern Library prides itself as The Modern Library of the World's Best Books. Featuring introductions by leading writers, stunning translations, scholarly endnotes and reading group guides. Production values emphasize superior quality and readability. Competitive prices, coupled with exciting cover design make these an ideal gift to be cherished by the avid reader. Of the eighty-one years of her life, Nadezhda Mandelstam spent nineteen as the wife of Russia's greatest poet in this century, Osip Mandelstam, and forty-two as his widow. The rest was childhood and youth." So writes Joseph Brodsky in his appreciation of Nadezhda Mandelstam that is reprinted here as an Introduction. Hope Against Hope was first published in English in 1970. It is Nadezhda Mandelstam's memoir of her life with Osip, who was first arrested in 1934 and died in Stalin's Great Purge of 1937-38. Hope Against Hope is a vital eyewitness account of Stalin's Soviet Union and one of the greatest testaments to the value of literature and imaginative freedom ever written. But it is also a profound inspiration--a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances.
Rightly appreciated as a 'poet's poet', Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is 'as firmly rooted in both an historical and cultural context as real as Joyce's Ulysses or Eliot's Waste Land.' Great lyric poets offer a cross-section of their times, and Mandelstam's poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam's writings are the subject of this book, showing how engaged the poet was with the history, social movements, political ideology, and aesthetics of his time. The importance of the book also lies in showing how literature, no less than history and philosophy, enables readers to confront the huge upheaval in outlook can demand of us; thinking with poetry is to think through the moral compromise and tension felt by individuals in public and private contexts, and to create out of art experience in itself. The book further innovates by integrating a new, comprehensive discussion of the Voronezh Notebooks, one of the supreme achievements of Russian poetry. This book considers the full political dimension of works that explore the role of the poet as a figure positioned within society but outside the state, caught between an ideal of creative independence and a devotion to the original, ameliorative ideals of the revolution.
The personal and political life of the iconic Russian poet Osip Mandelstam is graphically portrayed in this lavishly illustrated book This is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism. The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam’s enjoyment of life. There are several underlying themes here. One is Mandelstam’s Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia’s political and social transformation. His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment. The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina.