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The story of the supersonic fighter with “interesting insight into the period of the 1950s and early 1960s, the Cold War and of course the war in Vietnam” (Military Modelling). During the mid–1950s the United States Air Force was given its most powerful single-seat, two-engine fighter to date. The Voodoo would be deployed before the end of that decade in the tactical nuclear bomber and tactical reconnaissance roles worldwide, and in homeland defense with the two-seat, all-weather variant. In December 1957 it took the World Air Speed Record to Mach 1.6—over one and a half times faster than the sound barrier. This book looks at the evolution of the original design and its introduction into service. Chapters cover operations in Korea, Vietnam, the Cuban Crisis and in Europe during the Cold War years. Many first-hand accounts from pilots are included and the author’s own experiences with the aircraft are given with fascinating insight. The Voodoo was an elegant, mean-looking fighting machine that epitomized fast flying in the fifties and sixties. It continues to be a revered airplane. “Definitely a book that gives an in depth look at the Voodoo and the pilots who flew her.”—InScale.org
Pottier examines how a persuasive analysis of the situation in Rwanda exacerbated the original crisis.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
Captain Neville Percy is a man grown weary and impatient after years of waiting for what he believed was his long overdue bump to a higher status in life as a slave trader in the old south. He longs to take over the station of his boss, Thaddeus Williams. He covets either of Williams’ twin daughters, highly prized for their intelligence and beauty, a bloody rivalry develops between he and the African tribal leader in the trading business. He will marry the twins to his nephew prince, but will his plan work? Percy, this ruthless demon of a man is the catalyst for all the chaos and hardship that is to come in this uniquely told American tale. Readers are sure to be enlightened by the details based on historical fact.
Seek and Strike – RAF Brüggen in War and Peace is an anecdotal history of the largest RAF station in Germany. Optimized for a new breed of aircraft, and to NATO requirements, this huge airfield was cut out of the Elmpt Forest, on the German border with Holland, and completed in one year to become operational in 1953. First occupied by a fighter wing equipped with Vampires, Sabres and Hunters, its ‘Seek and Strike’ motif took on real meaning when the station re-equipped with strike, attack and reconnaissance Canberras, followed by strike/attack Phantoms, Jaguars and finally Tornados. RAF Brüggen was at the forefront of the Cold War, during which innovation and determination brought it many accolades. It further distinguished itself in the Gulf War and continued to play its part in subsequent monitoring operations in that theater; it was also the only Tornado Wing to operate directly from its home base during the Kosovo campaign. This is the story of a station at war, of the men and women at the sharp end and in support. At work and play, it was they who made Brüggen what it was, excelling in all things and justifying a claim to have been RAF Germany’s ‘jewel in the crown’. With its closure in 2001, the RAF relinquished its last main operating base outside the UK. Brüggen was indeed ‘last and best’.
"Journalists are human being who see things through human-being eyes and bring to their news coverage feelings ... and experience from the rest of their human-being lives ... they flit across the globe covering all manner of news during which they are faced with a range of feelings, from horror to occasional joy. Usually left unexpressed, these feelings tends to emerge at unexpected ... times. Thoughtful accounts, if they emerge at all, are told to other journalists, sometimes to therapists and even more rarely, in published memoirs. These ... moments and encounters hardly ever make it into reports, encouraged as journalists are to be 'neutral and objective' ... Believing that all journalists have something to write home about [the editors] wanted to create a space for these stories ... to honour our fallen friends and colleagues ... Representing 25 countries, they have helped to create a mini-United Nations of writers, photographers, producers and camera operators. Drawing from their experiences in more than 40 countries, they write about the tragic, the sad, the poignant and sometimes the humorous"--Introduction.
Marie Levant begins her medical residency in New Orleans's Charity Hospital in the wake of culture shock and increasingly violent dreams, which give way to an awareness of her ancestral heritage as an African and a voodoo queen.
Luke and Benny are two best friends with big dreams in the wrong place and time. Braxton, Alabama. The 1920s. Benny's the sexy blues singer who does as he pleases. Luke's the odd genius, a film maker in the rough, whose qualities go unappreciated in his limited environment. A racist attack forces them to flee to Hollywood for fame...and revenge.
The history, altars, art and ceremonies that anchor Voodoo in Crescent City culture are revealed in this authoritative study. The diverse spiritual roots of New Orleans run deep—and they all converge in the practice known as Voodoo. The city's Roman Catholic influence and its French, Spanish, Creole and American Indian traditions blended with the rites and rituals that West Africans brought to Louisiana as enslaved laborers. The resulting Voodoo tradition became a unique and integral part of New Orleans culture and heritage. While 19th century enslaved practitioners held Voodoo dances in designated public areas like Congo Square, they also conducted secret rituals away from the prying eyes of the city. By 1874, some twelve thousand New Orleanians attended Voodoo queen Marie Laveau's St. John's Eve rites on the shores of Lake Pontchartrain. This cultural history traces the Voodoo tradition from its earliest beginnings to its continued practice in the Crescent City today.