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From Voltaire to Marx and Engels, this anthology explores history from the viewpoint of historians. The text includes influential works such as “The New Philosophical History” by Voltaire, “History as Biography” by Thomas Carlyle, and “A New Economic History” by R. W. Fogel. "I cannot imagine a more engaging and instructive introduction to the fascinations of historical writing than Fritz Stern's classic The Varieties of History."—Arthur Schlesinger, Jr., City University of New York "This book contains not only an excellent selection of passages which characterize the ideas and the work of leading historians from the eighteenth to the twentieth centuries, but the book in its entirety provides a stimulating survey of the entire development of modern historiography."—Felix Gilbert, The Institute for Advanced Study "It is by all odds the best kind of introduction to the study and, what is more, to the enjoyment, of history."—Crane Brinton
Narratives of Enlightenment is an interdisciplinary study of cosmopolitan approaches to the past. It reappraises the work of five of the most important narrative historians of the century - Voltaire, David Hume, William Robertson, Edward Gibbon and the historian of the American Revolution, David Ramsay - in the context of political and national debates in France, Scotland, England and America; and it investigates the nature and degree of their intellectual investment in the idea of a common European civilisation. Karen O'Brien combines the methodologies of literary criticism and intellectual history to explore debates about Enlightenments and the political uses of narrative. Where previous studies have emphasised the growth of nationalism in eighteenth-century literature, she reveals the development of cosmopolitan ways of thinking beyond national cultural issues.
A Companion to Enlightenment Historiography provides a survey of the most important historians and historiographical debates in the long eighteenth century, examining these debates’ stylistic, philosophical and political significance. The chapters, many of which were specially commissioned for this volume, offer a mixture of accessible introduction and original interpretive argument; they will thus appeal both to the scholar of the period and the more general reader. Part I considers Gibbon, Hume, Robertson, Montesquieu, Voltaire, Herder and Vico. Part II explores wider themes of national and thematic context: English, Scottish, French and German Enlightenment historians are discussed, as are the concepts of historical progress, secularism, the origins of historicism and the deployments of Greek and Roman antiquity within 18th century historiography. Contributors are Robert Mankin, Simon Kow, Jeffrey Smitten, Rebecca Kingston, Síofra Pierse, Bertrand Binoche, Donald Phillip Verene, Ulrich Muhlack, David Allan, Noelle Gallagher, François-Emmanuël Boucher, Sandra Rudnick Luft, Sophie Bourgault, C. Akça Ataç, and Robert Sparling.
Ever since Professor Robert Darnton aroused the interest of all Enlightenment scholars with the publication of 'The High Enlightenment and the low-life literature in pre-revolutionary France' in 1971, he has been in the forefront of debate about that period and the French Revolution which followed it. His work has long been an indispensable study for all those who ponder on the nature and evolution of these great movements. By the mid 1990s, however, it was apparent that Darnton's far-reaching conclusions on the relationship of the Enlightenment to the Revolution, together with his historical accounts of printed works and the mentalités of the eighteenth century, merited a comprehensive debate on his whole uvre. The present collection sparks off that debate. The contributors to this volume were invited freely to address any particular aspect of Robert Darnton's researches or to discuss the whole trust of his thinking about the past. Darnton readily agreed to this proposal, encouraging the editor to send invitations to long-standing critics just as much as to more sympathetic readers. The essays collected here respond to the original request, in diverse ways. Taking up a whole spectrum of positions about Darnton's work, they attempt an answer based on deep reflection or assiduous source-research or both. In a coda to the volume Robert Darnton responds robustly to the various readings of his work. In places he seeks to rescue it from what he considers to be false interpretations and to set the record straight. But his essay is not just a rebuttal. It moves the debate on, bringing new insights and information not previously published. His conclusion are as flexible open-ended as one could wish, and in line with which they have been richly plumbed in his writings. The threads running through the various essays are drawn together by a comprehensive index of eighteenth-century persons and writings.
Voltaire (1694-1778), best remembered as the author of Candide, is one of the central actors -- arguably the defining personality -- of the European Enlightenment. In this Very Short Introduction, Nicholas Cronk explores Voltaire's remarkable career and demonstrates how his thinking is pivotal to our notion and understanding of the Enlightenment. In a fresh and modern examination of his writings, Cronk examines the nature of Voltaire's literary celebrity, demonstrating the extent to which his work was reactive and practical, and therefore made sense within the broader context of the debates to which he responded. The most famous living author in Europe in the 18th century, Cronk emphasises Voltaire's skills of 'performance' as a writer and his continued relevance today. He concludes by looking not only at Voltaire's impact in literature and philosophy, but also his influence on French political values and modern French politics. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.