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This study explores the explosive history of volcanoes and volcanic thought in eighteenth-century Europe, arguing that the topic of the volcano informed almost all areas of human enquiry and endeavour at the time. Encountered on the Grand Tour, sought out by scientific explorers or endured by local populations in southern Italy and Iceland, erupting volcanoes were a physical reality for many Europeans in the eighteenth-century. For many others, they represented the very image of overwhelming natural power, whether this was ultimately attributed to spiritual or material causes. As such, the volcano proved an effective and versatile 'tool for thinking' in a century which ushered in modernity on several fronts: continental tourism, new earth sciences, the sublime and picturesque in art, industrial and political revolution, the conception of the modern nation-state, and early intimations of environmental and climate change. But the volcano also gives us, in the twenty-first century, a privileged site (as both topography and topos) at which we can reconnect disparate and divided fields of research across the sciences and the humanities. Drawing on a rich variety of multi-lingual primary sources and the latest critical thinking, this study combines material and symbolic readings of eighteenth-century volcanism, constantly shifting frameworks, so as to consider this topical object through different disciplinary perspectives. The volcano is clearly transnational; this research also demonstrates how it is fundamentally transdisciplinary.
Laki is Iceland's largest volcano. Its eruption in 1783 is one of history's great, untold natural disasters. Spewing out sun-blocking ash and then a poisonous fog for eight long months, the effects of the eruption lingered across the world for years. It caused the deaths of people as far away as the Nile and created catastrophic conditions throughout Europe.Island on Fire is the story not only of a single eruption but the people whose lives it changed, the dawn of modern volcanology, as well as the history and potential of other super-volcanoes like Laki around the world. And perhaps most pertinently, in the wake of the eruption of another Icelandic volcano, Eyjafjallajokull, which closed European air space in 2010, acclaimed science writers Witze and Kanipe look at what might transpire should Laki erupt again in our lifetime.
The Grand Tour, a customary trip of Europe undertaken by British nobility and wealthy landed gentry during the seventeenth and eighteenth centuries, played an important role in the formation of contemporary notions of elite masculinity. 0Examining testimony as written by Grand Tourists, tutors and their families, Goldsmith demonstrates that the Grand Tour educated elite young men in a wide variety of skills, virtues and masculine behaviours that extended well beyond polite society. She argues that dangerous experiences were far more central to the Tour as a means of constructing Britain's next generation of leaders than has previously been examined. Influenced by aristocratic concepts of honour and inspired by military leadership, elites viewed experiences of danger and hardship as powerfully transformative and therefore as central to the process of constructing masculinity.0Far from viewing danger as a disruptive force, Grand Tourists willingly tackled a variety of social, geographical and physical perils, gambling their way through treacherous landscapes; scaling mountains, volcanoes and glaciers; and encountering war and disease. Through the study of danger, Goldsmith offers a revision of eighteenth-century elite masculine culture and the critical role the Grand Tour played within this.
A vibrant, diverse history of Vesuvius and the Bay of Naples in the age of Romanticism Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.
This groundbreaking new volume unites eighteenth-century studies and the environmental humanities, showcasing how these fields can vibrantly benefit one another. In eleven chapters that engage a variety of eighteenth-century texts, contributors explore timely themes and topics such as climate change, new materialisms, the blue humanities, indigeneity and decoloniality, and green utopianism. Additionally, each chapter reflects on pedagogical concerns, asking: How do we teach eighteenth-century environmental humanities? With particular attention to the voices of early-career scholars who bring cutting-edge perspectives, these essays highlight vital and innovative trends that can enrich both disciplines, making them essential for classroom use.
Art history has enriched the study of material culture as a scholarly field. This interdisciplinary volume enhances this literature through the contributors' engagement with gender as the conceptual locus of analysis in terms of femininity, masculinity, and the spaces in between. Collectively, these essays by art historians and museum professionals argue for a more complex understanding of the relationship between objects and subjects in gendered terms. The objects under consideration range from the quotidian to the exotic, including beds, guns, fans, needle paintings, prints, drawings, mantillas, almanacs, reticules, silver punch bowls, and collage. These material goods may have been intended to enforce and affirm gendered norms, however as the essays demonstrate, their use by subjects frequently put normative formations of gender into question, revealing the impossibility of permanently fixing gender in relation to material goods, concepts, or bodies. This book will appeal to art historians, museum professionals, women's and gender studies specialists, students, and all those interested in the history of objects in everyday life.
This work explores the question of Vesuvius as an object of study in the early modern science of volcanism from the investigations and opinions of humanists and naturalists in the late Renaissance to the early 18th-century philosophizing on volcanoes and the development of geology later in the century.
This account of the greatest lava flow in historical times, which occurred in Iceland only two hundred years ago, is a unique eye-witness record of a dramatic natural catastrophe which threatened the lives of a small nation in the high north. It was the Reverend Jon Steingrimsson, a living legend in his day for a sermon said to have halted the glowing molten lava as it cascaded towards his church, who described this merciless outburst of nature's fury. His original observations and insights make this work at once a scientific classic and a literary gem. With typical humility, the author describes his own motive for writing it: "I thought it would be unfortunate if these memories should be lost and forgotten upon my departure, as have so many other works of God which have, for lack of care, been lost forever."
For centuries, volcanic eruptions have captured our imaginations. Whether as signposts to an underworld, beacons to ancient mariners, or as an extraordinary manifestation of the natural world, volcanoes have intrigued many people, who have left records of their encounters in letters, reports and diaries and through sketches and illustrations. This book tells the stories of volcanic eruptions around the world, using original illustrations and first-hand accounts to explore how our understanding of volcanoes has evolved through time. Written accounts include Pliny's description of the 79 CE eruption of Vesuvius, stories recounted by seventeenth-century sea-farers, and reports of expeditions made by eighteenth- and nineteenth-century natural historians, including Alexander von Humboldt and Charles Darwin. Illustrations range from fragments of scrolls, buried in the great eruption of Vesuvius that destroyed Pompeii, to Athanasius Kircher's extraordinarily detailed sketches, made in the seventeenth century, to the spectacular London sunsets caused by Krakatoa's eruption in 1883. They also include the first photograph of a volcanic eruption and twenty-first-century imaging of Santorini.These varied and compelling accounts enrich our perspective on current studies of volcanoes and challenge us to think about how we might use our contemporary understanding of volcanology to prepare for the next big eruption.
Festivities such as those exalting the court of Louis XIV, the celebration of James II's London coronation, and the commemoration of the peace celebrations of 1749 at The Hague culminated in dazzling pyrotechnical displays. These were in turn reproduced as prints, paintings, and narrative descriptions. This unique book examines the propagandistic and rhetorical functions these printed records came to serve as vehicles of aesthetic, cultural, and emotional significance.