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The papers in this tightly focused collection all report recent research on aspects of rendaku (‘sequential voicing’), the well-known morphophonemic phenomenon in Japanese that affects initial consonants of non-initial elements in complex words (mostly compounds). The papers include broad surveys of theoretical analyses and of psycholinguistic studies, meticulous assessments (some relying on a new database) of many of the factors that putatively inhibit or promote rendaku, an investigation of how learners of Japanese as foreign language deal with rendaku, in-depth examinations of rendaku in a divergent dialect of Japanese and in a Ryukyuan language, and a cross-linguistic exploration of rendaku-like compound markers in unrelated languages. Since rendaku is ubiquitous but recalcitrantly irregular, it provides a challenge for any general theory of morphophonology. This collection should serve both to restrain oversimplified accounts of rendaku and to inspire to further research.
This book presents a number of studies which focus on the [voice] grammar of Japanese, paying particular attention to historical background, dialectal diversity, phonetic experiment, and phonological analysis. Both voicing processes in consonants (such as Sequential Voicing, or Rendaku) and vowels (such as vowel devoicing) are examined. A number of new analyses are presented, focusing on well-known data that have been controversial in phonological debate in the past, but also presenting new (or rediscovered) data, partly through the work of Japanese scholars that hitherto went mostly unnoticed, partly through new database research, and partly through phonetic experiment.
The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon.
Kerim Yasar traces the origins of the modern soundscape, showing how the revolutionary nature of sound technology and the rise of a new auditory culture played an essential role in the formation of Japanese modernity. Electrified Voices is a far-reaching cultural history of the telegraph, telephone, phonograph, radio, and early sound film in Japan.
This monograph investigates how Japanese employs different structures found in the grammatical voice, both synchronically and diachronically. The Japanese voice system, especially the passive voice, has provided much interesting data for typological comparison, and Japanese examples are often cited in various linguistic works. However, the basic structure consisting of a suffix -(r)are is taken for granted as the passive voice, but it has not been thoroughly compared with various structures with similar functions in other languages. It is argued here that various typological comparisons can reveal different interpretations of structures often analysed under a term ‘grammatical voice’ in Japanese. The main argument proposed in this book is that the Japanese passive originates from an earlier middle voice structure. As the language evolved, the middle voice lost its core function and became more like the passive voice, leaving some residues of earlier middle voice structure even in Modern Japanese. This developmental path is typologically very common, but it has not been recognised in the history of Japanese. This will make the voice continuum in Japanese more complex, i.e. from a conventional active-passive binary pair to a newly proposed active-middle-passive ternary pair. Thus, the presence of the middle voice in Japanese can provide various solutions to questions that are previously considered in relation to the passive voice. The book starts off with a description of different structures normally discussed under the passive voice in Japanese, and five structures are presented here. Following this, both syntactic and semantic features of the Japanese voice system are discussed separately. These discussions will raise some oddities that are not dealt with satisfactorily in previous analysis, and these points are analysed in historical comparison. Apart from the basic description of five structures, certain grammatical features are studied by comparing Japanese data with similar structures and functions in other languages. In addition, there is a small amount of data used for indicating frequency of structures in the basic description.
This monograph investigates how Japanese employs different structures found in the grammatical voice, both synchronically and diachronically. The Japanese voice system, especially the passive voice, has provided much interesting data for typological comparison, and Japanese examples are often cited in various linguistic works. However, the basic structure consisting of a suffix -(r)are is taken for granted as the passive voice, but it has not been thoroughly compared with various structures with similar functions in other languages. It is argued here that various typological comparisons can reveal different interpretations of structures often analysed under a term â ~grammatical voiceâ (TM) in Japanese. The main argument proposed in this book is that the Japanese passive originates from an earlier middle voice structure. As the language evolved, the middle voice lost its core function and became more like the passive voice, leaving some residues of earlier middle voice structure even in Modern Japanese. This developmental path is typologically very common, but it has not been recognised in the history of Japanese. This will make the voice continuum in Japanese more complex, i.e. from a conventional active-passive binary pair to a newly proposed active-middle-passive ternary pair. Thus, the presence of the middle voice in Japanese can provide various solutions to questions that are previously considered in relation to the passive voice. The book starts off with a description of different structures normally discussed under the passive voice in Japanese, and five structures are presented here. Following this, both syntactic and semantic features of the Japanese voice system are discussed separately. These discussions will raise some oddities that are not dealt with satisfactorily in previous analysis, and these points are analysed in historical comparison. Apart from the basic description of five structures, certain grammatical features are studied by comparing Japanese data with similar structures and functions in other languages. In addition, there is a small amount of data used for indicating frequency of structures in the basic description.
"The Burakumin. Stigmatized throughout Japanese history as an outcaste group, their identity is still “risky,” their social presence mostly silent, and their experience marginalized in public discourse. They are contemporary Japan’s largest minority group—between 1.5 and 3 million people. How do young people today learn about being burakumin? How do they struggle with silence and search for an authentic voice for their complex experience? Voice, Silence, and Self examines how the mechanisms of silence surrounding burakumin issues are reproduced and challenged in Japanese society. It explores the ways in which schools and social relationships shape people’s identity as burakumin within a “protective cocoon” where risk is minimized. Based on extensive ethnographic research and interviews, this longitudinal work explores the experience of burakumin youth from two different communities and with different social movement organizations. Christopher Bondy explores how individuals navigate their social world, demonstrating the ways in which people make conscious decisions about the disclosure of a stigmatized identity. This compelling study is relevant to scholars and students of Japan studies and beyond. It provides crucial examples for all those interested in issues of identity, social movements, stigma, and education in a comparative setting."
The major task of this book is a sociophonetic exploration of voice pitch characteristics of speakers across the cultures of Japan and America. This volume makes a cogent argument for the socio-cultural role of voice pitch in the expression of emotion and politeness and how culture and gender can intersect with each other. The book tenders acoustic phonetic evidence (as well as discourse analyses) in construing how an individual's voice pitch modulation utilized in conversational speech is reflected in this intersection as it demonstrates several methodological innovations crucial for sociophonetic research. Observations of people's voice pitch commonly made impressionistically not only contribute to this prosodic feature's perceptual stereotypes, but also inform us about our attitudes towards certain voice pitch characteristics. This volume includes an extensive review of these impressionistic remarks and acoustic phonetic investigations of voice pitch initiated in the early 20th century in the two nations, the latter of which contributed to both confirming and reconsidering the former. The volume further alludes to how attitudinal differences between these cultures were found to surface in the acoustically measured voice pitch modulation patterns obtained for this volume, stressing that voice pitch is capable of revealing various socio-cultural aspects of human behaviors.
Say sayonara to your fears of speaking Japanese! Interested in learning to speak Japanese but feel intimidated by the complex characters and pronunciations? No need to worry! Even if your only experience is ordering sushi, Japanese Demystified will have you saying konnichiwa to your new language skills in no time. Beginning with a review of Japanese writing systems, basic pronunciation, and everyday expressions, this book covers key grammar fundamentals such as particles, nouns, verb forms, and honorifics. You'll build your Japanese vocabulary with essential words and phrases and quickly master this challenging language. Test yourself at the end of every chapter for reinforcement that you're fast on your way to speaking, writing, and understanding Japanese. This fast and easy guide features: Clear and straightforward explanations of Japanese grammar fundamentals Numerous examples of simple and complex sentence structures Japanese hiragana, katakana, and kanji with phonetic transliterations for all Japanese words Helpful writing and speaking exercises that bring the Japanese language to life Coverage of everyday topics as well as conversational expressions Quizzes at the end of each chapter to reinforce new material Simple enough for a beginner, but challenging enough for a more experienced student, Japanese Demystified is your shortcut to mastering this complex language.