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Dissertation im Fachbereich Nordamerikanische Literatur und Kultur der Universität des Saarlandes. The Implosion of Negativity ist die erste Monografie zu Paul Austers Frühwerk. Bis 1980 betätigte sich Auster zehn Jahre lang fast ausschließlich als Lyriker, um danach nie wieder ein Gedicht zu veröffentlichen. The Implosion of Negativity versucht zu ergründen, wie es zu diesem Bruch kam, und analysiert detailliert Austers poetisches Vorleben. Dabei werden bislang unbeachtete Einflüsse wie Martin Buber und Paul Celan zutage gefördert. Die abschließende Untersuchung von The New York Trilogy zeigt exemplarisch, welche neuen interpretatorischen Ansätze die Kenntnis von Austers vergessenem Frühwerk ermöglicht: Der untote Lyriker wird zum Phantom, das unablässig Austers Romane heimsucht - und antreibt. Die Dissertation The Implosion of Negativity ist in englischer Sprache verfasst. Der Anhang enthält eine deutsche Zusammenfassung, eine umfassende Bibliographie und ein persönliches Interview mit Paul Auster. Englischer Klappentext: For most readers and critics Paul Auster's oeuvre begins with The New York Trilogy, yet his major success as a novelist was preceded by a decade of almost obsessive devotion to poetry. The Implosion of Negativity is the first book-length study of Paul Auster's early work. From his dense, intensely lyric sequences of the early 1970s to the more discursive style of Auster's final book of poems, Facing the Music (1980), and on to his experimental prose of the early eighties, The Implosion of Negativity traces a fascinating journey through the author's formative years. Andreas Hau's dissertation begins with a detailed analysis of Auster's early long poem "Unearth", examines overlooked influences such as Paul Celan and Martin Buber, and continues with Auster's exploration of his Jewish heritage in Wall Writing, his rediscovery of the American objectivists in "Disappearances", and his encounters with the visual arts in Fragments from Cold. Subsequent
A scientific look at creationism from a former creationist A significant number of Americans, especially evangelical Christians, believe Earth and humankind were created in their present form sometime in the last 10,000 years or so—the rationale being that this is (presumably) the story told in the book of Genesis. Within that group, any threatening scientific evidence that suggests otherwise is rejected or, when possible, retrofitted into a creationist worldview. But can this uncomfortable blend of biblical literalism and pseudoscience hold up under scrutiny? Is it tenable to believe that the Grand Canyon was formed not millions of years ago by gradual erosion but merely thousands of years ago by the Great Flood? Were there really baby dinosaurs with Noah on his ark? Janet Kellogg Ray, a science educator who grew up a creationist, doesn’t want other Christians to have to do the exhausting mental gymnastics she did earlier in her life. Working through the findings of a range of fields including geology, paleontology, and biology, she shows how a literal interpretation of the book of Genesis simply doesn’t mesh with what we know to be reality. But as someone who remains a committed Christian, Ray also shows how an acceptance of the theory of evolution is not necessarily an acceptance of atheism, and how God can still be responsible for having created the world, even if it wasn’t in a single, momentary, miraculous event.
"George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work." "Editor Michael Davidson has written an introduction to the poet's life and work and supplies generous notes that give readers a deeper understanding of the background of the individual books and references in the poems. Essayist Eliot Weinberger provides a personal remembrance of the poet in his preface, "Oppen Then." This new, revised paperback edition also includes an extraordinary CD of the poet reading from each of his poetry books. Culled from obscure, rarely heard recordings of Oppen when he was in New York, San Francisco, and London at different times in his life, the CD adds a unique dimension to the lifework of one of America's finest poets."--BOOK JACKET.
Focusing on the rich context of esoteric Jerish literature, this collection presents in-depth analyses of Jewish-American poetry. Gitenstein defines Jewish messianism and the literary genre of the apocalyptic, describes historical movements and kabbalistic theories, and analyzes their influence as part of the post-Holocaust consciousness. Represented are works by such poets as Irving Feldman, Jack Hirschman, John Hollander, David Meltzer, and Jerome Rothenberg. Gitenstein recounts the lives of such spectacular eccentrics and holy men as the Abraham Abulafia (thirteenth century), Isaac Luria (sixteenth century), Shabbatai Zevi (seventeenth century), and Jacob Frank (eighteenth century) and identifies their theories as part of the history of the literary apocalyptic genre—the literature of exile, the literature of catastrophe.
Explore your spiritual life. Create a personal theology. Challenge and test your faith—all using the Book of Psalms. The Book of Psalms has been beloved by generations of readers. It offers solace in times of trouble, holds out hope for rescue and redemption, and helps to answer some of the difficult questions raised by faith. The Book of Psalms is more personal than other books of the Bible; instead of telling stories with God as the central actor, the psalmists talk to—and about—God. Keeping Faith with the Psalms leads you into the Bible to discover ways you can use the Psalms to shape your own personal spiritual outlook. Daniel Polish does not give any simple solutions, but reveals how you can discover answers for yourself through the Psalms. You will explore: Meeting God in Nature Finding God in Torah Finding God through the Historical Experience of the Jewish People The Problem of Evil in Our World Facing Our Mortality Finding Our Relationship with God Jerusalem as Symbol and Reality What Does the Lord Require? The Call to Social Justice Through the threads of meaning, questions, and perspectives offered in the psalms themselves, Rabbi Polish’s guide offers an intimate look at the issues that touch and influence your personal theology.
In Leaves from the Garden of Eden, Howard Schwartz, a three-time winner of the National Jewish Book Award, has gathered together one hundred of the most astonishing and luminous stories from Jewish folk tradition. Just as Schwartz's award-winning book Tree of Souls collected the essential myths of Jewish tradition, Leaves from the Garden of Eden collects one hundred essential Jewish tales. As imaginative as the Arabian Nights, these stories invoke enchanted worlds, demonic realms, and mystical experiences. The four most popular types of Jewish tales are gathered here--fairy tales, folktales, supernatural tales, and mystical tales--taking readers on heavenly journeys, lifelong quests, and descents to the underworld. There is a dybbuk lurking in a well, a book that comes to life, and a world where Lilith, the Queen of Demons, seduces the unsuspecting. Here too are Jewish versions of many of the best-known tales, including "Cinderella," "Snow White," and "Rapunzel." Schwartz's retelling of one of these stories, "The Finger," inspired Tim Burton's film Corpse Bride.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
In a letter to Jacobs, the novelist Dan Jacobson refers to "your northern Anglo-Scottish pragmatical self coming down hard on your more emotional Jewish self". Emanating from the poet's explicit Judaeo-Scottish matrix are many fine English lyrics, poised and vulnerable, deeply felt and highly intelligent, locally grounded - Glasgow, London, Jerusalem, Madrid - and universally accessible. This volume reprints his previous books and includes many unpublished poems - the fruits of two years' research among the poet's papers. The full notes prepared by the editors contain variants and other material of interest. Jacobs was a distinguished translator of Hebrew poetry. The translation section reprints his books of translations of the poems of David Vogel and Avraham Ben-Yitzhak as well as a selection of his versions of Bialik and poets of a later generation, including Amichai, Carmi, Zach and Ravikovitch. The book contains essays by the editors, John Rety and Anthony Rudolf, and by Philip Hobsbaum and Frederick Grubb. It begins with a foreword by Jon Silkin.
Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her ex-husband, the loss of close friends and, later, of growing old.