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Table of Contents Preface Introduction Taking the Drawing Room Through Customs Deep Roots, New Language Waltzing Across Four and a Half Decades Journeys without Maps Becoming a Caribbean Man West Indian Writers in Britain A Writer in Exile Changes of Scenery Crossing Boundaries In Search of a Talisman Liars, Hypocrites, Imperialists and Sages The Vernacular Cosmopolitan Ancestors I Carry Speaking in Tongues Afterword Biographical Notes
Winner of the International Prize for Arabic Fiction, this novel weaves together a series of devastating confessions about life in contemporary Arab society “Barakat isn't writing about ‘the immigrant.’ She's writing about the human.”—Rumaan Alam, 4columns “Spare and deep, Voices of the Lost captivates. Hoda Barakat is one of Lebanon's greatest gifts to literature, and Booth allows her English audience to explore this painful and irresistible present.”—Amy Bloom, author of White Houses In an unnamed country torn apart by war, six strangers are compelled to share their darkest secrets. Taking pen to paper, each character attempts to put in writing what they can’t bring themselves to say to the person they love—mother, father, brother, lost love. Their words form a chain of dark confessions, none of which reaches the intended recipient. Profound, troubling, and deeply human, Voices of the Lost tells the moving story of characters living on the periphery, battling with displacement, devastating poverty, and the demons within themselves. From one of today’s most talented Arabic writers, Voices of the Lost is an urgent story of lives intimately woven together in a society that is tearing itself apart.
Examines the events leading up to the Battle of Trenton, the battle itself, and its aftermath, as told through historical excerpts, a tour of Washington's crossing, and a series of fictionalized letters.
Voices from the Ancestors brings together the reflective writings and spiritual practices of Xicanx, Latinx, and Afro-Latinx womxn and male allies in the United States who seek to heal from the historical traumas of colonization by returning to ancestral traditions and knowledge. This wisdom is based on the authors’ oral traditions, research, intuitions, and lived experiences—wisdom inspired by, and created from, personal trajectories on the path to spiritual conocimiento, or inner spiritual inquiry. This conocimiento has reemerged over the last fifty years as efforts to decolonize lives, minds, spirits, and bodies have advanced. Yet this knowledge goes back many generations to the time when the ancestors understood their interconnectedness with each other, with nature, and with the sacred cosmic forces—a time when the human body was a microcosm of the universe. Reclaiming and reconstructing spirituality based on non-Western epistemologies is central to the process of decolonization, particularly in these fraught times. The wisdom offered here appears in a variety of forms—in reflective essays, poetry, prayers, specific guidelines for healing practices, communal rituals, and visual art, all meant to address life transitions and how to live holistically and with a spiritual consciousness for the challenges of the twenty-first century.
The first book in the stunning Blood of the Lamb trilogy, full of action, suspense and drama. The Crossing is the first book in a stunning trilogy that follows the fate of Maryam and her unlikely companions - Joseph, Ruth and Lazarus. This is fast, suspenseful drama underpinned by a powerful and moving story about love and loss. The people of Onewere, a small island in the Pacific, know that they are special - chosen to survive the deadly event that consumed the Earth. Now, from the rotting cruise ship Star of the Sea, the elite control the population - manipulating old texts to set themselves up as living 'gods'. But what the people of Onewere don't know is this: the leaders will stop at nothing to meet their own blood-thirsty needs... When Maryam crosses from child to woman, she must leave everything she has ever known and make a crossing of another kind. But life inside the ship is not as she had dreamed, and she is faced with the unthinkable: obey the leaders and very likely die, or turn her back on every belief she once held dear. 'Like 1984 for teenagers - direct, passionate and powerful' - Margaret Mahy. Winner of the NZ Post Book Award for YA fiction 2010.
Maybe you won't rock a cradle, Muriel. Some women seem to prefer to rock the boat. Eighteen-year-old Muriel Jorgensen lives on one side of Crabapple Creek. Her family's closest friends, the Normans, live on the other. For as long as Muriel can remember, the families' lives have been intertwined, connected by the crossing stones that span the water. But now that Frank Norman—who Muriel is just beginning to think might be more than a friend—has enlisted to fight in World War I and her brother, Ollie, has lied about his age to join him, the future is uncertain. As Muriel tends to things at home with the help of Frank's sister, Emma, she becomes more and more fascinated by the women's suffrage movement, but she is surrounded by people who advise her to keep her opinions to herself. How can she find a way to care for those she loves while still remaining true to who she is? Written in beautifully structured verse, Crossing Stones captures nine months in the lives of two resilient families struggling to stay together and cross carefully, stone by stone, into a changing world.
A collection of first-person narratives and anecdotes, close-up portrait photographs, and the author's personal and historical reflections capture the rich ethnic diversity of the people and landscapes of the borough of Queens in New York City, in a volume that comes complete with an audio rendition of the oral histories and music by composer Scott Johnson. Original.
In Sounds of Crossing Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself—from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas—Chávez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States’ often vitriolic immigration politics. Through Chávez's writing, we gain an intimate look at the experience of migration and how huapango carries the voices of those in Mexico, those undertaking the dangerous trek across the border, and those living in the United States. Illuminating how huapango arribeño’s performance refigures the sociopolitical and economic terms of migration through aesthetic means, Chávez adds fresh and compelling insights into the ways transnational music-making is at the center of everyday Mexican migrant life.
They are a mass migration of thousands, yet each one travels alone. Solito, Solita (Alone, Alone), shortlisted for the 2019 Juan E. Méndez Book Award for Human Rights in Latin America, is an urgent collection of oral histories that tells—in their own words—the story of young refugees fleeing countries in Central America and traveling for hundreds of miles to seek safety and protection in the United States. Fifteen narrators describe why they fled their homes, what happened on their dangerous journeys through Mexico, how they crossed the borders, and for some, their ongoing struggles to survive in the United States. In an era of fear, xenophobia, and outright lies, these stories amplify the compelling voices of migrant youth. What can they teach us about abuse and abandonment, bravery and resilience, hypocrisy and hope? They bring us into their hearts and onto streets filled with the lure of freedom and fraught with violence. From fending off kidnappers with knives and being locked in freezing holding cells to tearful reunions with parents, Solito, Solita’s narrators bring to light the experiences of young people struggling for a better life across the border. This collection includes the story of Adrián, from Guatemala City, whose mother was shot to death before his eyes. He refused to join a gang, rode across Mexico atop cargo trains, crossed the US border as a minor, and was handcuffed and thrown into ICE detention on his eighteenth birthday. We hear the story of Rosa, a Salvadoran mother fighting to save her life as well as her daughter’s after death squads threatened her family. Together they trekked through the jungles on the border between Guatemala and Mexico, where masked men assaulted them. We also meet Gabriel, who after surviving sexual abuse starting at the age of eight fled to the United States, and through study, legal support and work, is now attending UC Berkeley.
'It wasn't until after he was safely back in the aircraft again that I heard that he'd actually been out on the wing to try to put the fire out ... Remember that we were flying at about 90 miles an hour at a height of 13,000 feet' Squadron Leader RP Widdowson on Sergeant James Ward, who earned his VC in 1941 The Victoria Cross, awarded to the most courageous and determined servicemen, is the highest military decoration that can be bestowed. In Forgotten Voices: Victoria Cross, first-hand accounts of soldiers, sailors and airmen describe the incredible events that earned these extraordinary men the VC in the last century. Captivating and often humbling, these stories depict exceptional acts of bravery in unimaginable situations, of men who would say they were just doing their duty. Introduction by General Sir Richard Dannatt.