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An introduction to the history of French literature, covering from 842 to 1990.
This playful collection of poems--peppered with an astounding variety of animal sounds--is meant to be read aloud together. These poems for two or more voices explore the myriad sounds animals make--from a frog's jug-o-rum to a fish's boom! to an elephant's bark. Laced with humor, the poems are a delight to read aloud and cover all major classes of animals: mammals, birds, fish, reptiles, amphibians, insects, even a crustacean! Readers will learn how to estimate the temperature by counting a cricket's chirps and see how creatures make sounds at specific pitches and frequencies, so that they can be heard despite other noise around them. Extensive end notes provide more information on the animals and how and why they make the sounds they do. Written by noted children's poet Georgia Heard, this is an ideal collection for parents and children to share, or for a fun, interactive classroom read-aloud.
A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Excerpt from Voices of Nature: And Thoughts in Rhyme "We hold these truths to be self-evident: - that all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among these are," the liberty to write rhymes when they please, and to publish them in a book when it suits their purpose; and that every individual has the right to occupy and improve a portion of the demesne of Literature; provided always, that he does not appropriate to himself the betterments of his neighbor, without giving due credit for value received. In accordance with this "bill of rights," the Author of this little volume has occupied a small portion of the demesne aforesaid, and improved it to the best of his ability, and the fruits gathered in are herewith presented; they may be considered bad samples, crude and unripe; but, nevertheless, they are in market. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.