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Nicholas Lash, born in 1934, is Norris-Hulse Professor Emeritus of Divinity at the University of Cambridge, where he occupied that chair from 1978 until his retirement in 1999. He is the author of some fourteen books and four hundred essays and papers. He was, for eighteen years, a member of the central directorate of the international Roman Catholic journal, 'Concilium', and is a founding member and past president of the Catholic Theological Association of Great Britain. A volume of his sermons is due to be published in London in 2005, by Darton Longman and Todd, who will also publish a volume of his essays in 2006. He is married, with one son, and continues to live in Cambridge.
Her Voices is a compilation of intriguing studies that explore some of the key issues and understandings that have become focal points of feminist discourse in recent times. This work examines subordination, marginalization and even the outright suppression of 'Her' voices by the linquistic, philosophical and other symbolic structures of a patriarchal and phallocratic society. Contents: Preface, Fabio B. Dasliva and Matthew Kanjirathinkal; Introduction: Her Voices: Toward a Feminist Social Theory, Fabio B. Dasilva, Matthew Kanjirathinkal and Kerry Rockquemore; Woman's Voice and the Discourse of Rape: An Analysis of Three Texts, Vasilkie Demos; No Man's Land: Definitions of 'Women Space' in Diana Rivers' Feminist Utopian Novels, Andrew James Cognard-Black; Visibility and the 'Speculum of Woman': What If He Went Back Into the Cave and Found Instead of Children, A Crone?, Mary Jeanne Larrabee; Tactile Sociality, Cynthia Willett; Queering the Phallus, Debra B. Bergoffen; Women in Dark Times: Rahel Varnhagen, Rosa Luxemburg, Hannah Arendt, and Me, Bat-Ami Bar On; Marxist Voices in Feminism, Frances Kominkiewicz; Women as Laborer and Product: A Marxist Analysis of Sexuality and Pornography in Late Capitalism, Michelle Y. Janning; Feminism and the Problem of Georges Batille, Ken Itzkowitz.
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
Published in 1966, this documentary history examines the history of Georgia from the first appearance of Spanish explorers to the hardships of the Civil War and Reconstruction. Through the accounts of those who experienced the events firsthand, Spencer Bidwell King Jr. allows the reader to experience colonialism, Revolution, and statehood. Within these distinctive eras, King discusses society, education, religion, literature, and the economic and cultural pursuits of the people. He combines extensive quotes from primary sources with historical information to create a continuous narrative. By using the voices of Georgians, King reveals the state's unique character and individuality.
Many Voices One Song is a detailed manual for implementing sociocracy, an egalitarian form of governance also known as dynamic governance. The book includes step-by-step descriptions for structuring organizations, making decisions by consent, and generating feedback. The content is illustrated by diagrams, examples and stories from the field.
The Tudors are one of the most well-known and powerful dynasties in English history. How they constructed and maintained their social magnificence and status, against a background of political upheaval, has fascinated people for centuries. This book argues that Tudor royal power was, to a large degree, textual. By examining examples of correspondence alongside lesser-studied texts such as proclamations and historical chronicles, the book explores the material and linguistic practices that came to symbolise monarchic authority in the Tudor era, and provides fascinating insights into well-known figures including Henry VII, Henry VIII, Edward VI, Mary I and Elizabeth I. Mel Evans applies contemporary sociolinguistic and pragmatic concepts, as well as methods developed in corpus linguistics, to map out the textual similarities across the sixteenth century that highlight this symbolic 'royal voice', crucial to the power and might of the Tudor dynasty.
In Voices of the Mind, James Wertsch outlines an approach to mental functioning that stresses its inherent cultural, historical, and institutional context. A critical aspect of this approach is the cultural tools or mediational means that shape both social and individual processes. In considering how these mediational means--in particular, language--emerge in social history and the role they play in organizing the settings in which human beings are socialized, Wertsch achieves fresh insights into essential areas of human mental functioning that are typically unexplored or misunderstood. Although Wertsch's discussion draws on the work of a variety of scholars in the social sciences and the humanities, the writings of two Soviet theorists, L. S. Vygotsky (1896-1934) and Mikhail Bakhtin (1895-1975), are of particular significance. Voices of the Mind breaks new ground in reviewing and integrating some of their major theoretical ideas and in demonstrating how these ideas can be extended to address a series of contemporary issues in psychology and related fields. A case in point is Wertsch's analysis of voice, which exemplifies the collaborative nature of his effort. Although some have viewed abstract linguistic entities, such as isolated words and sentences, as the mechanism shaping human thought, Wertsch turns to Bakhtin, who demonstrated the need to analyze speech in terms of how it appropriates the voices of others in concrete sociocultural settings. These appropriated voices may be those of specific speakers, such as one's parents, or they may take the form of social languages characteristic of a category of speakers, such as an ethnic or national community. Speaking and thinking thus involve the inherent process of ventriloquating through the voices of other socioculturally situated speakers. Voices of the Mind attempts to build upon this theoretical foundation, persuasively arguing for the essential bond between cognition and culture.
Violence against negative voices is a book released by the Holy Spirit to enable the reader invoke the fire of vengeance upon stubborn pursuers. The author has given us a brilliant expose on the power of the voices, the mystery of the spoken word and the yardsticks for discerning the difference between negative and positive voices. Thoroughly researched, exhaustive and offered in an easy to read format, Violence Against Negative Voice is a must read for readers who are ready to silence every voice emanating from the kingdom of darkness. The prayer points are explosive, the subject is handled with compassion and the reader is carried along through the use of practical illustrations. With this book in your hands, victory is sure.