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This book offers readers a one-stop guide to debating on the radio, the benefits of using the format and the procedures necessary to conduct successful debates.
Author Louis Alexander Hemans writes not only as a linguist, poet, and philosopher, but also as a man socialized in the Jamaican subset of the African diaspora. His work reflects a confluence of a variety of forces: Black consciousness, Spanish references, Jamaican dialect, folkways, flora, fauna, and the universal expression of love and sexuality. In Voices in the Twilight, Hemans’s second collection of work, he presents poems, literary letters, and short stories. His verses explore a variety of topics, including politics, philosophy of life, ancestral history, death and the afterlife, the slave trade and reparation, the Jamaican peasantry, education, nature, and romantic love—both requited and unrequited. Also included are three literary letters, with one addressed to Hemans’s uncle David, who immigrated to Cuba and never returned to his native Jamaica. The collection’s short stories are mostly set in the Anchovy area of Jamaica, near Montego Bay. This literary collection, featuring poetry, letters, and short fiction, considers a wide range of topics, from politics to romance to philosophy.
Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties After the Union Army’s defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war’s impact on their personal and artistic development. Inspired by Whitman’s poem “The Wound-Dresser” and Alcott’s Hospital Sketches, the ninth stand-alone book in The American Novels series is a masterful dual portrait of two iconic authors who took different paths toward chronicling a country beset by prejudice and at war with itself.
First published in 1965, this brilliant, prescient book is divided into three sections: The first concerns space travel and other aspects of the new space age: how our concept of time must be modified when we travel long distances, the space seas of tomorrow, uses of the moon, how lower gravity will affect the sports of space colonists and other fascinating ideas. The second part is about communications satellites, a field in which the author has already played the role of true prophet. The third section ranges widely over the side implications of the space age - scientific meddling, the lunatic fringe and the moral obligations of scientists.
Kaa: a world where. .creatures communicate by scent and taste as much as sound and sight. .meaning lives in every rock and stream, and every breeze brings a new voice. .consciousness and sapience are new experiences, where intelligence and culture are in the throes of being born. And where one Human explorer stands on the threshold of discoveries that could alter the future of Humanity..
From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”
This unsentimental but moving memoir of bridges two distinct periods in the history of the AIDS epidemic: the terrifying early years in which a diagnosis was a death sentence and ignorance too often eclipsed compassion, and the introduction of antiviral therapies that transformed AIDS into a chronic, though potentially manageable, disease.
"The new year was already some hours old, but the world to which it had come was still dark. Dark with a curious obscurity, that was absolutely opaque yet faintly luminous, because of the white fog which lay on all things and hid them from the stars; for the sky above was clear, cold, almost frosty. That was why the fog, born, not of cool vapour seeking for cloud life among the winds of heaven, but of hot smoke loving the warmth of dust and ashes, clung so closely to the earth; to its birthplace. It was an acrid, bitter smoke, not even due to the dead hearthfires of a dead day, since they--like all else pertaining to the domestic life of India--give small outward sign of existence, but to the smouldering piles of litter and refuse which are lit every evening upon the outskirts of human habitation. Dull heaps with a minimum of fire, a maximum of smoke, where the humanity which has produced the litter, the refuse, gathers for gossip or for warmth. Even in the fields beyond the multitude of men, where some long-limbed peasant, watching his hope of harvest, dozes by a solitary fire, this same smoke rises in a solid column, until--beaten down by the colder moister air above--it drifts sideways to spread like a vast cobweb over the dew-set carpet of green corn. ... --Taken from prologue
Only operative David Morton can destroy a Russian-made weapon that can control the US president’s mind—from the New York Times–bestselling author. David Morton and his new Hammer Force—an intelligence agency created by the United Nations after the carnage in Bosnia—have a formidable task. To avert a world crisis, they must win a deadly, invisible battle for control of the mind of the president of the United States. A weapon has been created by the former Soviet Union’s most brilliant scientist, Professor Igor Tamasara, that is designed to trigger responses in the president that will pit the United States and Japan against each other, leading to World War III. From that conflict, Tamasara’s new paymaster—China—will emerge as the superpower of the twenty-first century. Set against the background of Washington, Beijing, and Hong Kong, this highly original and totally credible futuristic thriller builds to a climax of nail-biting suspense. Once more showing an astonishing command of the inner workings of international politics and the world of secret intelligence, Gordon Thomas has created a first-rate work of fiction featuring unforgettable characters. “Morton is a character who could have been created by Forsyth, le Carré or Ludlum. You will read any of his adventures in one sitting.” —Le Monde
At ten-thirty in the morning the skies over London were clear. Then an arrow formation of five bright points became visible. They appeared to be moving at an amazing speed in tight circles. They were spiralling down to about five thousand feet, and at that altitude their nature was easily discernable. They were the tings most of us had discussed and dismissed at one time o another. Flying Saucers. Giant saucers, smooth and lustrous and blinding, more than a hundred yards in diameter. They hung over the city in a neat formation.