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Countless garden books tell us what, when, where and how to plant. Few explore the reasons why gardening becomes central to so many people's lives. In Garden Voices, Carolyn Rapp explores the relationships of women with their gardens, revealing sources of joy that go far beyond the pleasure of harvesting flowers, herbs or vegetables. As the 12 women tell their stories, readers will share the heartache and triumph set within plots of lovingly cultivated land. Everyone who reads Garden Voices will hear a whisper of themselves in the words of these creative, courageous, wise women. This is not just a book for people who love gardens; it's for people who love stories.
First published 1981, this is Dirk Bogarde's second novel. The fabulous but wavering old Lady “Cuckoo” Peverill, lives with her husband, Napoleon-mad military historian, Archie. Dissatisfied and overcome by sheer boredom, she ventures down to the lake at the edge of their estate, pockets filled with stones, she begins to walk into the water. Before she is too deeply submerged, she is pulled away by sparsely-clothed drifter, Marcus Pollock. Feigning that he merely saved her from an 'accident', he is brought back to the villa, where he moves in. Cue the arrival of Marcus' girlfriend, as well as a whole horde of eccentric film-makers and you have the stage set for an effortlessly entertaining story. Set in Cap Ferrat, in one of the last great villas of the twenties, Voices in the Garden is a heart-felt tale of mature and immature love.
Voices in the Garden I know you had a dozen words to descripted my soft image of my personality. But did you know I can see right through you. My reflection can wonder in creating such manipulation. The purpose of my life is to live each day and not worry what I didn't do yesterday, but what I done today. I created such achieving memories that no one knows my other potential in life, that I fulfill. And your only concerns what I didn't do. I often learn to touch the love in my heart, but I felt the values your previous concepts to establish to fulfill my dreams. Writing, "Voices in the Garden" is the second potential I had in my poetry. But deep down I gave you my best days and my best life. I am aware of my vulnerability conflicts and had developed new level of self growth in creating my new sound of poetry. And you will not see any regrets. Regardless of what you say, but what you choose to tell that keeps me growing.
Using Russia's most prolific writer, Andrei Bolotov, as a focal point, this text offers an analysis of the pastoral impulse in 18th- and early 19th-century Russian culture. The study also focuses on the tensions that undercut and qualified this experiment in idyllicism.
One of our finest writers on one of her greatest loves. Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book) she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododendron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book) is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
Have you ever wondered if we live when we die? Do our beloved pets live on after death? Will we see them again? Have you ever thought you've seen a dark, ghostly figure out of the corner of your eye, but it vanished when you looked towards it? How many times have you awoken suddenly, certain that someone has called your name, but there is no one to be seen? What is clairvoyance? How does a medium make contact with the Spirit World? What is a ghost, and can we communicate with one?
A multicultural selection of contemporary poems by Puerto Rican and other poets who meet at the Nuyorican Poets Cafe in New York City.