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And then--the Veil. It drops as drops the night on southern seas--vast, sudden, unanswering. There is Hate behind it, and Cruelty and Tears. As one peers through its intricate, unfathomable pattern of ancient, old, old design, one sees blood and guilt and misunderstanding. And yet it hangs there, this Veil, between Then and Now, between Pale and Colored and Black and White -- between You and Me. W.E.B. DuBois, Darkwater: Voices from within the Veil, 1920 As the promoters of Jamestown 2007 began to speak of the accomplishment of greater diversity in the nation, and to market the myth of the seamless confluence of Indian, European, and African traditions in the early colony, many reflected not only about how the United States' colonial origins were based on the entrepreneurial ambitions of English settlers, the conquest and degradation of native populations, and the subsequent uprooting and enslavement of untold numbers of Africans, but also about how the more recent legacy of decades of discrimination and marginalization continue to shape our world today. Despite the assimilation, acculturation, and dehumanization that have occurred in the Americas, African Americans have continued to refashion their cultures to fit their own social needs and aesthetic preferences. From Introduction Voices from within the Veil explores the 400-year prelude to the inclusion of African Americans in the commemoration of this nation's origins. With innovative approaches and pioneering research, these essays address both the conditions of African Americans' marginalization and some of the paths toward their empowerment: marronage, the Underground Railroad, social organization, and massive protest movements, among others.
An unprecedented, sympathetic, and wide-ranging exploration of the mysterious world of Islamic women--the people behind the veils--is presented by female writers and Christian workers.
This is the first book in any language about the writing of women in Iran. For centuries any sense that there could be a literary tradition among women was suppressed. Since the middle of the 19th century, however, a number a of pioneering women have defied the traditional order to produce poetry and novels of the highest quality; but many of them have paid for their courage with accusations of immorality, promiscuity, heresy and even lunacy.
The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. “How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.” Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers.
This book is about race relations that tells the stories of successful African Americans as they negotiate through the turbulence of everyday life. The author conducted a national interview with over two hundred middle class African American respondents and presents his analysis and conclusions in this book.
From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”
These are the things of which men think who live: of their own selves and the dwelling place of their fathers; of their neighbors; of work and service; of rule and reason and women and children; of Beauty and Death and War.
Beyond the Veil is the second volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: THE GOD BAG by Christopher Golden CAKER’S MAN by Matthew Holness THE BEECHFIELD MIRACLES by Priya Sharma CLOCKWORK by Dan Coxon SOAPSTONE by Aliya Whiteley THE DARK BIT by Toby Litt PROVENANCE POND by Josh Malerman FOR ALL THE DEAD by Angeline B. Adams and Remco van Straten THE GIRL IN THE POOL by Bracken MacLeod NURSE VARDEN by Jeremy Dyson IF, THEN by Lisa L. Hannett AQUARIUM WARD by Karter Mycroft A MYSTERY FOR JULIE CHU by Stephen Gallagher AWAY DAY by Lisa Tuttle POLAROID AND SEAWEED by Peter Harness DER GEISTERBAHNHOF by Lynda E. Rucker ARNIE’S ASHES by John Everson A BRIEF TOUR OF THE NIGHT by Nathan Ballingrud THE CARE AND FEEDING OF HOUSEHOLD GODS by Frank J. Oreto YELLOWBACK by Gemma Files FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.
Beggars…Outcasts…Homeless Such were the forgotten, uneducated children in China when the Spirit of God fell upon their humble orphanage, the Adullam Home. The boys spent days in powerful meetings, praying and praising God. Under the anointing of the Holy Spirit, they prophesied, saw visions, and discovered: Angels…how they operate and protect us Unbelievers…and their fate Heavenly occupations…what our jobs will be Paradise…revealed through the eyes of children The throne of God…experiencing true worship Death…what happens when we die Demons…and their evil works This mighty outpouring was a fulfillment of God’s promise: “And it shall come to pass in the last days, saith God, I will pour out of My Spirit upon all flesh: and your sons and your daughters shall prophesy, and your young men shall see visions.” Acts 2:17