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Social and racial inequalities abound in this 1960s Jamaican novel about a middle class lawyer who works closely with the working class and radical nationalist movement. In the midst of a riot, Mark Lattimer is targeted-and mortally wounded-by a poor islander because of his white-collar appearance. Cut off from medical attention in the middle of the insurgence, he is left to contemplate his life, including his childhood as a member of the privileged white elite, his time spent in London and as part of the RAF, his marriage and affairs, and the moment when he committed himself to the causes of the poor. As the end nears, Mark ruminates on the meaning of life and death, the politics of politics, and the significance of action in an absurd world.
Now available: a special Tenth Anniversary Edition with bonus material to celebrate ten years of continuing reader demand. Look for it here on Amazon. Voices Under Berlin: The Tale of a Monterey Mary is the tale of one of the early skirmishes of the Secret Cold War told with a pace and a black humor reminiscent of that used by Joseph Heller (Catch-22) and Richard Hooker (M*A*S*H*). It is set against the backdrop of the CIA cross-sector tunnel operation to tap three Russian telecom�munications cables in Berlin in the mid-nineteen-fifties. It is the story of the American soldiers who worked the tunnel, and how they fought for a sense of purpose against boredom and the enemy both within and without. One of them is the target of a Russian "honey-trap," but which one? Kevin, the Russian transcriber, Blackie, the blackmarketeer, or Lt. Sheerluck, the martinet? The other end of the tunnel is the story of the Russians whose telephone calls the Americans are intercepting. Their end of the tale is told in the unnarrated transcripts of their calls. They are the voices under Berlin. * Dr. Wesley Britton, author of Spy Television, Beyond Bond: Spies in Fiction and Film, and Onscreen and Undercover: The Ultimate Book of Movie Espionage, calls Voices Under Berlin "a spy novel that breaks all the molds," adding that "in the tradition of Greene and Ambler, 'Voices Under Berlin' contains many literate qualities that make it a work of special consideration, worthy of an audience much broader than that of espionage enthusiasts or those interested in Cold War history. In fact, one indication of the book's quality is that it was among the award winners at the 2008 Hollywood Book Festival, a very rare honor for a spy novel." * Po Wong writing at bookideas.com says "Kevin is a hero in the mold of McMurphy, the rebellious asylum inmate who is the protagonist in Ken Kesey's One Flew over the Cuckoo's Nest. Kevin manages to do his job despite the blind obedience to stringent regulations that frequently overrides common sense and intelligence in large military operations, and despite the widespread ineptness around him. ... Voices under Berlin is a coherent, funny, and often sardonic look at real espionage work. The detail is so realistic that you may find yourself wondering, as I did, whether this is a novel or the memoirs of an actual intelligence agent. Of course, if you're looking for James Bond, you won't find him here. What you will find is a fascinating account of what it must have been like to be toiling away at an important but often dreary job underneath the streets of Berlin during the Cold War years. * Midwest Book Review says one of the things that sets this novel apart is "the author's combining a genuine gift for humor with a deft literary astuteness in telling a story that fully engages the reader quite literally from first page to last." Winner of six book awards. Also by this author: Berlin in Early Cold-War Army Booklets The Day Before the Berlin Wall: Could We Have Stopped It? - An Alternate History of Cold War Espionage Berlin in Early Berlin-Wall Era CIA, State Department, and Army Booklets Reunification: A Monterey Mary Returns to Berlin Berlin in D�tente-era Berlin Brigade Booklets
Reclaim Your Headspace and Find Your One True Voice As a hospital chaplain, J.S. Park encountered hundreds of patients at the edge of life and death, listening as they urgently shared their stories, confessions, and final words. J.S. began to identify patterns in his patients’ lives—patterns he also saw in his own life. He began to see that the events and traumas we experience throughout life become deafening voices that remain within us, even when the events are far in the past. He was surprised to find that in hearing the voices of his patients, he began to identify his own voices and all the ways they could both harm and heal. In The Voices We Carry, J.S. draws from his experiences as a hospital chaplain to present the Voices Model. This model explores the four internal voices of self-doubt, pride, people-pleasing, and judgment, and the four external voices of trauma, guilt, grief, and family dynamics. He also draws from his Asian-American upbringing to examine the challenges of identity and feeling “other.” J.S. outlines how to wrestle with our voices, and even befriend them, how to find our authentic voice in a world of mixed messages, and how to empower those who are voiceless. Filled with evidence-based research, spiritual and psychological insights, and stories of patient encounters, The Voices We Carry is an inspiring memoir of unexpected growth, humor, and what matters most. For those wading through a world of clamor and noise, this is a guide to find your clear, steady voice.
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In the rich and varied life stories in Under the Black Umbrella, elderly Koreans recall incidents that illustrate the complexities of Korea during the colonial period. Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the "black umbrella" of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. "Most people," Kang says, "have read or heard only the horror stories which, although true, tell only a small segment of colonial life."The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human—the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.
This dynamic collection of contemporary short prose, poems, and songs by 44 Native North American authors contains stories about the spirit world, the wilderness, and the joy and sadness of native people in the United States and Canada.
South Africa's Resistance Press is a collection of essays celebrating the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960. These publications contributed in no small measure to reviving a mass movement inside South Africa that would finally bring an end to apartheid. This marginalized press had an impact on its audience that cannot be measured in terms of the small number of issues sold, the limited amount of advertising revenue raised, or the relative absence of effective marketing and distribution strategies. These journalists rendered communities visible that were too often invisible and provided a voice for those too often voiceless. They contributed immeasurably to broadening the concept of a free press in South Africa. The guardians of the new South Africa owe these publications a debt of gratitude that cannot be repaid.
In 1987, the apartheid minister of law and order boasted that the security forces had crushed Umkhonto we Sizwe in the Western Cape. He could not have been more wrong. The Ashley Kriel Detachment, named after one of their slain comrades, conducted over thirty operations between late 1987 and early 1990, playing a crucial role in the defeat of an unjust system. In Voices from the Underground, eighteen members of the AKD give accounts of their involvement in the armed struggle. The book traces their varying journeys into MK, via student activism, trade unions, religious organisations and UDF politics. It details their training in Angola, Botswana, Tanzania, Cuba and South Africa, and their experiences of detention and interrogation. Members recall the stresses of couriering arms and explosives across police roadblocks, hiding in safe houses and evading capture. They talk about the operations they executed, the measures they took to avoid civilian casualties, and their responses to security breaches and the deaths of comrades in the line of duty. Above all, this is a book about people, showing the effects of apartheid on their lives, their reasons for joining the armed struggle, the challenges of surviving in the underground while raising children, and their experiences of returning to civilian life or, in some cases, integrating into the SANDF. Voices from the Underground gives a human face to ordinary people who took up arms to fight a violent state for the freedom of all South Africans.
This book provides a comprehensive typological account of voice syncretism, focusing on resemblance in formal verbal marking between two or more of the following seven voices: passives, antipassives, reflexives, reciprocals, anticausatives, causatives, and applicatives. It covers voice syncretism from both synchronic and diachronic perspectives, and has been structured in a manner that facilitates convenient access to information about specific patterns of voice syncretism, their distribution and development. The book is based on a survey of voice syncretism in 222 geographically and genealogically diverse languages, but also thoroughly revisits previous research on the phenomenon. Voice syncretism is approached systematically by establishing and exploring patterns of voice syncretism that can logically be posited for the seven voices of focus in the book: 21 simplex patterns when one considers two of the seven voices sharing the same marking (e.g. reflexive-reciprocal syncretism), and 99 complex patterns when one considers more than two of the voices sharing the same marking (e.g. reflexive-reciprocal-anticausative syncretism). In a similar vein, 42 paths of development can logically be posited if it is assumed that voice marking in each of the seven voices can potentially develop one of the other six voice functions (e.g. reflexive voice marking developing a reciprocal function). This approach enables the discussion of both voice syncretism that has received considerable attention in the literature (notably middle syncretism involving the reflexive, reciprocal, anticausative and/or passive voices) and voice syncretism that has received little or not treatment in the past (including seemingly contradictory patterns such as causative-anticausative and passive-antipassive syncretism). In the survey almost all simplex patterns are attested in addition to seventeen complex patterns. In terms of diachrony, evidence is presented and discussed for twenty paths of development. The book strives to highlight the variation found in voice syncretism across the world’s languages and encourage further research into the phenomenon.
In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell’s ‘enforcers’, the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Voices from the Underworld offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple’s spirit army. Understanding the religious divergences between Singapore and Malaysia through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions on the nature and scope of Chinese vernacular religious beliefs and practices. Graham’s innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the de-stigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.