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Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life; a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man—an artist, a dreamer, a screw-up. He tries to fill his void first with drinking, and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy. He reacts to the love of his wife and the kindness of his employer with anxiety and fear. One of the earliest books that Dick ever wrote, and the only novel that has never been published, Voices from the Street is the story of Hadley's descent into depression and madness, and out the other side. Most known in his lifetime as a science fiction writer, Philip K. Dick is growing in reputation as an American writer whose powerful vision is an ironic reflection of the present. This novel completes the publication of his canon. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Haight Words presents an anthology of thoughtful poetry from people sharing their experiences of being homeless on one of the most famous streets in one of the most prosperous cities in the world: San Francisco, the heart of America's tech revolution. Colorful illustrations accompanying the writings serve as a visual commentary to the growing plight in so many of our communities. Haight Words' provocative approach aims to awaken the senses through illumination of silenced voices. It sends an invitation to challenge social constructs by taking the smallest of actions toward a collective shift that can prove profoundly beneficial to all concerned.
According to conventional wisdom, the national identity of the Jordanian state was defined by the ruling Hashemite family, which has governed the country since the 1920s. But this view overlooks the significant role that the "Arab street"—in this case, ordinary Jordanians and Palestinians—played and continues to play in defining national identity in Jordan and the Fertile Crescent as a whole. Indeed, as this pathfinding study makes clear, "the street" no less than the state has been a major actor in the process of nation building in the Middle East during and after the colonial era. In this book, Betty Anderson examines the activities of the Jordanian National Movement (JNM), a collection of leftist political parties that worked to promote pan-Arab unity and oppose the continuation of a separate Jordanian state from the 1920s through the 1950s. Using primary sources including memoirs, interviews, poetry, textbooks, and newspapers, as well as archival records, she shows how the expansion of education, new jobs in the public and private sectors, changes in economic relationships, the establishment of national militaries, and the explosion of media outlets all converged to offer ordinary Jordanians and Palestinians (who were under the Jordanian government at the time) an alternative sense of national identity. Anderson convincingly demonstrates that key elements of the JNM's pan-Arab vision and goals influenced and were ultimately adopted by the Hashemite elite, even though the movement itself was politically defeated in 1957.
“Timely . . . [the collection] paints intimate portraits of neglected places that are often used as political talking points. A good companion piece to J. D. Vance’s Hillbilly Elegy.”—Booklist The essays in Voices from the Rust Belt "address segregated schools, rural childhoods, suburban ennui, lead poisoning, opiate addiction, and job loss. They reflect upon happy childhoods, successful community ventures, warm refuges for outsiders, and hidden oases of natural beauty. But mainly they are stories drawn from uniquely personal experiences: A girl has her bike stolen. A social worker in Pittsburgh makes calls on clients. A journalist from Buffalo moves away, and misses home.... A father gives his daughter a bath in the lead-contaminated water of Flint, Michigan" (from the introduction). Where is America's Rust Belt? It's not quite a geographic region but a linguistic one, first introduced as a concept in 1984 by Walter Mondale. In the modern vernacular, it's closely associated with the "Post-Industrial Midwest," and includes Michigan, Ohio, and Pennsylvania, as well as parts of Illinois, Wisconsin, and New York. The region reflects the country's manufacturing center, which, over the past forty years, has been in decline. In the 2016 election, the Rust Belt's economic woes became a political talking point, and helped pave the way for a Donald Trump victory. But the region is neither monolithic nor easily understood. The truth is much more nuanced. Voices from the Rust Belt pulls together a distinct variety of voices from people who call the region home. Voices that emerge from familiar Rust Belt cities—Detroit, Cleveland, Flint, and Buffalo, among other places—and observe, with grace and sensitivity, the changing economic and cultural realities for generations of Americans.
Thirteen-year-old Joey Johnson has a problem. He hears voices, only he can't find the people who belong to them. His curiosity leads him on a quest where he learns more than just history about "the Nation's Oldest City." He discovers he has a special connection to the past -- something that changes his life forever.
A candid, guided exploration of homelessness--poignant and powerful. The book aspires beyond mere literary voyeurism. Taken from over 500 interviews with those experiencing homelessness, Voices from the Street is an exploration of their narratives with photographs and family maps.
Voices from Marshall Street is the oral history of the people who lived amid the cultural richness of their neighborhood. Those who read their stories will be enriched by the spirit of the residents of Marshall Street.
Set in the San Francisco Bay area in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K. Dick always reserved his greatest sympathy. Jim Fergesson, an elderly garage owner with a heart condition, is about to sell up and retire; Al Miller is a somewhat feckless mechanic who sublets part of Jim's lot and finds his livelihood threatened by the decision to sell; Chris Harman is a record company owner who for years has relied on Fergesson to maintain his cars. When Harman hears of Fergesson's impending retirement he tips him off to what he says is a cast-iron business proposition: a development in nearby Marin County with an opening for a garage. Al Miller, though, is convinced that Harman is a crook, out to fleece Fergesson of his life's savings. As much as he resents Fergesson he can't bear to see that happen and - denying to himself all the time what he is doing - he sets out to thwart Harman.
Although Lee surrendered at Appomattox Court House in April, 1865, some Confederates refused to abandon their cause. Fallen Guidon, originally published in 1962 by Jack Rittenhouse's Stagecoach Press in 1962, is the gripping story of one such group of men who, rather than surrender, boldly decided to follow their cavalry flag or guidon south and transplant their imperialistic vision in the troubled soil of Mexico. This little-remembered episode of the Trans-Mississippi Civil War was written as a popular history by the late Edwin Adams Davis, a respected scholar of southern and Civil War history. General Jo Shelby had led the Missouri Cavalry Division through battles at Westport, Mine Creek, Newtonia, and elsewhere. Shelby's men were all recruits rather than draftees, fiercely loyal, and they followed the code of chivalry to a degree unusual even in the old South. While preparing to march against the Federals at Little Rock, they heard of Lee's surrender. In a meeting at Marshall, Texas, Shelby announced, "We will stand together, we will keep our organization, our arms, our discipline, our hatred of oppression . . . that this Missouri Cavalry Division preferred exile to submission—death to dishonor." Having heard that the U.S. government wanted the Habsburg emperor Maximilian out of Mexico and that Lincoln liked the idea of ex-Confederates joining forces with Benito Juarez to oust Maximilian and his French military forces, Shelby formed his plan. Shelby believed he had found a way to save their honor and at the same time spread their lost southern empire to a new land, where riches and glory surely awaited them. Shelby and his men marched through Texas, stopping in Corsicana, Tyler, Waxahachie, Waco, Austin, Houston, and San Antonio, declaring martial law and forcibly quelling local outbreaks of looting and rioting where they found it. At the Rio Grande, in a funereal memorial, they buried their Confederate battle flag in the murky waters before heading into Mexico. Shelby's men did not want to support Benito Juarez's liberal guerrillas, however. Identifying themselves as "imperialists," they wanted to fight gloriously for Emperor Maximilian. In pitched battles against the local Juaristas and isolated guerrillas and bandits, they spilled blood from Piedras Negras to Mexico City and even undertook the chivalrous and bloody rescue of a woman imprisoned in a hacienda. Once in Mexico City, Shelby's "Iron Brigade" discovered its march to have been futile, and in a bittersweet final review, Shelby said good-bye.