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A Voice from the South was published in 1892 by Anna Julia Cooper, an educator who was one of the first two African-American women to be awarded a master’s degree. Since then it has been recognized as one of the first works of Black feminist theory. Setting forth a perspective that would be described as “intersectional” in contemporary terms, Cooper explores her own lived experience as an educated African-American woman, and advocates for the education of African-American women as a necessary means of achieving racial equality. However, her marked emphasis on women’s roles in the household has been critiqued by later theorists as a concession to the 19th century “cult of domesticity”—or, alternatively, a strategic engagement with the dominant cultural view towards women in her time. A Voice from the South continues to be read and analyzed today for its pioneering role in African-American female scholarship. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Eyewitness accounts intended to introduce readers to a wide variety of primary literary sources for studying the Old South.
Voices of the American South is a comprehensive survey of pivotal works in the Southern literary tradition. The historical organization of the text, the lively and contextualized introductions and headnotes, and the inclusion of clustered selections inform readers about relevant themes of Southern literature, while providing the historically uninformed reader with various and interesting entry points into the text. Those interested in reading and learning more about southern literature.
The prison in this model appears to be modeled on the old CCI prison in Columbia, SC.
​This volume overlooks the distinct expressions and awareness of volunteering in the lived reality of people from different regions of the world. By casting the net widely this book not only expands the geographic reach of experiences, models and case studies but also transcends the conventional focus on formal volunteering. It highlights institutional forms of volunteering specific to developing nations and also describes volunteering that is more loosely institutionalized, informal, and a part of solidarity and collective spirit. As a result this book provides a different look at the values, meaning, acts and expressions of volunteering. The chapters in this book consist of essays and case studies that present recent academic research, thinking and practice on volunteering. Working from the premise that volunteering is universal this collection draws on experiences from Latin America, Africa including Egypt, and Asia. This book focuses on developing countries and countries in transition in order to provide a fresh set of experiences and perspectives on volunteering. While developing countries and countries in transition are in the spotlight for this volume, the developed country experience is not ignored. Rather the essays use it as a critical reference point for comparisons, allowing points of convergence, disconnect and intersection to emerge.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.
Voices from the Bottom of the South China Sea is the remarkable, untold illustration of the bonds between Americans and Chinese, brought to life in the true story of a deadly 1874 shipwreck off Southern China that killed hundreds and scattered treasure in the South China Sea. When a midnight coal fire burst across the deck of the SS Japan, the Chinese emigrants perished, just hours away from being reunited with their families after years. Voices captures the Chinese passengers' lives in California, where they built America's railroads, mined its silver, and grew its food, only to see public sentiment turn against them with an anti- immigrant, racist fervor. Their lives were entrusted to a veteran China Sea trader-the erstwhile Captain Edward Warsaw-an American captain whose vigilance and courage in command of the world's largest wooden passenger vessel were sorely tested when his ship caught fire and sank on that fateful return voyage to China. Nearly 400 of his Chinese passengers on the Japan, a side-wheel steamship that Mark Twain called a "perfect palace of a ship," would perish. Cut off from their lifeboats by the raging fire, many would drown when they were forced to jump into the sea, only to be dragged down with their money belts of gold, their earning from their years spent laboring in America. This amazing history involves a shipwreck, pirates, and lost treasure. But most of all, Voices captures the shared passions, ambitions, and animosities of Chinese and Americans seeking fortune in nineteenth century California. With the lost records of the event recently discovered and pieced together by the author, a former navy captain who commanded a warship in the waters where Captain Warsaw's ship went down, this book allows the lost voices to tell their story to the world from the bottom of the South China Sea.
It started with a question about the blues: what makes the music of the downtrodden black man so alluring to white middle-class ears? And that’s where it gets interesting. Because blues is more than a musical genre: it’s a cultural phenomenon that spans several centuries on both sides of the Atlantic, from slavery to Black Lives Matter, from Jan van Riebeeck to Fees Must Fall, from Robert Johnson to Abdullah Ibrahim. In Blues for the White Man, Fred de Vries looks for answers in America’s Deep South, drawing historical parallels with South Africa’s experience of colonialism, slavery, racism, civil war, segrega¬tion and protest. Travelling to Atlanta, Memphis, Nashville, New Orleans and the Mississippi Delta, De Vries speaks to musicians, Black Lives Matter activists and Trump supporters. He continues the conversation in South Africa, interviewing student protesters, white farmers and political thought-leaders to develop an understanding of white supremacy and black anger, white fear and black pain. A fascinating, insightful journey through time and space, Blues for the White Man is a cele¬bration of multiculturalism and a plea for white people to do some ‘second line dancing’ for a change.
The literature of the antebellum South has often been described in literary histories as little more than glorified propaganda for the aristocratic, slave-owning class. While this might pertain to the region’s historical romances that feature a dashing, resolute hero committed to upholding the dearly held institutions of slave-holding society and that relegate women and African Americans to roles as meek supporters or loyal comic sideshows, this view does not describe all of the South’s literature from this period.In Unwelcome Voices: Subversive Fiction in the Antebellum South, Paul C. Jones argues that there was a subversive group of voices that dared challenge cherished southern traditions and raised questions about the issues facing the South in the years leading up to the Civil War, including slavery, democracy, and women’s rights.Jones examines the work of five southern writers from that era: James Heath, Frederick Douglass, Edgar Allan Poe, John Pendleton Kennedy, and E.D.E.N. Southworth. Each author was subversive in different ways: Heath featured a progressive hero who ignored the aristocratic assumptions of the South; Douglass presented a rebellious slave hero and made the slave-owning class his villains; Poe used horror to highlight the South’s hidden anxieties; Kennedy challenged the romantic visions of the South by opposing them with realistic depictions of the region; and Southworth employed abolitionist rhetoric to undermine traditionalist discourse. Jones clearly shows that the fiction of these writers diverged sharply from the South’s dominant literary formula.Unwelcome Voices represents a major turning point in the study of the literature of the antebellum South. It recognizes those authors who produced the counterweight to the writing meant to prop up the region’s elite class and slaveholding way of life. Unwelcome Voices will be a welcome and needed addition to the libraries of anyone interested in Southern history or the literature of the antebellum period.
"This book contains essays from twelve leading Southern historians, activists, civil rights attorneys, law professors, and theologians. They discuss militarism, religion, the environment, voting rights, the Patriot Act, the economy, prisons and crime, and other subjects significant to the South and the Nation in the ongoing debate about the future of the United States. The writers come from, or have been active in the affairs of, each of the former Confederate states."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved