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Voices from Louisiana provides thoughtful, timely profiles of some of the state’s most highly regarded and popular contemporary authors. Readers interested in Louisiana’s rich literary tradition will appreciate these evocative essays on writers whose works emanate from the cultures and landscapes of the Gulf South. Ann Brewster Dobie explores the works of eleven well-known authors and concludes with a look at several emerging talents. These writers work in a broad range of genres, from coming-of-age stories and historical narratives that recover the voices of silenced and oppressed peoples, to crime thrillers set in New Iberia and New Orleans, to poetic invocations of the natural world and narratives capturing the realities of working-class lives. Whether native to the state or transplants, these writers produce works that reflect the vibrant culture that defines the intricate literary landscape of the Pelican State. Dobie highlights the careers of Darrell Bourque, James Lee Burke, Ernest Gaines, Tim Gautreaux, Shirley Ann Grau, Greg Guirard, William Joyce, Julie Kane, Tom Piazza, Martha Serpas, and James Wilcox. Newcomers also profiled include Wiley Cash, Ashley Mace Havird, Anne L. Simon, Katy Simpson Smith, Ashley Weaver, Steve Weddle, and Ken Wheaton.
The Cajun Prairie is 99.9 percent destroyed. However, the authors discovered remnants of this prairie habitat along railroad rights-of-ways in the 1980s and photographed these remnants during their years of investigation. More than 200 of these images are arranged into monthly displays in an effort to provide views of the prairie as it may have appeared in the 1800s. The remnants were each distinctive in their biodiversity, and each provided a splash of color from the blooming plants at different times of the year. These remnants are now decimated; thus these images are basically all that remains. An essay on the discovery of these remnants and the discoveries made while studying these remnants introduces and closes the monthly presentation of images.
The Cajun Prairie Restoration Project in Eunice, Louisiana is a 30 year old project carried out by scientists and volunteers. This book uses photographs to tell the story of this project and to celebrate the volunteers who made the project possible. The Cajun Prairie Habitat Preservation Society maintains the site, educates interested groups and provides tours of the site. The book is in essence the scrapbook of the author--an evolutionary ecologist who played a role in the project origination. This book also celebrates the City of Eunice and its university, Louisiana State University Eunice.
In selections from interviews recorded at the T. Harry Williams Center for Oral History, the narrators of Louisiana Voices relate, in their own words, their World War II experiences. Veterans recall the dramatic events from their enlistment through basic training, combat, and occupation duty. They detail their experiences in major battles, the organization of various theaters, and their yearning for the home front. Stanley Hilton's introductions and conclusions to each chapter provide historical and analytical context for individual reminiscences.
Winner of the 2019 Humanities Book of the Year from the Louisiana Endowment for the Humanities Today sharecropping is history, though during World War II and the Great Depression sharecropping was prevalent in Louisiana's southern parishes. Sharecroppers rented farmland and often a small house, agreeing to pay a one-third share of all profit from the sale of crops grown on the land. Sharecropping shaped Louisiana's rich cultural history, and while there have been books published about sharecropping, they share a predominately male perspective. In A Cajun Girl's Sharecropping Years, Viola Fontenot adds the female voice into the story of sharecropping. Spanning from 1937 to 1955, Fontenot describes her life as the daughter of a sharecropper in Church Point, Louisiana, including details of field work as well as the domestic arts and Cajun culture. The account begins with stories from early life, where the family lived off a gravel road near the woods without electricity, running water, or bathrooms, and a mule-drawn wagon was the only means of transportation. To gently introduce the reader to her native language, the author often includes French words along with a succinct definition. This becomes an important part of the story as Fontenot attends primary school, where she experienced prejudice for speaking French, a forbidden and punishable act. Descriptions of Fontenot's teenage years include stories of going to the boucherie; canning blackberries, figs, and pumpkins; using the wood stove to cook dinner; washing and ironing laundry; and making moss mattresses. Also included in the texts are explanations of rural Cajun holiday traditions, courting customs, leisure activities, children's games, and Saturday night house dances for family and neighbors, the fais do-do.
John Ellis married Elizabeth Freeman and emigrated from England ca. 1645 to New Plymouth, Massachusetts. Six generations later, Silas Duncan and Rosetta Ellis had a son named Eugene Duncan. Descendants and relatives lived in Massachusetts, Nova Scotia, New York, Wisconsin and elsewhere.