Download Free Voices From Nubia Book in PDF and EPUB Free Download. You can read online Voices From Nubia and write the review.

The Nubians, the largest ethnic community in Egypt, saw their ancestral homelands disappear beneath the waters of the Nile from the dawn of the 20th century through to 1964. The massive displacement of this population has been the subject of numerous literary works by Nubian writers who seek to save their heritage from oblivion and to preserve their Nubian collective memory. Despite the renewal of socio-political interest in Nubia in post-2011 Egypt, the authors of Voices from Nubia, all non-Nubian Egyptians, claim that art in general and literature in particular remain the domain in which the problematics of what has been called the Nubian Question can be primarily vocalized. Only through a thorough reading and analysis of the literary output of Egyptian Nubians can the complexities of Nubia, its people, and culture can find full expression. The rich literary heritage of contemporary Nubian literature allows for a multiplicity of critiques that makes possible a reading of this literature that crosses the borderlines between literature, history, geography, politics, gender, and ethnicity. The diversity of themes and tropes in Voices from Nubia reflects a hallmark of Nubian literary output which is generally marked by a common feeling of solidarity around the Nubian cause. The array of critical studies included in the volume’s eight chapters covers a multiplicity of approaches: cultural, postcolonial, ecofeminist, and critical race theory. Voices from Nubia constitutes an attempt to go beyond the dichotomy between the activist Nubian writer who views the Nubian Question as a human rights issue and Arab-Egyptian nationalists who consider the discussion of Nubians as a distinct ethnic group or minority a threat to societal cohesion and national security. The editors conclude the book with interviews with three Egyptian Nubian writers belonging to different generations and expressing different positions with regards to the Nubian Question. It is thus hoped that this book will introduce the English-speaking reader to the rich tradition of contemporary Nubian literature from Egypt, written in Arabic. On the other hand, the book also forces the Egyptian-Arab reader to question some of the most cherished assumptions and ingrained ideas about the nature of culture, history, and identity. As such, Voices from Nubia has far-reaching implications for how we think about the diverse nature of our societies and nations.
Can you be a hero...if society doesn't see you as a person? Nubia has always been a little bit...different. As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbor's cat. But despite her having similar abilities, the world has no problem telling her that she's no Wonder Woman. And even if she were, they wouldn't want her. Every time she comes to the rescue, she's reminded of how people see her: as a threat. Her moms do their best to keep her safe, but Nubia can't deny the fire within her, even if she's a little awkward about it sometimes. Even if it means people assume the worst. When Nubia's best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all--her safety, her home, and her crush on that cute kid in English class--to become the hero society tells her she isn't. From the witty and powerful voice behind A Blade So Black, and with endearing and expressive art by Robyn Smith, comes a vital story for today about equality, identity, and kicking it with your squad.
A journey of intense passion that is totally absorbing and ultimately tragic.
Through his character's pain and suffering, Idris Ali paints in vibrant detail, with wit and a keen sense of history's absurdities, the story of cultures and hearts divided, of lost lands - impossible dreams, and abandoned loves.
After the thrilling events of Infinite Frontier, Nubia becomes queen of Themyscira, but the new title also brings challenges. With the unexpected arrival of new Amazons, our hero is forced to reckon with her past and forge a new path forward for her sisters. Little does she know, a great evil grows beneath the island and it’s up to this former guardian of Doom’s Doorway to unite her tribe before paradise is lost forever! This unforgettable miniseries from writers Vita Ayala and Stephanie Williams, along with all-star artist Alitha Martinez (Future State) brings the fan-favorite character back to the DCU for good. After Nubia, the world of the Amazons will never be the same!
The Old Nubian Texts from Attiri is the first publication in the Dotawo: Monographs series. It presents heretofore unpublished material: an edition of a series of manuscripts discovered during the Aswan High Dam campaign at the site of Attiri, a rocky island in the Batn el-Hajjar region in Sudan, and does so in an innovative way, through an intensive collaboration of the editors under the name of the Attiri Collaborative. By bringing together their diverse backgrounds in linguistics, archeology, Bible studies, history, anthropology, and philology, the editors hope to have provided an example of a new model of collective manuscript editing and the results such collaboration can attain. The collection consists of 15 manuscript fragments that were all written in Old Nubian. Among these manuscripts special mention should be made of two parchment leaves from a codex dedicated to works on the Archangel Michael, a lectionary containing fragments from the Gospel of Matthew and the Second Letter to the Corinthians, as well as a rare letter written on a leather sheet.
This book highlights the long-term resettlement process of the Egyptian Nubian people along the Aswan High Dam. Assessing the resettlement of 48,000 Egyptian Nubians in connection with the High Dam is especially important for three main reasons: firstly, this resettlement process is one of the rare cases in which research begun before the dam was built has continued for over forty years. Secondly, the resettlement of the Egyptian Nubian people is one of the few cases in which the living standards of the large majority improved because of the initial political will of the government, combined with Nubian initiatives. Thirdly, given the complexity of the resettlement process, weaknesses in government planning, implementation, and in the weakening of government political provide valuable lessons for future dam-induced resettlement efforts.
As one of the few surviving archaeological sites from the medieval Christian kingdom of Nubia, Qasr Ibrim is critically important in a number of ways. It is the only site in Lower Nubia that remained above water after the completion of the Aswan high dam. In addition, thanks to the aridity of the climate in the area, the site is marked by extraordinary preservation of organic material, especially textual material written on papyrus, leather, and paper. Particularly rich is the textual material from the twelfth and thirteenth centuries CE, written in Old Nubian, the region's indigenous language. As a result, Qasr Ibrim is probably the best documented ancient and medieval site in Africa outside of Egypt and the Maghreb. Medieval Nubia is the first book to make available this remarkable material, much of which is still unpublished. The evidence discovered reveals a more complicated picture of this community than originally thought. Previously, it was accepted that medieval Nubia had existed in relative isolation from the rest of the world, subsisting on a primitive economy. Legal documents, accounts, and letters, however, reveal a complex, monetized economy with exchange rates connected to those of the wider world. Furthermore, they reveal public festive practices, in which lavish feasting and food gifts reinforced the social prestige of the participants. These documents prove medieval Nubia to have been a society combining legal elements inherited from the Greco-Roman world with indigenous African social practices. In reconstructing the social and economic life of medieval Nubia based on the Old Nubian sources from the site, as well as other previously examined materials, Giovanni R. Ruffini corrects previous assumptions and provides a new picture of Nubia, one that links it to the wider Mediterranean economy and society of its time.
Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world. The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University-Boston Museum of Fine Arts Expedition in the first half of the 20th century. The objects highlighted in this volume include refined early ceramics, monumental statues and relief carvings made for royal pyramids, exquisite gold and enamel jewelry, playful decorations for furniture and clothing, and luxury goods traded from around the Mediterranean world.
Drawing on many avenues of inquiry: archaeological excavations, surveys, laboratory work, highly specialized scientific investigations, and on both historical and ethnohistorical records; Ancient Civilizations, 3/e provides a comprehensive and straightforward account of the world’s first civilizations and a brief summary of the way in which they were discovered.