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Voices from Death Row is considered a classic work on the strange "living limbo" inhabited by condemned men in Texas, who await resolution of their sentence in execution, death by other causes, commutation to a term of life sentence, or exoneration. This book offers first-person accounts of life on death row that still holds for condemned men and women today. The accessibility the authors had to Texas Death Row in 1979—to sit in the cells and listen—is unimaginable in today's closed prison environment. Today, however, conditions on Texas's Death Row are far more punishing and brutal; and, while the number of death sentences has declined, the number of sentences of life without parole has increased hugely. This second edition updates and expands on the original stories that these men told, revealing the names of those men whose stories have ended with either exoneration or death. New photographs enhance the text to give it a full picture of the brutal conditions that these prisoners experienced.
Now in a new edition, condemned men and women speak for themselves about the reality behind bars on death row.
Through thirty compelling essays written in the prisoners’ own words, Crimson Letters: Voices from Death Row offers stories of brutal beatings inside juvenile hall, botched suicide attempts, the terror of the first night on Death Row, the pain of goodbye as a friend is led to execution, and the small acts of humanity that keep hope alive for men living in the shadow of death. Each carefully crafted personal essay illuminates the complex stew of choice and circumstance that brought four men to Death Row and the cycle of dehumanization and brutality that continues inside prison. At times the men write with humor, at times with despair, at times with deep sensitivity, but always with keen insight and understanding of the common human experience that binds us.
Upon receiving his execution date, one of the thousands of men living on death row in the United States had an epiphany: “All there ever is, is this moment. You, me, all of us, right here, right now, this minute, that's love.” Right Here, Right Now collects the powerful, first-person stories of dozens of men on death rows across the country. From childhood experiences living with poverty, hunger, and violence to mental illness and police misconduct to coming to terms with their executions, these men outline their struggle to maintain their connection to society and sustain the humanity that incarceration and its daily insults attempt to extinguish. By offering their hopes, dreams, aspirations, fears, failures, and wounds, the men challenge us to reconsider whether our current justice system offers actual justice or simply perpetuates the social injustices that obscure our shared humanity.
Examines both the legal and illegal uses of the death penalty in American history.
In The Story Is True, folklorist, filmmaker, and professor of English Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. Describing and explaining how stories are made and used, Jackson examines how stories narrate and bring meaning to our lives. Jackson writes about his family and friends, acquaintances, and experiences, focusing on more than a dozen personal stories. From oral histories to public stories—such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival—Jackson gets at how the "truth" is constantly shifting depending on the perspective, memory, and social meaning that is ascribed to various events—both real and imaginary. The book is ideal for students and writers of oral history and storytelling but goes beyond those topics to encompass how we interpret and understand the real-life "stories" that we encounter in our daily experience. This edition includes new sections on how stories are related to historical facts and new chapters on contemporary films (expanding the discussion of visual storytelling) and on conspiracy narratives and Trump's Big Lie. Fresh examples tie together new material with the existing stories.
Voices from Death Row is considered a classic work on the strange "living limbo" inhabited by condemned men in Texas, who await resolution of their sentence in execution, death by other causes, commutation to a term of life sentence, or exoneration. This book offers first-person accounts of life on death row that still holds for condemned men and women today. The accessibility the authors had to Texas Death Row in 1979--to sit in the cells and listen--is unimaginable in today's closed prison environment. Today, however, conditions on Texas's Death Row are far more punishing and brutal; and, while the number of death sentences has declined, the number of sentences of life without parole has increased hugely. This second edition updates and expands on the original stories that these men told, revealing the names of those men whose stories have ended with either exoneration or death. New photographs enhance the text to give it a full picture of the brutal conditions that these prisoners experienced.
Folklore Matters gathers over a half-century of articles, memoirs, field studies, and more by master folklorist Bruce Jackson. Jackson's wide-ranging view of what makes up folklore, his affection for his subjects, and his keen-eyed ability to observe and record without prejudice stories, songs, and lore from everyone from death-row inmates to numbers runners, hustlers, and legendary blues musicians shines through. In his own words, Jackson's essays "bear witness" to worlds that others have too easily ignored. This book includes Jackson's landmark work on prison lore and toasts (the predecessor of rap); labor and criminology; his wide-ranging interest in African American lore and legend; his encounters with legendary figures including Alan Lomax and Pete Seeger; and articles that challenge the many traps and pitfalls that plague much of academic study. Folklore Matterswill delight, inform, and inspire all those who value America's deepest traditions and the endless creativity of the unrecognized masters of our national culture.
Archer Daniels Midland got lucky the night of December 11, 2021: a fierce winter wind took out a third of the brick wall of Buffalo's Great Northern Grain Elevator. ADM had wanted to demolish the building since 1993, but each of its demolition requests to the city had been blocked. Six days after the storm, with no public hearings, the building was condemned. A unique piece of Buffalo's economic and global architectural history was gone. Grain elevators are part of Buffalo's—and the nation's—architectural heritage. Unlike earlier wooden structures, the Great Northern was made of steel; it was fireproof. The steel bins kept the grain dry and the rats out. The entire steel structure was riveted and bolted into a single entity. The Great Northern couldn't burn down or blow up; it couldn't be knocked down, and it was incapable of falling down. When the Great Northern was completed seven months after the shovels broke ground, it was the largest grain elevator in the world. It was built to last, and last it did until the eight-month task of tearing it apart began on September 16, 2022. Photographer and activist Bruce Jackson documents the story of this key architectural landmark through text, documents, and his own photographs taken over a period of several decades to tell this tragic story that will appeal to anyone interested in the history and preservation of America's industrial culture.
Despite public support for the death penalty, a remarkable number of countries in different parts of the world have banned capital punishment in all its forms, regardless of the nature of the crime or the criminal. Arguing that international norms are often a critical source of ideas for change in state policy, but that impact varies greatly, Sangmin Bae offers a systemic explanation of how, when, and under what conditions a country complies with international norms. She examines four countries that reached different stages of norm compliance with respect to the death penalty—Ukraine, South Africa, South Korea, and the United States. Focusing on the role of political leadership and domestic political institutions, Bae clarifies the causal mechanisms that lead to state compliance or noncompliance with the norm.