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The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."
The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergo
An electrifying debut from a winner of the Caine Prize for African Writing E. C. Osondu is a fearless and passionate new writer, whose stories echo the joys and struggles of a cruel, beautiful world. His characters burst from the page—they fight, beg, love, grieve, but ultimately they are dreamers. Set in Nigeria and the United States, Voice of America moves from the fears and dreams of boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and then back to bustling Lagos. In "Waiting," two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in "A Simple Case," the boyfriend of a prostitute is rounded up by the local police and must charm his fellow prisoners for protection and survival; and in "Miracle Baby," the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland. Each of the eighteen stories here possesses a voice at once striking and elegant, capturing the dramatic lives of an unforgettable cast of characters. Written with exhilarating energy and warmth, the stories of Voice of America are full of humor, pathos, and wisdom, marking the debut of an extraordinary new talent.
A “fascinating, well-researched account” of Mildred Gillars, the failed actress who turned on her country and became a Nazi propagandist during WWII (Publishers Weekly). One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda. At the outbreak of war in September 1939, Gillars had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI. Spicing her broadcasts with music, Gillars’s used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were. After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, and was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.
American Voices is a collection of short, readable descriptions of various American dialects, written by top researchers in the field. written by top researchers in the field and includes Southern English, New England speech, Chicano English, Appalachian English, Canadian English, and California English, among many others fascinating look at the full range of American social, ethnic, and regional dialects written for the lay person
The first collection of Bryant s writings to be published since 1935, and the most comprehensive critical study of Bryant s poetry to date"
The U.S. Foreign Service and the American Foreign Service Association were born together in 1924. In this first-ever book about the association's more than 90-year history, author Harry Kopp chronicles the evolution of the Foreign Service and the events and personalities that shaped AFSA into what it is today. Published by Foreign Service Books, The Voice of the Foreign Service combines an institutional history of America's diplomatic service from its earliest days to the present, with the twinned story of the American Foreign Service Association and its transformation from a benevolent society to an independent professional organization and exclusive employee representative of all members of the Foreign Service.
Fans of We Rise, We Resist, We Raise Our Voices will love meeting fourteen young activists who have stepped up to make change in their community and the United States. Mari Copeny demanded clean water in Flint. Jazz Jennings insisted, as a transgirl, on playing soccer with the girls' team. From Viridiana Sanchez Santos's quinceañera demonstration against anti-immigrant policy to Zach Wahls's moving declaration that his two moms and he were a family like any other, No Voice Too Small celebrates the young people who know how to be the change they seek. Fourteen poems honor these young activists. Featuring poems by Lesléa Newman, Traci Sorell, and Nikki Grimes. Additional text goes into detail about each youth activist's life and how readers can get involved.
Examines the troubled existence of the Voice of America (VOA), the US government's international shortwave radio agency, following WWII. Explains that the VOA's troubles, including slashed budgets, canceled projects, and neglect by its operating agency, were the results of rivalries that shaped American politics during these years, especially the Republican drive to roll back the New Deal, the ongoing contest between conservative members of Congress and the Truman administration, and disputes over the VOA's proper purposes. Krugler teaches history at the University of Wisconsin-Platteville. Annotation copyrighted by Book News Inc., Portland, OR
This book confirms the idea put forth by Tocqueville that American democracy is rooted in civic voluntarism—citizens’ involvement in family, work, school, and religion, as well as in their political participation as voters, campaigners, protesters, or community activists. The authors analyze civic activity with a massive survey of 15,000 people.