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In 2001, sixty-year old author Doann Houghton-Alico and her husband embarked on a ten-year sailing circumnavigation visiting forty-one countries and sailing over 43,000 nautical miles. As an award-winning author of both technical books and poetry, she brings her love of research into the tangents of the stories she encountered and her lyrical voice to create a picture of the world few of us know. The author, an adept observer and an enthusiastic participant in what life has to offer, writes of her love of the sea at night far away from land, but she also describes such exotic places as remote islands of the South Pacific where black magic and wives bought for three boar tusks are the norm. She evokes the spirit of people and places by revisiting their cultural and natural history and exploring beneath the surface. Her portrayals are riveting, drawing the reader quickly into an intimate chronicle of tragedy and beauty. Doann’s poetry and photographs add additional dimensions to her evocative writing. Doann relishes places like the sandy, forbidding, uninterrupted views of the Sudanese desert from the marsas—inlets of the Red Sea, where flamingoes and camels abound—but also addresses the more serious issues she witnessed such as survival in areas of exploding populations, decreasing food supplies, climate change, and the impact of war. She describes both in a visceral, yet insightful way. Her inquisitiveness, the allure of exploration, and a strong curiosity about the world inspire her writing. Whether floating in the sea eye-to-eye with a humpback whale, escaping pirates, or drinking tea in a bombed-out Eritrean alley with refugees, Doann takes you there.
The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”
Opmålingsskibet "Beagle"s togt til Sydamerika og videre jorden rundt
Finely illustrated and exceptionally readable, this fourth edition of the leading text in Speech and Hearing Science, is dedicated to the habilitation and rehabilitation of the speech and hearing impaired. This comprehensive and highly popular text provides a solid foundation in the anatomy and physiology of respiration, phonation, articulation, neurology, and hearing. Now in its fourth edition, this classic text has been thoroughly updated and features a highly readable format, clearer illustrations, and the addition of a second color. Clinically relevant materials punctuate the entire text, as well as in-depth supplemental and clinical notes. Key terms are boldfaced, and numerous new illustrations create dramatic visual impact.
Voyage au bout de la nuit (1932), by Louis-Ferdinand Celine (1894-1961), and Zazie dans le metro (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their publication they have been adapted into a broad range of media, including illustrated novel, bande dessinee, film, stage performance and recorded reading. What happens to their striking literary voices as they are transposed into media that combine text and image, sound and image, or consist of sound alone? In this study, Armelle Blin-Rolland examines adaptations sparked by these two seminal novels to understand what 'voice' means in each medium, and its importance in the process of adaptation.
An episodic novel filled with surprises and provocative ideas, this is the story of a great exploration ship sent out into the unknown reaches of space on a long mission of discovery. They encounter several terrifying alien species, including the Ix, who lay their eggs in human bodies, which then devour the humans from within when they hatch. Reissue of a classic.
“An extraordinary story of bravery and insanity on the high seas. . . . One of the most gripping sea stories I have ever read.” — Sebastian Junger, author of The Perfect Storm In the tradition of Into Thin Air and The Perfect Storm, comes a breathtaking oceanic adventure about an obsessive desire to test the limits of human endurance. In 1968 nine sailors set off on the most daring race ever held and never before completed: to single-handedly circumnavigate the globe nonstop. Ten months later, only one of the nine men would cross the finish line and earn fame, wealth, and glory. For the others, the reward was madness, failure, and death. Gorgeously written and meticulously researched by author Peter Nichols, this extraordinary book chronicles the contest of the individual against the sea, waged at a time before cell phones, satellite dishes, and electronic positioning systems. A Voyage for Madmen is a tale of sailors driven by their own dreams and demons, of horrific storms, and of those riveting moments when a decision means the difference between life and death.
Like The Man Who Mistook His Wife for a Hat, this is a fascinating voyage into a strange and wonderful land, a provocative meditation on communication, biology, adaptation, and culture. In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect — a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well. Seeing Voices is, as Studs Terkel has written, "an exquisite, as well as revelatory, work."