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Throughout Haitian history—from 17th century colonial Saint-Domingue to 21st century postcolonial Haiti—arguably, the Afro-Haitian religion of Vodou has been represented as an “unsettling faith” and a “cultural paradox,” as expressed in various forms and modes of Haitian thought and life including literature, history, law, politics, painting, music, and art. Competing voices and conflicting ideas of Vodou have emerged from each of these cultural symbols and intellectual expressions. The Vodouist discourse has not only pervaded every aspect of the Haitian life and experience, it has defined the Haitian cosmology and worldview. Further, the Vodou faith has had a momentous impact on the evolution of Haitian intellectual, aesthetic, and literary imagination; comparatively, Vodou has shaped Haitian social ethics, sexual and gender identity, and theological discourse such as in the intellectual works and poetic imagination of Jean Price-Mars, Dantes Bellegarde, Jacques Roumain, Jacques Stephen Alexis, etc. Similarly, Vodou has shaped the discourse on the intersections of memory, trauma, history, collective redemption, and Haitian diasporic identity in Haitian women’s writings such as in the fiction of Edwidge Danticat, Myriam Chancy, etc. The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche. The contributors of this book examine this constructed narrative from a multicultural voice that engages critically the discipline of ethnomusicology, drama, performance, art, anthropology, ethnography, economics, literature, intellectual history, philosophy, psychology, sociology, religion, and theology. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.
Haitian Vodou breaks away from European and American heuristic models for understanding a religio-philosophical system such as Vodou in order to form new approaches with an African ethos. The contributors to this volume, all Haitians, examine the potentially radical and transformative possibilities of the religious and philosophical ideologies of Vodou and locate its foundations more clearly within an African heritage. Essays examine Vodou's roles in organizing rural resistance; forming political values for the transformation of Haiti; teaching social norms, values, and standards; influencing Haitian culture through art and music; merging science with philosophy, both theoretically and in the healing arts; and forming the Haitian "manbo," or priest.
Landmark interdisciplinary study of religious systems through their dance performances
Using a variant of structuration theory, what Paul C. Mocombe calls phenomenological structuralism, this work explores and highlights how the African religion of Vodou and its ethic, i.e., syncretism, materialism, communal living or social collectivism, democracy, individuality, cosmopolitanism, spirit of social justice, xenophilia, balance, harmony, and gentleness, gave rise, under the leadership of oungan yo, manbo yo, gangan yo, and granmoun yo, to the Haitian spirit of communism and the "counter-plantation system" (Jean Casimir's term) in the provinces and mountains of Haiti. What Mocombe calls the Vodou Ethic and the spirit of communism of the African people of Haiti would be juxtaposed against the Catholic/Protestant Ethic and the spirit of capitalism of the white, mulatto, gens de couleur, and petit-bourgeois free black classes of the island. This latter worldview, the Catholic/Protestant Ethic and the spirit of capitalism, Mocombe goes on to argue, exercised by the free bourgeois blacks and mulatto elites, Affranchis, on the island undermined the revolutionary and independence movement of Haiti commenced by subjects/agents, oungan yo, manbo yo, gangan yo/dokt fey, and granmoun yo, of the Vodou ethic and the spirit of communism, and made it the poorest, most racist, and tyrannical country in the Western Hemisphere.
In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in this richly textured book, that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange. This innovative book centers on fashion and other forms of self-presentation, yet it draws together many strands of thought and practice, showing how religion is a multisensorial experience of engagement with what the gods want and demand from worshippers. Nwokocha's ethnographic work will challenge and enrich readers' understandings not only of Vodou and its place in Black religious experience but also of religion's entanglements with gender and sexuality, race, and the material and spiritual realms.
Explore this comprehensive guide to New Orleans Voodoo, Haitian Vodou, and Hoodoo. Are you intrigued by the mysterious world of Voodoo? Are you drawn to the powerful Loa spirits and their ability to shape your life? Are you curious about the history and traditions of New Orleans Voodoo, Haitian Vodou, and Hoodoo? If so, you've found the perfect guide to this fascinating spiritual path. In this book, you will: Learn about the rich history and cultural significance of Voodoo Understand the differences between New Orleans Voodoo, Haitian Vodou, and Hoodoo Learn how to connect with the powerful Loa spirits and harness their energy Learn about the use of herbs, roots, candles, and oils in Voodoo magic Learn how to perform powerful spells for love, prosperity, and protection Understand the importance of honoring your ancestors in Voodoo practice Learn about the principles of Voodoo ethics and morality Learn how to create and maintain an altar for the spirits Delve into the structure of Voodoo rituals and ceremonies Learn about the basics of Haitian Vodou and Hoodoo practices While reading this book, you'll gain a new appreciation for the beauty and power of Voodoo, and you'll be inspired to incorporate this spiritual path into your own life. You'll learn how to harness the power of the spirits, connect with your ancestors, and manifest your deepest desires. With the guidance of this book, you'll be able to navigate the complex world of Voodoo with confidence and clarity.
This book and accompanying compact disc provide a rare excursion in the innovative ways a community of Haitian migrants to South Florida has maintained religious traditions and familial connections. It demonstrates how religion, ritual, and aesthetic practices affect lives on both sides of the Caribbean, and it debunks myths of exotic and primitive vodou (often spelled "voodoo"), which have long been used against Haitians. As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants’ dependence on their home village is dramatically reinforced while their economic independence is restricted. Using standard ethnographic methods, Richman’s work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti’s chief economic exports. A volume in the series New World Diasporas, edited by Kevin A. Yelvington
This collection introduces readers to the history and practice of the Vodou religion, and corrects many misconceptions. The book focuses specifically on the role Vodou plays in Haiti, where it has its strongest following, examining its influence on spiritual beliefs, cultural practices, national identity, popular culture, writing and art.
"Studies the connections and relationships between Vodou and African traditional religions, such as Yoruba religion and Egyptian religion. ... The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche."--Back cover.