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Includes: Five Zeros * I Rise Again * I've Got It All * The Legacy * Life Is Like a Train * Mine * Never * On the Twentieth Century * Our Private World * Repent * She's a Nut * Together * Veronique.
Simplified Revised Version Musical comedy Book and Lyrics by Adolph Green and Betty Comden Music by Cy Coleman Based on a play by Ben Hecht and Charles McArthur and also a play by Bruce Milholland 17 Principal roles, plus chorus (doubling possible) Whether performed with elaborate scenery or on a simple scale, this brilliantly comic musical appeals to audiences everywhere. As in the classic original, the story concerns the efforts of a flamboyant theatrical impresario Oscar Jaffe to persuade glamorous film star (and former amour) Lily Garland to appear in his next production while outwitting rival producers, creditors and religious nut Letitcia Primrose. And all this before the 20th Century Ltd. reaches NYC "Spectacular, funny and elegant...civilized wit and wild humor."-The New York Times "A perfect musical...A gorgeous show "-New York Post "A rare delight: a musical that tells a story and does so with delicious wit. A hilarious American sequel to My Fair Lady."-Hartford Courant
Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Alec Baldwin and Anne Heche starred on Broadway in this hilarious adaptation of the classic play. Bankrupt, with his career on a downslide, egomaniacal Broadway director Oscar Jaffe boards the Twentieth Century Limited and encounters his former discovery and ex-chorus girl Lily Garland, now a tempermental Hollywood star on the train between NY and Chicago. He pulls out all the stops in persuading her to return to Broadway in his upcoming show.
(Amadeus). Nick Strimple's all-encompassing survey ranges from 19th-century masters, such as Elgar, to contemporary composers, such as Tan Dun and Paul McCartney. Repertory of every style and level of complexity is critically surveyed and described. This book is an essential resource for choral conductors and a valuable guide for choral singers and other music lovers.
The vocal repertoire of the twentieth century--including works by Schoenberg, Boulez, Berio, Larsen, and Vercoe--presents exciting opportunities for singers to stretch their talents and demonstrate their vocal flexibility. Contemporary composers can be very demanding of vocalists, requiring them to recite, trill, and whisper, or to read non-traditional scores. For singers just beginning to explore the novelties of the contemporary repertoire, Exploring Twentieth-Century Vocal Music is an ideal guide. Drawing on over thirty years of experience teaching and performing the twentieth century repertoire, Sharon Mabry has written a cogent and insightful book for singers and voice teachers who are just discovering the innovative music of the twentieth century. The book familiarizes readers with the new and unusual notation systems employed by some contemporary composers. It suggests rehearsal techniques and vocal exercises that help singers prepare to tackle the repertoire. And the book offers a list of the most important and interesting works to emerge in the twentieth century, along with suggested recital programs that will introduce audiences as well as singers to this under-explored body of music.
¿7FDesigned to aid singers and voice teachers to discover and decipher the inovative repertoire of the 20th century. The book familiarizes the reader with notation systems and suggests rehearsal techniques and vocal exercises."
By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.