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For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
Self-taught art (or outsider art or folk art) is made up of paintings, drawings, sculptures, assemblages, outdoor constructions and other items created by people with little or no formal training who produce (or at least began by producing) art without regard to mainstream recognition or the marketplace. There are now several periodicals, numerous yearly auctions, and dozens of museums and galleries devoted to the field. This analysis of the art form in 20th century America begins by explaining the emergence of self-taught art, and introducing the reader to key aspects. The second chapter studies trends, by gender, race and region, and examines such issues as education, employment and the circumstances under which artists became active. The main body of the work consists of 1,319 biographies of artists--dates, location, origins, education, employment, style, media, themes and unusual characteristics. Another section deals with 44 categories of self-taught art including media (collage, painting, pottery, relief carving, sculpture, etc.); styles (abstract, rudimentary, surrealistic...); and themes (such as animals, death, humor, politics, religion, vehicles and words).
The biographical section of this resource records 1000 US artists. Other sections contain lists of museums with folk, self-taught and outsider art in their permanent collections; galleries; organisations; publications; exhibitions; educational opportunities; and an annotated bibliography.
American art from one of the premier collections of work by self-taught artists
Tony Vivolo brings alive the world of his boyhood. Cured meats and ripened cheeses in the shops assault your senses and let you know exactly where you've landed. Boisterous nonstop chatter of family and friends fills the cramped apartment and reminds you where you'll always find welcome. Vivolo touches a chord with us all as he opens his heart and reveals the deep connection among those who formed his neighborhood, Surrounded by relatives and friends whose bonds would remain for life, he experienced what we all yearn for, both for ourselves and our children- unconditional love, support through good times and bad, opportunities to stretch in a simple life with limited means, Vivolo shows what we too often forget in our rush to do it all - that what matters most, what we remember always, what truly enriches our lives happens in the moments shared with those we love. Step into Vivolo's Italian South Village and recapture the joy in simple pleasures.
Comprehensive encyclopedia of twentieth century American folk art and artists.