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Synopsis: In 1969, a young black girl in Omaha, Nebraska named Vivian Strong was killed by a white cop firing a single bullet to the back of her head, setting off one of the worst race riots of the 1960’s. Nobody knew anything about her, except her age and the circumstances of her death. Through memoir like monologues inspired by real events, two actors portray multiple characters, bringing a fictional account of Vivan’s life to the stage. Cast Size: 1 Female, 1 Male
The Best New Ten-Minute Plays, 2021 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theatre enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: The Architecture of Desire by Brian Leahy Doyle Count Dracula's Café by Scot Walker Extended Play by B.V. Marshall Go to the Light by Laurie Allen Greater than Nina by Bruce Bonafede The Home for Retired Canadian Girlfriends by John Bavoso Judas Iscariot's Day Off by David Macgregor Last Dance with MJ by Lindsay Partain The Lobster Quadrille by Don Nigro Meanwhile at the Pentagon by Jenny Lyn Bader Most Wonderful by Jennifer O'grady Reconcile, Bitch by Desi Moreno-Penson Trumpettes Anonymous by Rex Mcgregor You Are Here by Nandita Shenoy
From the end of the nineteenth century a national musical consciousness gradually developed in the USA as composers began to turn away from the European conventions on which their music had hitherto been modelled. It was in this period of change that experimentation was born. In this book, the composer and scholar David Nicholls considers the most influential figures in the development of American experimental music, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell, and the young John Cage. He analyses the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged.
This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
In this biography, Heidi Von Gunden explores Fine's life and her music. The body of the work covers Fine's long life and career, and is followed by several useful resources including a chronology, catalog, discography, and bibliography.
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.