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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
for 2 Violins and Piano
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
(Music Sales America). Halvorsen's Passacaglia is based on a theme by Handel, and is arranged here as a rich and expressive duet for Violin and Cello.
The collection includes exclusive, one-on-one interviews conducted over the past six years with 27 of today's best-known violinists (plus one conductor/composer): Hilary Hahn, Joshua Bell, Sarah Chang, David Garrett, Anne Akiko Meyers, Ruggiero Ricci, Maxim Vengerov, Nadja Salerno-Sonnenberg, Gil Shaham and Adele Anthony, Rachel Barton Pine, Nicola Benedetti, Anne-Sophie Mutter, Zachary DePue, James Ehnes, Simon Fischer, Augustin Hadelich, Janine Jansen, Leila Josefowicz and Esa-Pekka Salonen, Philippe Quint, Tasmin Little, Elmar Oliveira, Stanley Ritchie, Lara St. John, Philip Setzer, Clara-Jumi Kang and Judy Kang. It's a celebration of one of the world's most enduring instruments, and the people who are helping carry forth the violin's legacy into a new generation. "The Violinist.com Interviews: Volume 1" includes a foreword by Grammy Award-winning violinist Hilary Hahn, who writes, "Laurie addresses topics that are comfortable but all-consuming, such as current projects, and delves into the delicate nuances of creativity. She captures specific moments in time. I love that. In this collection, you can observe her at work, but you will also travel along with her interview subjects."
(Music Sales America). Oscar Rieding's Air Varie Op. 23 No. 3 for violin with piano accompaniment.