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21 songs from the Bel Canto period, representing 15 composers.
Fine compilation of 17th- and 18th-century arias, ariettas, and canzonettas. Representing the finest work of 19 composers, these short works are ideal for performance on all levels. Carissimi's Vittoria, vittoria!, Caldara's Sebben crudele, Cesti's Intorno all'idol mio, Gluck's O del mio dolce ardor, Handel's Ah, mio cor, and others.
This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.
A collection of Italian songs from the 17th and 18th century for Voice.
NOW IN PAPERBACK! Designed for use by professional singers, amateurs, teachers, coaches, and students; contains annotations for more than 1,000 songs in the basic vocal repertoire. Invaluable for those who must prepare program notes.
Expertly arranged Vocal Collection for Medium High Voice from the Kalmus Edition series. Titles: * Per la gloria d'adorarvi * Amarilli, mia bella * Alma del core * Comme raggio di sol * Sebben, crudele * Vittoria, mio core! * Non posso disperar * Danza, danza, fanciulla gentile * Vergin, tutto amor * Caro mio ben * O del mio dolce ardor * Che fiero costume * Pur dicesti, o bocca bella * Il mio bel foco * Lasciatemi morire! * Nel cor piu non mi sento * Se tu m'ami, se sospiri * Nina (attributed to Pergolesi) * Gia il sole dal Gange * Le Violette * O cessate di piagarmi * Se Florindo e fedele * Pieta, Signore! * Tu lo sai
(Vocal Collection). For well over a century, the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also available that were recorded by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas.