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Biografie van de Engelse schrijfster (1892-1962) en ontwerpster van de tuinen van Sissinghurst Castle in Engeland.
Irreverently funny and surprisingly moving, All Passion Spent is the story of a woman who discovers who she is just before it is too late. After the death of elder statesman Lord Slane—a former prime minister of Great Britain and viceroy of India—everyone assumes that his eighty-eight-year-old widow will slowly fade away in her grief, remaining as proper, decorative, and dutiful as she has been her entire married life. But the deceptively gentle Lady Slane has other ideas. First she defies the patronizing meddling of her children and escapes to a rented house in Hampstead. There, to her offspring’s utter amazement, she revels in her new freedom, recalls her youthful ambitions, and gathers some very unsuitable companions—who reveal to her just how much she had sacrificed under the pressure of others’ expectations.
A shockingly honest memoir about life on the pro tennis circuit during its golden years by one of McEnroe's and Connors' chief rivals, Bill Scanlon. In the golden age of tennis, when players were just learning how to become media personalities, men like John McEnroe, Jimmy Connors, Björn Borg and Ivan Lendl ruled the court. In a tell-all memoir, former top 10 seeded tennis star and chief McEnroe rival, Bill Scanlon, presents an unfettered look at the good old days of tennis when some of the most colorful (and infamous) players in history went head-to-head and the game was changed forever. Bad News For McEnroe is in part a revelation of the feud between McEnroe and the author that began when they were teenagers, but the essence of this book are the wonderful and surprising on- and off-the-court high jinks of such notable players as Guillermo Vilas, Borg, McEnroe, Ilie Nastase and Connors, all of whom Scanlan played and knew intimately, from locker room fights to on-court breakdowns and blow-ups. A story that could not have come from anyone but a true insider, Scanlon's tale of life on the pro tennis circuit will shock and delight tennis fans everywhere.
A Different World concludes the Little House series with both relief and sorrow. Relief to see a project finished but sorrow to leave all the characters behind, who have become a real part of my life. In this volume Patrick and Olivia take their family of five and leave the little house behind, thinking this time they wont ever be back. But as Robert Burns said in a poem long ago, the best laid plans of mice and men often go awry, you will see how Patrick and Olivias plans go awry just when life is becoming less stressful. After Patrick and Olivia left the little house and rented the Silas Barton farm, the Francis Airhartz farm that lay adjacent to the Harris farm came up for sale. Patrick had secretly wanted to buy this land if it ever came up for sale. Now was his chance to be settled for life but needed to borrow enough money by sale day. When it seemed the opportunity was passing an unexpected source helped him purchase part of the farm. They thought they were settled then, for life, until the unexpected, the unthinkable happened.
Vita is a purple-haired singing queen, and she has big dreams for her rock group, Zebrafish. But when she holds auditions for the back-up band, tryouts are sorely lacking in the musical ability department. Luckily her new bandmates—Walt, Tanya, Jay, and Plinko—have other talents. But lately Tanya has been missing a lot of rehearsals. When Vita discovers why, she realizes that the group can be about much more than one person, one band, or even one school. A concert won’t cure Tanya’s cancer or make her treatments any less painful, but, in their own way, Zebrafish can make a difference—and the tale of their unlikely success is sure to strike a chord with young readers looking to make their world a better place.
Fresh Cuts: Arrangements with Flowers, Leaves, Buds & Branches is an exciting new look at the unexpected possibilities the plant world offers for beauty and enjoyment. It will change the way we approach flower arranging. The one hundred elegant photographs by John M. Hall and the charming, informative text by garden designer Edwina von Gal show that one's choices for natural decorative arrangements need not be limited to flowers. Rather, von Gal and Hall emphasize the intrinsic beauty of each part of the plant, including buds, stems, leaves, berries and fruit. In tune with the current trend toward minimalism in interior decorating, the arrangements featured in this book are appealingly spare and simple. Among the many inspired ideas are a gathering of delicate periwinkle, the flowers a perfect complement to the leaves; a tabletop arrangement of beautifully textured pods and seeds; the rich, red stems of rhubarb chard in a clear glass vase; and a single rose of Sharon in glorious full bloom. Von Gal's whimsical, anecdotal text offers facts, observations, and folklore, as well as practical guidance for the care and maintenance of the plants featured in her creative arrangements. Her provocative captions invite us to stop, take a closer look, and experience plants in ways we might not have thought of before--in vases or in their natural settings. Filled with novel, accessible ideas, Fresh Cuts also suggests that the enjoyable act of decorating one's home or office can be combined with a dedicated foraging expedition, a casual nature walk, or a spiritual lesson in understanding our own symbiotic connection to the world of plants.
The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group. 'Vita and Harold have become part of our literature' OBSERVER The marriage of Vita Sackville-West and Harold Nicolson was one of the most controversial relationships of the 20th century. This selection of letters, many of which have never been published, skilfully woven together by their son, Nigel Nicolson, gives dramatic new insight into their fascinating lives. Set within a framework of their son's highly personal memories, the story of this most extraordinary of marriages comes full circle - from the announcement of their engagement in 1912, through the storm days of Vita's well-known affairs with Violet Trefusis and Virginia Woolf, during the years of long separation as Harold's profession as a diplomat took him abroad, and culminating in the days leading up to Vita's death in 1962.
Helius, Nero’s most trusted adviser, anticipates the death of his sworn enemy, the legendary warrior Gallus Sergius Vitas, scheduled to die a gruesome death in the arena. However, the badly beaten man who appears in the amphitheater is not who he seems. Rescued by a stranger and given a mysterious scroll, Vitas is told he must decipher this letter to find the answers he needs—a letter that Helius is also determined to decipher and to keep hidden from Nero. As Nero’s reign of terror grows, so does his circle of enemies.
The contributions to Making of Copernicus examine exemplarily how some of the Copernicus myths came about and if they could hold their ground or have vanished again. Are there links between a factual or postulated transformation of world images and the application of certain scientific metaphors, especially the metaphor of a revolution? Were there interactions and amalgamations of the literary and scientific enthronement, or outlawry of Copernicus and if so, how did they take place? On the other hand, are there repercussions of the scientific-historical reconstructions and hagiographies on the literary image of Copernicus as sketched by novelists even in the 20th century? The history of the reception of Copernicus shall not be dominantly dealt with from the point of view of a factual affirmation and rejection of the astronomer and his doctrine but rather as accomplishments of transformation respectively. Thus, the essays in this volume investigate transformations: methodological, institutional, textual, and visual transformations of the Copernican doctrine and the topical, rhetorical and literary transformations of the historical person of Copernicus respectively.