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"We don t sell gardens; we sell images of gardens." This observation on the part of a landscape architect makes it clear just how important it is that a design be effectively communicated to the clients and the public. The book describes the methods and forms of visual representation in contemporary landscape architecture.
Dynamic Patterns explores the role of patterns in designed landscapes. Patterns are inherently relational, and the search for and the creation of patterns are endemic to many scientific and artistic endeavors. Recent advances in optical tools, sensors, and computing have expanded our understanding of patterns as a link between natural and cultural realms. Looking beyond the surface manifestation of pattern, M’Closkey and VanDerSys delve into a multifaceted examination that explores new avenues for engagement with patterns using digital media. Examining the theoretical implications of pattern-making, they probe the potential of patterns to conjoin landscape’s utilitarian and aesthetic functions. With full color throughout and over one hundred and twenty images, Dynamic Patterns utilizes work from a wide range of artists and designers to demonstrate how novel modes of visualization have facilitated new ways of seeing patterns and therefore of understanding and designing landscapes.
Visualizing Nature brings together contemporary visionaries to share deeply personal essays on nature, ecology, sustainability, climate change, philosophy, and more. Compiled by editor and poet Stuart Kestenbaum, the contributors represent a wide range of backgrounds and experiences, each honoring nature's power to heal, inspire, guide, amaze, and strengthen. Activist Maulian Dana of the Penobscot Nation writes on the intertwining relationship of motherhood and Mother Earth. Biology professor David Haskell tells the story of the resilient bristlecone pine trees, which live to be as old as 2,100 years. Iranian scholar Alireza Taghdarreh speaks to his experience of translating Emerson's "Nature" into Farsi. A previously unpublished 1962 speech by Rachel Carson complements the collection of more than twenty essays, each inviting the reader into a quiet space of reflection with the opportunity to think deeply about how they relate to the natural world.
“We don’t sell gardens; we sell images of gardens.” This observation on the part of a landscape architect makes it clear just how important it is that a design be effectively communicated to the community, clients, and the public. Drawings, models, simulations, and films communicate the designers’ proposed ideas and solutions, but they also convey their attitude toward the use of nature and the environment. With myriad possibilities – including computer programs as well as hand drawings and models, which continue to be widely used – and strong competition in the field, there is now a huge variety of visual representations, with agreed-upon rules but also a great deal of freedom. In three large sections, this books sifts through the currently commonplace and available techniques and evaluates them in terms of their informative value and persuasive power, always illustrating its points with analysis of examples from international firms. An introductory look at the development thus far is followed by a systematic presentation of modes of representation in two, three, and four dimensions – in the plane, in space, and in the temporal process. The second section deals with the sequence within the workflow: from the initial sketch through concept and implementation planning all the way to the finished product. The third section deals with the strategic use of visualizations in the context of competitions, future schemes, and large-scale landscape planning. The focus in this section is not on the familiar use of the relevant techniques, but rather on the methods and forms of visual representation in contemporary landscape architecture.
An architecture portfolio designed by Alex Hogrefe describing 4 original projects with a focus on unique representational techniques and styles.
CD-ROM contains: Digital version of some of the text, illustrations, examples, animations, JAVA applications, and tutorial.
Visual Communication for Landscape Architecture demonstrates not only how and where a range of visual communication skills are needed to inform a design process, but also why they are essential in order to make presentations both informative and memorable. It illustrates how representational techniques can be sensitively applied in different contexts appropriate to a diverse range of design challenges, and encourages experimentation with contemporary techniques, both 2D and 3D. Developing a professional but creative design portfolio is explored in relation to creating e-portfolios and websites. A total of 12 contemporary case studies enable readers to contextualize the methods and techniques explored in each chapter through exploring real-life examples of winning projects by successful landscape architecture practices, making this title an inspirational resource for both budding – and practising – landscape architects.
Kasprisin and Pettinari (Kasprisin Pettinari Design: Architects and Urban Planners, Seattle) present their concept of "visual thinking," which involves drawing three-dimensional renderings as a means to create environment-friendly architectural designs in urban areas. They take the reader through the design process: principles, elements, techniques of drawing; visualizing place as context; scaling; phasing; and how to involve the public in the design. Four detailed case studies and over 300 drawings illuminate the reality behind the theory. Annotation copyright by Book News, Inc., Portland, OR
The sensing, processing, and visualizing that are currently in development within the environment boldly change the ways design and maintenance of landscapes are perceived and conceptualised. This is the first book to rationalize interactive architecture and responsive technologies through the lens of contemporary landscape architectural theory. Responsive Landscapes frames a comprehensive view of design projects using responsive technologies and their relationship to landscape and environmental space. Divided into six insightful sections, the book frames the projects through the terms; elucidate, compress, displace, connect, ambient, and modify to present and construct a pragmatic framework in which to approach the integration of responsive technologies into landscape architecture. Complete with international case studies, the book explores the various approaches taken to utilise responsive technologies in current professional practice. This will serve as a reference for professionals, and academics looking to push the boundaries of landscape projects and seek inspiration for their design proposals.
Design in the Terrain of Water makes room for water as a ground in design: water that is everywhere before it is somewhere; water that is in rain before it is in rivers, soaks before it flows, spreads before it gathers, blurs before it clarifies; water that is ephemeral, transient, uncertain, interstitial, chaotic, omnipresent. This is water to which people are increasingly turning to find innovative solutions to water scarcity, pollution, aquifer depletion and other problems that are assuming center stage in local and global politics, dynamics, and fears. It is also water that is celebrated and ritualized in ordinary and everyday practices across many cultures. The book brings together the work of eminent professionals, designers, artists, scientists and theorists, who respond to the challenges that this water poses, its visualization, its infrastructure, its politics and its science. At a moment when design disciplines are beginning to embrace measures such as flexibility, agility and resilience, this book makes an important and timely contribution. These are measures that we associate more closely with water and watery imagination than the terra firma that grounds aspirations of prediction and control that have proved elusive, perhaps even detrimental. The book asks if in this time of uncertainty and ambiguity brought on by increasing openness of economies, cultures, and ecologies, we need to re-invent our relationship with water. Should we look to the past, present and future and ask if in seeing water somewhere rather than everywhere we miss opportunities, practices and lessons that could inform and transform the design project? What role has representation and visualization played in confining water to a place on land? Can we look at projects in history and projects emerging today - cities, infrastructures, buildings, landscapes, artworks - with a cultivated eye for waters everywhere? What is it to see water as not within, adjoining, serving or threatening settlement, but the ground of settlement? Design in the Terrain of Water is a collection of visual and textual essays that present a way, a direction, and perhaps even a paradigm shift in how professionals imagine, build, and advocate in a terrain of water.