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The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period. Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker.
Myriapods are the only major zoological group for which a modern encyclopedic treatment has never been produced. In particular, this was the single major gap in the largest zoological treatise of the XIX century (Grassé’s Traité de Zoologie), whose publication has recently been stopped. The two volumes of “The Myriapoda” fill that gap with an updated treatment in the English language. Volume II deals with the Diplopoda or millipedes. As in the previous volume, the treatment is articulated in chapters dealing with external and internal morphology, physiology, reproduction, development, distribution, ecology, phylogeny and taxonomy. All currently recognized suprageneric taxa and a very large selection of the genera are considered. All groups and features are extensively illustrated by line drawings and micrographs and living specimens of representative species of the main groups are presented in color photographs.
Humankind’s fascination with the animal kingdom began as a matter of survival – differentiating the edible from the toxic, the ferocious from the tractable. Since then, our compulsion to catalogue wildlife has played a key role in growing our understanding of the planet and ourselves, inspiring religious beliefs and evolving scientific theories. The book unveils wild truths and even wilder myths about animals, as perpetuated by zoologists – revealing how much more there is to learn, and unlearn. Animals were among the first subjects ever drawn by humans. Long before Darwin or Watson and Crick, our ancestors studied the visual similarities and differences between the creatures which inhabit the Earth alongside us. Early savants could sense there was an order, a scheme, which unified all life. The schemes they formulated often tell us as much about ourselves as they do about the animals depicted, highlighting obsessions, fears, revelations and hopes. The human quest to classify living beings has left us with a rich artistic legacy in four great stages—the folklore and religiosity of the ancient and Medieval world; the naturalistic cataloging of the Enlightenment; the evolutionary trees and maps of the nineteenth century; and the modern, computer-hued classificatory labyrinth. The aim of this book is to tell the story of our systematization of the beasts. These charts of the zoological world parallel prevailing artistic trends and scientific discoveries, woven together with philosophical threads that run throughout: animal life as parable, a tree, a maze, a terra incognita, a mirror upon ourselves.
The visual world of animals is highly diverse and often very different from that of humans. This book provides an extensive review of the latest behavioral and neurobiological research on animal vision, detailing fascinating species similarities and differences in visual processing.
This volume tries to map out the intriguing amalgam of the different, partly conflicting approaches that shaped early modern zoology. Early modern reading of the “Book of Nature” comprised, among others, the description of species in the literary tradition of antiquity, as well as empirical observations, vivisection, and modern eyewitness accounts; the “translation” of zoological species into visual art for devotion, prayer, and religious education, but also scientific and scholarly curiosity; theoretical, philosophical, and theological thinking regarding God’s creation, the Flood, and the generation of animals; new attempts with respect to nomenclature and taxonomy; the discovery of unknown species in the New World; impressive Wunderkammer collections, and the keeping of exotic animals in princely menageries. The volume demonstrates that theology and philology played a pivotal role in the complex formation of this new science. Contributors include: Brian Ogilvie, Bernd Roling, Erik Jorink, Paul Smith, Sabine Kalff, Tamás Demeter, Amanda Herrin, Marrigje Rikken, Alexander Loose, Sophia Hendrikx, and Karl Enenkel.
John Lythgoe was one of the pioneers of the 'Ecology of Vision', a subject that he ably delineated in his classic and inspirational book published some 20 years ago [1]. At heart, the original book aimed generally to identify inter-relationships between vision, animal behaviour and the environment. John Lythgoe excelled at identifying the interesting 'questions' in the ecology of an animal that fitted the 'answers' presented by an analysis of the visual system. Over the last twenty years, however, since Lythgoe's landmark publication, much progress has been made and the field has broadened considerably. In particular, our understanding of the 'adaptive mechanisms' underlying the ecology of vision has reached considerable depths, extending to the molecular dimension, partly as a result of development and application of new techniques. This complements the advances made in parallel in clinically oriented vision research [2]. The current book endeavours to review the progress made in the ecology of vision field by bringing together many of the major researchers presently active in the expanded subject area. The contents deal with theoretical and physical considerations of light and photoreception, present examples of visual system structure and function, and delve into aspects of visual behaviour and communi cation. Throughout the book, we have tried to emphasise one of the major themes to emerge within the ecology of vision: the high degree of adaptability that visual mechanisms are capable of undergoing in response to diverse, and dynamic, environments and behaviours.
"The evolution of the eye spans 3.75 billion years from single cell organisms with eyespots to Metazoa with superb camera style eyes. At least ten different ocular models have evolved independently into myriad optical and physiological masterpieces. The story of the eye reveals evolution's greatest triumph and sweetest gift. This book describes its journey"--Provided by publisher.