Download Free Visual Arts At Ashkenaz Book in PDF and EPUB Free Download. You can read online Visual Arts At Ashkenaz and write the review.

The medieval Ashkenazi manuscripts of the Small Book of Commandments (Sefer Mitzvot Katan, or ‘SeMaK’ for short), which was written by Isaac of Corbeil, attest a scribal culture in which rabbinical knowledge and piety were combined with creative freedom in manuscript design. This study is concerned with the creation, composition and circulation of manuscripts of the SeMaK and concentrates on the book as an artefact. The focus of the author’s attention is the manuscripts’ material nature, their artistic embellishment and the personal touches that scribes added to them. With the act of writing a text and decorating a SeMaK manuscript, they ‘appropriated’ the text, so to speak, giving it a character of its very own. They drew on a visual language in the process – or rather, on visual languages, which occupy a special place between pure writing culture and pure painting culture. It was in this area ‘in between’ the two that spontaneous touches arose, ranging from changes in the physical arrangement of the text (mise-en-page) to drawings and doodles added in the margins. An examination of paratextual elements broadens the reader’s knowledge about Jewish scribal culture and grants insights into medieval book art, material culture and Judeo-Christian co-existence in the Middle Ages as well as throwing some light on Jewish values, ideals and eschatological hopes.
This book looks at art historical explorations, matters of archival legitimacy, the survival of fakes and forgeries and many other aspects of Jewish art. It commemorates the life and work of Isaiah Shachar through the medium of papers given at the first international conference on Jewish art.
This book was first published in 2000. Jewish texts are a hidden treasure of information on Jewish art and artists, the patronage and use of art, and the art created by non-Jews. Most of these texts are written in Hebrew and Aramaic. Those scholars able to read them often do not understand their art-historical importance, while many art historians who would understand the references to art are hindered by language barriers. Jewish Texts on the Visual Arts includes fifty translated texts dating from the bibilical period to the twentieth century. They touch on issues such as iconoclasm, the art of the 'Other', artists and their practices, synagogue architecture, Jewish ceremonial art, and collecting. Through the introduction and essays that accompany each text, Vivian Mann articulates the importance and relevance of these sources to our understanding of art history.
An illustrated catalogue of an exhibition at the Yeshiva University Museum, 1986-87, covering all aspects of Jewish religious, cultural, social, and economic life in Germany and Austria. A brief essay introduces each section. Pp. 301-315, "The Tragedy of Ashkenaz", traces the history of German antisemitism from the Middle Ages to the Holocaust.
Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. The book showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such, it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. This volume includes among others the following articles: Batya Brutin on 'The Boy from the Warsaw Ghetto as Holocaust Icon in Art'; Mathew Baigell on'Robert Kirschbaum's Art: Abstract, Intellectual, Spiritual'; Zsofia Buda on 'Hamburg Miscellany: The Sacrifice of Isaac'; Moshe Idel, Visualization of Colors, 1: David ben Yehudah he-Hasid's Kabbalistic Diagram'; Rudolf Klein on Humour in Architecture: Jewish Wit on Bela Lajta's Buildings'; Annette Weber, 'The Masorah is a Fence to the Torah': Monumental Letters and Micrography in Medieval Ashkenazi Bibles'; and Monika Czekanowska on 'Biblical Women and Art Nouveau Symbolism'.
The American Jewish Year Book, which spans three different centuries, is the annual record of the North American Jewish communities and provides insight into their major trends. Part I of the current volume contains the lead article: Chapter 1, “Pastrami, Verklempt, and Tshoot-spa: Non-Jews’ Use of Jewish Language in the US” by Sarah Bunin Benor. Following this chapter are three on domestic and international events, which analyze the year’s events as they affect American Jewish communal and political affairs. Three chapters analyze the demography and geography of the US, Canada, and world Jewish populations. Part II provides lists of Jewish institutions, including federations, community centers, social service agencies, national organizations, synagogues, Hillels, camps, museums, and Israeli consulates. The final chapters present national and local Jewish periodicals and broadcast media; academic resources, including Jewish Studies programs, books, journals, articles, websites, and research libraries; and lists of major events in the past year, Jewish honorees, and obituaries. While written mostly by academics, this volume conveys an accessible style, making it of interest to public officials, professional and lay leaders in the Jewish community, as well as the general public and academic researchers. The American Jewish Year Book has been a key resource for social scientists exploring comparative and historical data on Jewish population patterns. No less important, the Year Book serves organization leaders and policy makers as the source for valuable data on Jewish communities and as a basis for planning. Serious evidence-based articles regularly appear in the Year Book that focus on analyses and reviews of critical issues facing American Jews and their communities which are indispensable for scholars and community leaders. Calvin Goldscheider, Professor Emeritus of Sociology and Ungerleider Professor Emeritus of Judaic Studies, Brown University They have done it again. The American Jewish Year Book has produced yet another edition to add to its distinguished tradition of providing facts, figures and analyses of contemporary life in North America. Its well-researched and easily accessible essays offer the most up to date scrutiny of topics and challenges of importance to American Jewish life; to the American scene of which it is a part and to world Jewry. Whether one is an academic or professional member of the Jewish community (or just an interested reader of all things Jewish), there is not another more impressive and informative reading than the American Jewish Year Book. Debra Renee Kaufman, Professor Emerita and Matthews Distinguished University Professor, Northeastern University
Since turning to the field of Jewish art over twenty years ago, Vivian Mann has concentrated on investigating Jewish ceremonial art within the dual contexts of Jewish law, and the history of decorative arts in general, including the ceremonial art made for the Church and the Mosque. The introduction to this volume considers classic rabbinic attitudes toward art and its relationship to spirituality. The remaining essays are divided into three groups: the first concerns medieval ceremonial art; the second, articles on the Jewish art of Muslim lands beginning with the early Middle Ages; and the third consists of essays on Judaica during the periods of the Renaissance and rococo.