Download Free Visions Of Violence Book in PDF and EPUB Free Download. You can read online Visions Of Violence and write the review.

In Global Visions of Violence, the editors and contributors argue that violence creates a lens, bridge, and method for interdisciplinary collaboration that examines Christianity worldwide in the twentieth and twenty-first centuries. By analyzing the myriad ways violence, persecution, and suffering impact Christians and the imagination of Christian identity globally, this interdisciplinary volume integrates the perspectives of ethicists, historians, anthropologists, and ethnographers to generate new conversations. Taken together, the chapters in this book challenge scholarship on Christian growth that has not accounted for violence while analyzing persecution narratives that can wield data toward partisan ends. This allows Global Visions of Violence to push urgent conversations forward, giving voice to projects that illuminate wide and often hidden landscapes that have been shaped by global visions of violence, and seeking solutions that end violence and turn toward the pursuit of justice, peace, and human rights among suffering Christians.
In this book, Vincenzo Ruggiero offers a typology of different forms of political violence. From systemic and institutional violence, to the behaviour of crowds, to armed conflict and terrorism, Ruggiero draws on a range of perspectives from criminology, social theory, political science, critical legal studies and literary criticism to consider how these forms of violence are linked in an interdependent field of forces. Ruggiero argues that systemic violence encourages more institutional violence, which in turn weakens the ability of citizens to set up political agendas for change. He advocates for a reduction of all types of violence, which can be enacted through fairer distribution of resources and the provision of political space for contention and negotiation. This book will be of interest to all those engaged in research on violence, terrorism, armed conflict and the crimes of the powerful. It makes an important contribution to criminological and social theory.
"How Capitalism Underdeveloped Black America is one of those paradigm-shifting, life-changing texts that has not lost its currency or relevance—even after three decades. Its provocative treatise on the ravages of late capitalism, state violence, incarceration, and patriarchy on the life chances and struggles of black working-class men and women shaped an entire generation, directing our energies to the terrain of the prison-industrial complex, anti-racist work, labor organizing, alternatives to racial capitalism, and challenging patriarchy—personally and politically."—Robin D. G. Kelley "In this new edition of his classic text . . . Marable can challenge a new generation to find solutions to the problems that constrain the present but not our potential to seek and define a better future."—Henry Louis Gates, Jr. "[A] prescient analysis."—Michael Eric Dyson How Capitalism Underdeveloped Black America is a classic study of the intersection of racism and class in the United States. It has become a standard text for courses in American politics and history, and has been central to the education of thousands of political activists since the 1980s. This edition is prsented with a new foreword by Leith Mullings.
Examines the work of such female photojournalists as Alice Austen, Jessie Tarbox Beals, and Frances Benjamin Johnston, arguing that they produced images that helped to reinforce the imperialistic ideals that were forming at the beginning of the 20th century.
The nine essays that make up this volume provide cutting-edge studies of how sacred tradition is given new expression through vision and interpretation. The first four essays focus on the expansion of the sacred tradition primarily through vision. The evolution of the Solomon legacy, from wise king to healer and exorcist, is explored, as well as its contribution to the demonology of the desert fathers, especially as it concerns eroticism and sexual temptation. The varied receptions of the Revelation of the Magi and Shepherd of Hermas are also considered. The remaining five essays address important questions relating to polemic and violence in the Pseudepigrapha. How does the author of the Liber Antiquitatum Biblicarum justify God's alternating judgment and favor? How does Enoch's Animal Apocalypse make use of the Exodus tradition in its expression of deliverance? On what basis can the author of Qumran's War Scroll confidently predict Israel's vindication? And finally, what accounts for the appearance of the tradition of Gehenna, in which the wicked will meet their fiery end?
Arthur P. Mendel argues that throughout history man has worried about the Apocalypse, a phenomenon that has changed from God to reason, to history, and then to nature. He calls for a more modest and humane philosophy with regard to the Earth.'
Binding Violence exposes the relation between literary imagination, autonomous politics, and violence through the close analysis of literary texts—in particular Sophocles' Antigone, D. A. F. de Sade's 120 Days of Sodom, and Vargas Llosa's The Feast of the Goat—that speak to a blind spot in democratic theory, namely, how we decide democratically on the borders of our political communities. These works bear the imprint of the anxieties of democracy concerning its other—violence—especially when the question of a redefinition of membership is at stake. The book shares the philosophical interest in rethinking politics that has recently surfaced at the crossroads of literary criticism, philosophy, critical theory, and psychoanalysis. Fradinger takes seriously the responsibility to think through and give names to the political uses of violence and to provoke useful reflection on the problem of violence as it relates to politics and on literature as it relates to its times.
In an effort to provide "distinctively new" research in victimology, Hoyle and Young (both of the Centre for Criminological Research, U. of Oxford, UK) present eight chapters by emerging and established academics. The contributions can be characterized as having two separate focuses: the challenging of stereotypical notions of the victim and examinations of criminal justice responses. Male victims of domestic violence and rape, victims of corporate crime, and the victims of IRA "punishment beatings" are examined. Concepts of restorative justice and victim participation in the criminal justice system are also explored. Distributed in the US by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
Rape Culture and Spiritual Violence examines sexual violence against women, how religion and society contribute to a rape culture, and the extreme suffering endured by rape victims as a result. Using the testimony of women who have experienced both rape and the consequences of rape culture—from a range of religious, cultural, ethnic, and social contexts—the book explores both the suffering and healing of rape victims from World War II to today. Among the issues considered are victim invisibility, the inability to express pain, and the tendency to assume shame and self-blame. The study examines the role of society in shaping and reinforcing these responses, contributing to traumas that can lead to spiritual death. The book also explores possibilities for multiple spiritual resurrections within the practice of daily life, encouraging both individual healing and social change.
Visions of War provides a historical survey, an anatomy, an interpretation, and a polemic about the ways human beings have created pictures of battle and conflict from the Stone Age to the Gulf War. From the dawn of time to the present, from the days of mammoth hunting to the era of Scud-busting, pictures of war constitute the most persistent genre of images human beings have created. In fact, human beings are the only creatures who engage in these two activities--organized violence and the making of pictorial images--and the author shows how both art and war emerge from the same source: the hunter's eye. David D. Perlmutter's Visions of War explores and analyzes the thirteen thousand-year legacy of pictures of war from various cultures over the centuries, from the Stone Age cave paintings and monumental sculpture of the ancient Near East to the art of the classical period and the Middle Ages, from pre-contact Mesoamerican imagery to Napoleonic propaganda and totalitarian art and on to the instantaneous images of the Gulf War.