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Goethe’s 1832 poem Faust offers a vision of humanity realising freedom and prosperity through transcending natural adversity. Changing European Visions of Disaster and Development returns to Faust as a way of exploring the rise and fall of European humanist aspirations to build free and prosperous national political communities protected from natural disasters. Faust stories emerged in early modern Europe linked to the shaking of the traditional religious and political order, and the pursuit of new areas of human knowledge and activity which led to a shift from viewing disasters as acts of God to acts of nature. Faust’s dam building and land reclamation project in Goethe’s poem was inspired by Dutch hydro-engineering and in turn inspired others. Faustian dreams of an engineered future were pursued by the American Yugoslav inventor Nikola Tesla and the country of his birth towards establishing its national independence and escaping the fate of being a borderland. Faust remains a compelling reference point to explore European visions of disaster and development. If Faust captured the European spirit of earlier centuries, what is today’s outlook? Ambitious Faustian development visions to eradicate natural disasters have been replaced by anti-Faustian risk cosmopolitanism sceptical towards human activity in ways counter to building collective protection from disaster. Tesla’s country of birth fears returning to being an insecure borderland of Europe. This powerful and timely book calls for a rekindling of European humanism and Faust’s vision of ‘free people standing on free land’.
The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.
The future is now! The prophecies of Daniel are being fulfilled now, even in our lifetime. The Visions of Daniel Explained, follows the last day's prophecies of Daniel right down to the end of their fulfillment. Each prophetic scene is explained in vivid detail while using scriptural confirmation for each interpretation. Author, Dr. Jimmie Chapman, draws from fifty-two years of studies in Bible Prophecies and Theology to give us some unique and refreshing insights into the interpretation of prophecy. Join us on our journey of discovery as we explore each of Daniel's prophecies and gain a deeper understanding of their meaning. Rejoice with us as we discover God is fulfilling his word right before our eyes in Israel and the Middle East.
In a search to understanding the "four living creatures" in the fourth chapter of the book of "Revelation", I felt I needed to know more about the "one sitting on the throne". In Ezekiel chapter one, the prophet said he saw "visions of God" and later in the chapter went on to say, "this was the appearance of the likeness of the glory of the Lord." I came to the conclusion that the one sitting on the throne is God and that He is the Supreme Moral Authority, the Supreme Intelligence, and the Ultimate Source of all Energy.
In centuries long past, a vast swath of grassland swept down the center of North America, from Canada’s Prairie Provinces to central Texas. This once-plentiful prairie has now all but disappeared. Humans have grazed, mowed, and plowed the plains, dammed the rivers, and imposed their will on the land and its creatures. Fortunately, some remnants have survived, including the Joseph H. Williams Tallgrass Prairie Preserve in northeastern Oklahoma. In this visually stunning volume, wildlife photographer Harvey Payne and historian James P. Ronda offer an intimate look at and into one of America’s Last Great Places. Spanning nearly 40,000 acres in Oklahoma’s Osage County, the Preserve is a living witness to a world that once existed. But the Osage prairie is not a museum or theme park—and it is not frozen in time. Under the stewardship of The Nature Conservancy, which has overseen its restoration, the Preserve lives on as a fully functioning ecosystem. And for twenty-five years, Payne and Ronda have explored these lands, together and in solitude. Rendered here in brilliant color and paired with Ronda’s informative yet deeply personal commentary, Payne’s photographs open our eyes to the ever-changing world of the Tallgrass Preserve. In chapters focused on grass, sky, birds, bison, and fire, Ronda and Payne reveal that the “Big Empty” is, in fact, teeming with life. Through interwoven images and words, Visions of the Tallgrass shows that our nation’s grasslands are sacred ground, a priceless piece of our American past—and future.
Despite the growing critical relevance of Shakespeare's two Venetian plays and a burgeoning bibliography on both The Merchant of Venice and Othello, few books have dealt extensively with the relationship between Shakespeare and Venice. Setting out to offer new perspectives to a traditional topic, this timely collection fills a gap in the literature, addressing the new historical, political and economic questions that have been raised in the last few years. The essays in this volume consider Venice a real as well as symbolic landscape that needs to be explored in its multiple resonances, both in Shakespeare's historical context and in the later tradition of reconfiguring one of the most represented cities in Western culture. Shylock and Othello are there to remind us of the dark sides of the myth of Venice, and of the inescapable fact that the issues raised in the Venetian plays are tremendously topical; we are still haunted by these theatrical casualties of early modern multiculturalism.
This commentary on Revelation is for those who are looking for an easy-to-read, biblically central, and Christologically focused commentary on one of the most intriguing books of the Bible. It is a shame that pastors and followers of Jesus avoid the book of Revelation because of the confusing theories they heard about in the past, or just too many movies! This commentary attempts to get away from the needless debate (though different views are presented) and focus the reader’s attention on the primary focus of the book, the Lamb of God. The Lamb holds history in his hand by virtue of his eternal authority and his invested authority because of the blood that he spilled and his testimony. Therein lies his victory, and therein lies the victory for those who follow him.
Revelation offers a new way of viewing the world… When humans reject the divine order they misuse creation and thereby break the covenant with creation. The results of the breach of covenant include disease, suffering, famine and deprivation… Revelation is the unfolding of the significance of the cross through the witness of Jesus given by those who belong to him… The death, resurrection and ascension of the witnesses (the church) identify them as the covenant people of God re-acting the full ministry of Jesus… To each church the message is the same: believers can only enter the new Jerusalem by faithfulness unto death… Evil, conquered by the cross, will finally be eliminated from human experience. New covenant believers will therefore experience the divine purpose and provision of life in a new Eden. —from William Dumbrell’s New Covenant Commentary
Across generations and genres, comics have imagined different views of the future, from unattainable utopias to worrisome dystopias. These presaging narratives can be read as reflections of their authors' (and readers') hopes, fears and beliefs about the present. This collection of new essays explores the creative processes in comics production that bring plausible futures to the page. The contributors investigate portrayals in different stylistic traditions--manga, bande desinees--from a variety of theoretical perspectives. The picture that emerges documents the elaborate storylines and complex universes comics creators have been crafting for decades.