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A slippery, blackly comic gem of a novel that lovingly recreates the grubby glamour of early sixties London and introduces an irresistible anti-heroine.
Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky. In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask “What if?” and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly? While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader. In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.
Walk into any nursery, florist, or supermarket, and you’ll encounter displays of dozens of gorgeous flowers, from chrysanthemums to orchids. At one time these fanciful blooms were the rare trophies of the rich and influential—even the carnation, today thought of as one of the humblest cut flowers. Every blossom we take for granted now is the product of painstaking and imaginative planning, breeding, horticultural ingenuity, and sometimes chance. The personalities of the breeders, from an Indiana farmer to Admiral Lord Gambier’s gardener, were as various and compelling as the beauty they conjured from skilled hybridization. In Visions of Loveliness: Great Flower Breeders of the Past, Judith Taylor wrote engagingly about the vivid history and characters behind eighteen types of popular flowers. In this companion volume she uncovers information about another eight familiar flowers: poinsettias, chrysanthemums, gladioli, pansies, carnations, water lilies, clematis, and penstemons. Taylor has tapped into an enormous trove of stories about extraordinary people with vision and skill who added to our enjoyment piece by piece, starting about 150 years ago. This beautifully illustrated book will please flower enthusiasts, gardeners, and history buffs alike.
1929. A girl is strangled in a London alley, the mangled corpse of a peeping Tom is found in a railway tunnel and the details of the latest trunk murder are updated hourly in the evening papers. Into this world steps Dora Strang, doctor's daughter and filing clerk to the country's pre-eminent pathologist, Alfred Kemble. Thrilled by the post-mortems and court cases, Dora is further fascinated by Kemble himself, a glamorous and enigmatic war hero. But her job holds several surprises and as things take a distinctly ghastly turn the tabloid journalists sharpen their pencils in morbid anticipation...
It’s a message we learn in childhood, but all too quickly forget: “Beauty is in the eye of the beholder.” “Beauty is only skin deep.” With its incandescent paintings and imaginative text, Ms. Rubinstein’s Beauty shows us just how true these timeless sayings can be. Children will be enchanted…and surprised at every turn. “Ms. Rubenstein is a beautiful woman. But nobody knows it.” No—they don’t notice her wonderful eyes, delicate hands, graceful feet, and kind heart. Something a little strange, a little distracting about her captures their attention instead. But one man—himself a bit out of the ordinary—thinks she’s the vision of loveliness. Pep Montserrat has created a gorgeous tribute to love that looks beyond the obvious—and a picture book as special as its two main characters.
A young English girl meets the man of her dreams on her 15th birthday, and her one wish is that he will wait for her to grow up. Years later, he returns to take her away from an abusive, drunken father. She finds safety and passion in his arms, but secrets inside her head lead them to danger.
This book brings together philosophical and theological perspectives on agapistic love. The aim of the text is to illuminate the nature of unlimited love by distinct and integrative approaches to the intersection of the divine and the human. Various scientific approaches to human forms of love seem to shed light on our nature as social beings. But to what extent are the natural desires for affection, sexual love and friendship augmented, revised, perfected or replaced by the gift of grace? In other words, we can ask how is it that agapé modifies or shapes the natural loves? Diverse theological and moral traditions address the question in quite startling contrast. Thomists follow the dictum that 'Grace does not destroy nature but perfects it'. Lutherans draw a sharp contrast between law and Gospel while Wesleyans see charity as the sanctifying power of the Holy Spirit. Some feminist theorists see the idea of self-giving love as contrary to genuine self-fulfilment while the neo-Kantians see love as a duty to others, and some Kierkegaardians see the command to love as an unusual manifestation of divine command ethics. These diverse approaches, in light of contemporary research in the natural and social sciences, can provide fertile ground for the exploration of the intersection of human and divine love. To date, there is no text available that brings scholars from various theological and philosophical backgrounds together to engage in interdisciplinary dialogue on this important and much neglected aspect of research into the human and divine loves. This book offers a significant attempt to remedy the situation.
Like so many saints before him, Samuel Rutherford did his best work while he was imprisoned for the gospel. While in exile from his hometown, he wrote hundreds of letters to his friends and members of his congregation. These letters were treasured up and printed several years after his death in 1661. From this, "the most remarkable series of devotional letters that the literature of the Reformed churches can show," Christians of all walks have drawn strength. The Loveliness of Christ is a collection of short excerpts from these letters "in which some of Rutherford s most helpful thoughts are allowed to stand out in their unadorned wisdom and power. Those familiar with Andrew Bonar's great nineteenth-century collection of the Letters of Samuel Rutherford will feel that this setting of brief quotations makes Rutherford's words sparkle like diamonds on a dark cloth in a jeweller's shop. We hope that you, in meditating on these pages, will find here help, comfort, wise counsel, and spiritual compass, and to say with Rutherford, 'Every day we may see some new thing in Christ. His love hath neither brim nor bottom'" (Sinclair Ferguson, foreword to previous edition).
Brian has a dream of writing the great American novel. He knows that without a gimmick to set him apart from the rest of the pack, he'll never succeed. From reading Black Like Me, he gets the idea to masquerade as a homeless man to get the material to write the saga of those suffering from poverty. During his first visit to the local homeless shelter to gather facts, he is accosted by Zeke, one of the subjects of his research. In order to save his skin, Brian spills his guts to the huge black man. After hearing the story, Zeke sees value in the project for his homeless brethren, and pledges to help the wannabe paperback writer. Also on his first visit, a vision of loveliness, aptly named Angel, takes away Brian's breath and subsequently his heart. She turns out to be a fanatical Christian who is waiting for God to reveal the identity of her future husband. Brian decides to write a novel and make Angel the heroine hoping to win her heart in the process.