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This book is meant for the sole purpose to be of assistance for structure, guidance, integrity and gaining wisdom. It is also spiritually inclined and very motivational. This book is constructed for people of all ages. Although highly recommended as a helping hand for the structure for pre-teens, teenagers, college students and young adults because it has the ability to genuinely help them to think more cautiously and wisely. Everyone who reads this book has the potential to learn to be more sensitive and mindful of the words he/she say to others because words are powerful. Throughout this book are encouraging motivational poems; along with its structure and guidance that follows. The Vision questions are positioned at the end of each structure & guidance to visualize behaving in a manner that will reflect a positive moral conduct. You can write down any changes, challenges, and accomplishments from the help of reading this inspirational motivational book to keep, and possibly share as a testimony in your life.
In Having Visions, the author presents an objective, respectful, and faithful translation of its content, accompanied with an historical and scientific context for understanding its insertion into the body of human affairs. In The Book of Mormon, the ancient American prophet Mormon presents the history of his people, the Nephites. The intent of the present book is to present "his story as told," and its relationship to "history as known," without altering its essence. It should be noted that exhaustive archeological, genetic, and linguistic research has been undertaken by both proponents for, and detractors of, the existence of the Nephites. So far, no evidence supporting the claim has ever been found for any place, person, or event mentioned in The Book of Mormon, while abundant contradictory evidence has been discovered and independently verified.
Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School
The women mystics of medieval Europe represent the very first feminine voices heard in a world where women were nearly silent. As such, they are striking and unusual, strange, powerful and urgent. Monica Furlong uses key selections from among these women's own writings and writings about them by their contemporaries, along with her own assessment of them, to open up their contributions to a wide popular audience. The eleven women represented in this anthology were housewives, visionaries, abbesses, beguines, recluses, and nuns who wrote between the eleventh and fourteenth centuries. They include: • Héloïse, the scholar and abbess, whose letters to Abelard are treasure of medieval literature • Hildegard of Bingen, the visionary Rhineland nun • Clare of Assisi, the close friend of Saint Francis and founder of the Poor Clares • Catherine of Siena, an influential spiritual counselor whose book, Dialogue, consists of a debate between herself and God • Julian of Norwich, the English hermitess who spent the greater part of her life meditating on and coming to understand the striking visions she received as a young woman • and many others
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.
Malcolm K. Read employs a psychoanalytic model which sees civilization as a manner of instinctual renunciation in this analysis of selected texts from the sixteenth, seventeenth, and eighteenth centuries. Focusing on their moments of silence and contradiction, he demonstrates that certain attitudes toward the body expressed in these texts have a basis, albeit unconscious, in a motivation which is ultimately political. The central topics, deeply intertwined thematically and theoretically, relate to the nature and development of language; to the Baroque art of Gongora and Quevedo; to Feijoo's defense of the rationalist subject set against Torres Villarroel's subversion of the same; and to the neo-classical aesthetics of Luzan and Arteaga. The result is an interdisciplinary approach that challenges traditional assumptions in both literary criticism and linguistic historiography.
The tiers are shifting. The omniverses are under attack. And only one man has the chromosomes to make things right. Or does he? Filthy Frank begins life as the harmless creator of extinction level radioactive weapons, but is taken far into the deepest recesses of the omniverses to learn how everything came to be and how everything will be. If it were only that simple. He and his group of deviant disciples are chased from realm to realm by murderous chimpillas and treacherous peace lords, as he seeks to understand the dark secrets of the omniverses. An encounter with the Ultimate God might be his only chance, but Frank must first survive not only those who fight for evil but his own struggle for good as well. If only his chromosomes would stop multiplying...