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Visions of Colonial Grandeur explores Melbourne'sinternational exhibitions through the art collection of 19th-century businessmanJohn Twycross. John Twycross, also known as Top Hat, was a merchant and artcollector who lived and worked in 'Marvellous Melbourne'. In this boom periodof the 1880s, a confident Melbourne hosted two international exhibitions andthe best and latest in trade and culture was seen by millions in the newly-built(Royal) Exhibition Building. Twycross was an enthusiastic participant in thegrowing Melbourne art market and, during his frequent visits to the internationalexhibitions, purchased hundreds of exquisite fine art objects and paintings,building a collection that was treasured by four generations of the Twycross family and isnow part of the Museum Victoria collection. This unique book features both archival photographs andcolour images of some of the beautiful and significant art works in the Twycrosscollection. It is also an insightful study of the development of a collection,exploring the world of the international exhibitions and the thriving art tradein 19th-century Melbourne.
Providing insights into this neglected Southeast Asian city, this interesting book interprets Vientiane’s landscape - physical as well as imagined - as a reflection of key aspects of Lao geo-political history, the nature of Lao urbanism, and its critical relation to constructions of Lao identity in the contemporary period. It is argued that the patterns of change seen through Vientiane’s past embody the key political and economic processes and transformations impacting on the people of Laos. The Lao urban past has rarely been an object of attention by scholars. Laos, in fact, is continually portrayed as a rural backwater, marginal to the dynamic trends affecting most of the Southeast Asian mainland. In contrast to these persistent and static portrayals of Laos as a tiny landlocked backwater, with no significant urban present or past, the authors aim to document, explain and evaluate the significance of the Lao urban landscape. Focusing on the theme of Vientiane’s ‘marginality’ in its various forms, the book interprets this apparent marginality as an historically-produced phenomenon resulting from geo-politics dating from the pre-colonial period and extending into the post-colonial period. Drawing on a wide range of research materials, Vientiane is the first work of its kind on this ignored city.
A wide-ranging edited collection that interrogates colonial expansion, and the mismatch between intention, perception and hype, and the actual realities.
Representing Calcutta is a spatial history of the colonial city, and addresses the question of modernity that haunts our perception of Calcutta. The book responds to two inter-related concerns about the city. First is the image of Calcutta as the worst case scenario of a Third World city -- the proverbial 'city of dreadful nights.' Second is the changing nature of the city’s public spaces -- the demise of certain forms of urban sociality that has been mourned in recent literature as the passing of Bengali modernity. By examining architecture, city plans, paintings, literature, and official reports through the lens of postcolonial, feminist, and spatial theory, the book explores the conditions of colonialism and anti-colonial nationalism that produced the city as a modern artefact. At the centre of this exploration resides the problem of 'representing' the city, representation understood as description and narration, as well as political representation. In doing so, Chattopadhyay questions the very idea of colonial cities as creations of the colonizers, and the model of colonial cities as dual cities, split in black and white areas, in favour of a more complicated view of the topography.
For over half a millennium, the megalithic ruins of Tiwanaku in the highlands of the Andes mountains have stood as proxy for the desires and ambitions of various empires and political agendas; in the last hundred years, scholars have attempted to answer the question "What was Tiwanaku?" by examining these shattered remains from a distant preliterate past. This volume contains twelve papers from senior scholars, whose contributions discuss subjects from the farthest points of the southern Andes, where the iconic artifacts of Tiwanaku appear as offerings to the departed, to the heralded ruins weathered by time and burdened by centuries of interpretation and speculation. Visions of Tiwanaku stays true to its name by providing a platform for each scholar to present an informed view on the nature of this enigmatic place that seems so familiar, yet continues to elude understanding by falling outside our established models for early cities and states.
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
From its insistence that Japan should favour diplomatic normalization with the Republic of China over the People’s Republic of China in 1952, through its role, via the Security Treaty, of keeping the ‘cap in the bottle’ of Japanese militarism, to weighing in on the Diaoyu/Senkaku islands dispute between China and Japan, the United States has played a pivotal, and at times controversial, role in the development of China-Japan relations since the end of World War II. By extension, US influence on China-Taiwan and Taiwan-Japan relations, in addition to its impact on the efforts of various actors to construct a Northeast Asian regional community, continues to pose important questions about the nature of the US role in East Asia in the 21st century. This volume provides a multi-faceted overview of the nature of America’s interaction in East Asia since the end of the war, and highlights the obstacles to improved bilateral and regional integration. The contributors offer a range of perspectives from their respective US, European, and East Asian vantage points, and point to the ongoing and prominent involvement of the US in the region for the foreseeable future.
This book is designed to introduce readers to the language of contemporary rhetorical studies. The book format is an alphabetized glossary (with appropriate cross listings) of key terms and concepts in contemporary rhetorical studies. An introductory chapter outlines the definitional ambiguities of the central concept of rhetoric itself. The primary emphasis is on the contemporary tradition of rhetorical studies as it has emerged in the discipline of speech communication. Each entry in the glossary ranges in length from a few paragraphs to a short essay of a few pages. Where appropriate, examples are provided to further illustrate the term or concept. Each entry will be accompanied by a list of references and additional readings to direct the reader to other materials of possible interest.
RIDE A FRESH new wave of maritime adventure as this gripping tale takes you in search of forgotten treasure amongst the reef-strewn islands of Australia's Great Barrier Reef. From the colonial port of Sydney Cove in the early 1800's to the still-uncharted waters of the infamous Torres Strait, follow the action as two modern-day sea gypsies sail headlong into history. Climb aboard 'Storm Along' with a beguiling passenger. Tack from Romance to reef in their perilous quest for the ultimate prize. Will they succeed? Take the plunge and find out for yourself when you sign on for the excitement of... RAISING TRUE NORTH.