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Lavish illustrations feature both iconic and never-before-published Pende masterworks, selected to
-A fascinating and essential overview of the Kuba people and their art through fifty exemplary pieces This volume explores the intriguing sculpture and decorative art of the Kuba people of the Democratic Republic of Congo. Best known for their king figures (ndop), considered among the greatest sculptural achievements of Sub-Saharan Africa, the Kuba actually produced little freestanding sculpture. Instead, they focused on a variety of decorative works that indicated success and achievement, and initiation-related pieces such as masks. The first book dedicated exclusively to this subject, Kuba examines the tribe's artistic development from the seventeenth century through the turbulent colonial and post-colonial periods. The authors also explore the impact of Kuba beliefs on their art and discuss the pervasive concerns that inform the tribe's art-making. With fifty beautifully reproduced examples and an engaging, informative text, Kuba is a fascinating introduction to African art.
Visions of Freedom: Havana, Washington, Pretoria, and the Struggle for Southern Africa, 1976-1991
Surveys the history, culture, and contemporary life of the Luba people of Zaire.
This collection of essays analyzes different iterations of African unity, exploring the political and cultural visions that informed projects aimed at African unification. It explores the cultural, economic and non-state aspects of the Organisation of African Unity (OAU) as the principal institution dedicated to the cooperation of African states, from its establishment in 1963 to its transformation into the African Union (AU) in 2000, as well as how ideas of African unity shaped the Cold War and African liberation struggles. Bringing together contributors from a diverse range of disciplinary backgrounds across Africa, Europe and the US, this book investigates the ideological origins and historiography of Pan-African and unification projects, and considers how African intellectuals, leaders and populations engaged with these ideas.
Art features prominently in the culture of the Yoruba, a people numbering more than 25 million and subdivided into different kingdoms in Nigeria and adjacent regions. It both enriches life and is used to venerate and influence deities. This new book explores the archaeological and historical evidence that suggests that by the beginning of the second millennium, many Yoruba kingdoms had become major urban centers with highly developed economic, cultural, political, and religious institutions. Drawing on field observations, contextual analyses, oral sources, and published materials, this book offers insight into the poetics and dynamics of Yoruba art and the belief that the “beautiful” or “well-made” generates a special power that commands attention.
Fang art is one of the most distinguished arts of Black Africa. Its masks, with their facial markings, abstract features and strong, elegant lines, were among the most influential in 20th century modern art. Fang figures, called Bieri, are renowned for their child-like proportions contrasted with a muscular, poised vigilance. Fang art also includes iron currency and other objects that exhibit the traditional African ability to making everyday functional objects things of artistic merit. Fang reviews these artifacts and their social, ritual or symbolic characters. Statuettes related to ancestors, dance masks of the various rites, insignia of power, headdresses and jewellery, decorated music instruments and everyday utensils, all have an amazingly varied aesthetic creativity, in harmony with their profuse world of beliefs and myths.
The 18th volume in the successful reference Visions of Africa series, Baga introduces the art and traditions of this small rice-growing community living along the coast of Guinea in West Africa. Their extraordinary sculptures, wooden masks, and statues of various sizes as well as wonderful percussion instruments, chiefs' seats, and other skillfully carved utilitarian objects are presented in superb photographs. The relationships of these works to the culture and traditions of the Baga people--manifestation of divinities, ancestor worship, rites of passage, secret brotherhoods, and weddings, funerals, and harvesting--is brilliantly investigated by the author, who also analyzes the influence of colonization and newly introduced religions on more recent practices.
The volume features a selection of masterpieces from the most
A guide to Punu art by a world authority on the aesthetics and use of ritual objects by the peoples of southern Gabon.