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Interrelated essays by the Nobel Laureate on his adopted home of California, which Lewis Hyde, writing in The Nation, called "remarkable, morally serious and thought-provoking essays, which strive to lay aside the barren categories by which we have understood and judged our state . . . Their subject is the frailty of modern civilization."
Levi Strauss, A.L. Gump, Yehudi Menuhin, Gertrude Stein, Adolph Sutro, Congresswoman Florence Prag Kahn--Jewish people have been so enmeshed in life in and around San Francisco that their story is a chronicle of the metropolis itself. Since the Gold Rush, Bay Area Jews have countered stereotypes, working as farmers and miners, boxers and mountaineers. They were Gold Rush pioneers, Gilded Age tycoons, and Progressive Era reformers. Told through an astonishing range of characters and events, Cosmopolitans illuminates many aspects of Jewish life in the area: the high profile of Jewish women, extraordinary achievements in the business world, the cultural creativity of the second generation, the bitter debate about the proper response to the Holocaust and Zionism, and much more. Focusing in rich detail on the first hundred years after the Gold Rush, the book also takes the story up to the present day, demonstrating how unusually strong affinities for the arts and for the struggle for social justice have characterized this community even as it has changed over time. Cosmopolitans, set in the uncommonly diverse Bay Area, is a truly unique chapter of the Jewish experience in America.
Immensely popular and prolific, Harold Lloyd sold more movie tickets during the Golden Age of Comedy than any other comedian. From Coney Island to Catalina Island, and from Brooklyn to Beverly Hills, Lloyd’s movies captured visions of silent-era America unequaled on the silver screen. A stunning work of cinematic archeology, Silent Visions describes the historical settings found in such Lloyd classics as Safety Last!, Girl Shy, and Speedy, and matches them with archival photographs, vintage maps, and scores of then-and-now comparison photographs, illuminating both Lloyd’s comedic genius, and the burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents John Bengtson’s completion of his trilogy of works focusing on the three great geniuses of silent film comedy (Keaton, Chaplin, and Lloyd) in what Oscar-winning historian Kevin Brownlow calls “a new art form.”
''The most beautiful volume ever done [on Marin] is Point Reyes Visions.''
Satty began work on a series of San Francisco collages in 1975. From reading historical accounts of the early city, he realized that most of the existing pictorial record, photos and paintings didn't match the colorful literary descriptions of that chaotic era. He decided to graphically re-create the era, to evoke the visual and emotional experiences of the early city in combination with relevant eyewitness accounts. He researched the writings of early immigrants, later residents, and many other writers who visited the famous spectacle of the developing city. Satty created collages until his death in early 1982. As an interested historian, and a friend for ten years, Walter Medeiros had often been closely involved with him, and especially during the last year of his life. Satty discussed the project with him and took pleasure in showing him work in progress. Satty's will left the project to Medeiros.