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The first of two companion volumes emanating from the partnership between the French Institute (IFAS), the Institute for Global Dialogue (IGD, formerly FGD) and the Human Sciences Research Council (HSRC) and based on the 1997 conference of the same name held in Pretoria ; the second volume entitled, Shifting African Identities is based on the 1998 Cape Town conference, also of the same name. ; a third companion volume in this series on identity and nation building is entitled, National Identity and Democracy in Africa - a joint product of the Nordic Africa Institute, Sweden and the Mayibuye Centre at UWC based on their March 1997 conference.
Offers advice on writing essays about the works of author Ernest Hemingway and lists sample topics from his novels and stories.
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Quelque part dans la foret de l'Arriere-pays se trouverait un labyrinthe. Lieu de tous les reves, de tous les dangers et de toutes les chimeres, personne ne sait s'il existe. Le labyrinthe sert de pretexte pour fertiliser l'imagination et les reves, influer sur les arts. Tombe dans l'inconscient, on lui preterait une forme de pensee, la puissance d'une deite. Personne ne l'a traverse sans perdre la vie; mais des rumeurs tenaces courent. Un homme, Camelot, en aurait decouvert l'entree et l'aurait explore pour devenir ce presque-vagabond qui vend des colifichets merveilleux, puis disparait pendant des mois avant de revenir, des lueurs pleins les yeux. Dans ce recit plurivoque ou meandres labyrinthiques et meandres de la pensee se font echo, l'auteur nous livre un texte essentiel sur l'acte de creation, ses consequences et les sacrifices qu'il demande.
Papers presented at a conference on "Textual Intersections in the Nineteenth Century: European Literatures, Histories, and Arts" held at Cardiff University in July 2001.
This Companion serves both as an introduction for the interested reader and as a source of the best recent scholarship on the author and his works. In addition to analysing his major texts, the contributors provide insights into Hemingway's relationship with gender history, journalism, fame and the political climate of the 1930s. The essays are framed by an introductory chapter on Hemingway and the costs of fame and an invaluable conclusion providing an overview of Hemingway scholarship from its beginnings to the present. Students will find the selected bibliography a useful guide to future research. Contributors include both distinguished established figures and brilliant newcomers, all chosen with regard to the clarity and readability of their prose.