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"Dazzlement and enchantment are Bester's methods. His stories never stand still a moment." —Damon Knight, author of Why Do Birds Alfred Bester took science fiction into hyperdrive, endowing it with a wit, speed, and narrative inventiveness that have inspired two generations of writers. And nowhere is Bester funnier, speedier, or more audacious than in these seventeen short stories—two of them previously unpublished—that have now been brought together in a single volume for the first time. Read about the sweet-natured young man whose phenomenal good luck turns out to be disastrous for the rest of humanity. Find out why tourists are flocking to a hellish little town in a post-nuclear Kansas. Meet a warlock who practices on Park Avenue and whose potions comply with the Pure Food and Drug Act. Make a deal with the Devil—but not without calling your agent. Dazzling, effervescent, sexy, and sardonic, Virtual Unrealities is a historic collection from one of science fiction's true pathbreakers. "Alfred Bester was one of the handful of writers who invented modern science fiction. " —Harry Harrison Alfred Bester (1913-1987) was the author of two of science fiction's seminal works, The Demolished Man and The Stars My Destination. He also wrote some fast-moving, sizzling short stories that were very highly regarded; many of them are included in the 17 stories showcased in Virtual Realities; two were never before published. Highlights include "Disappearing Act," in which shell-shocked soldiers vanish from their hospital ward; "Hobson's Choice," in which a statistician uncovers a disturbing population trend in post-nuclear Kansas; "Time Is the Traitor," wherein powerful business people manipulate their most valuable consultant; and "The Devil Without Glasses," a conspiracy tale with an X-Files feel. The science fiction and literary classic "Fondly Fahrenheit" stars wealthy Vandaleur and his mad android who has an unfortunate habit of turning murderous when the temperature gets too hot... All reet!
This book analyzes and historicizes an important and popular motif in contemporary US political discourse: the notion that politics has become increasingly ‘unreal.’ At the turn of the millennium, the simulated quality of politics in general and of the US presidency in particular has become a major object of concern across a broad range of venues and media: publications in media studies and political science, newspaper editorials, novels, films, and TV shows alike worry over how much or how little we can actually know about the reality of the US president when all our knowledge is based on carefully staged media representations. Rather than adding another voice to this concern, ‘Presidential Unrealities’ investigates the cultural work such discussions do. Charting their histories and their cultural resonances, the book argues that debating ‘presidential unreality’ provides a crucial vocabulary by way of which the US public negotiates the postmodernization of American culture and society.
Fifty Key Figures in Science Fiction is a collection of engaging essays on some of the most significant figures who have shaped and defined the genre. Diverse groups within the science fiction community are represented, from novelists and film makers to comic book and television writers. Important and influential names discussed include: Octavia Butler George Lucas Robert Heinlein Gene Roddenberry Stan Lee Ursula K. Le Guin H.G. Wells This outstanding reference guide charts the rich and varied landscape of science fiction and includes helpful and up-to-date lists of further reading at the end of each entry. Available in an easy to use A-Z format, Fifty Key Figures in Science Fiction will be of interest to students of Literature, Film Studies, and Cultural Studies.
Alfred Bester's classic short stories and the canonical novel The Stars My Destination made him a science fiction legend. Fans and scholars praise him as a genre-bending pioneer and cyberpunk forefather. Writers like Neil Gaiman and William Gibson celebrate his prophetic vision and stylistic innovations. Jad Smith traces the career of the unlikeliest of SF icons. Winner of the first Hugo Award for The Demolished Man, Bester also worked in comics, radio, and TV, and his intermittent SF writing led some critics to brand him a dabbler. In the 1960s, however, New Wave writers championed his work, and his reputation grew. Smith follows Bester's journey from consummate outsider to an artist venerated for foundational works that influenced the New Wave and cyberpunk revolutions. He also explores the little-known roots of a wayward journey fueled by curiosity, disappointment with the SF mainstream, and an artist's determination to go his own way.
In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal, Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.
This encyclopedia is the most up-to-date, concise, clear and affordable guide to all aspects of science fiction, from its background to generic themes and devices, from authors (established and new) to films. Science fiction has evolved into one of the most popular, cutting-edge and exciting fiction geners, with a proliferation of modern and classic authors, themes and ideas, movies, TV series and awards. Arranged in an A-Z format, and featuring a comprehensive index and cross-referencing system, The Mammoth Encyclopedia of Science Fiction is also the most accessible and easy to use encyclopedia of its kind currently available.
#5 in the Millennium SF Masterworks series, a library of the finest science fiction ever written. “Science fiction has only produced a few works of actual genius, and this is one of them.” —Joe Haldeman #5 in the Millennium SF Masterworks series, a library of the finest science fiction ever written. “Science fiction has only produced a few works of actual genius, and this is one of them.” —Joe Haldeman "Bester at the peak of his powers is, quite simply, unbeatable” —James Lovegrove Marooned in outer space after an attack on his ship, Nomad, Gulliver Foyle lives to obsessively pursue the crew of a rescue vessel that had intended to leave him to die. When it comes to pop culture, Alfred Bester (1913-1987) is something of an unsung hero. He wrote radio scripts, screenplays, and comic books (in which capacity he created the original Green Lantern Oath). But Bester is best known for his science-fiction novels, and The Stars My Destination may be his finest creation. With its sly potshotting at corporate skullduggery, The Stars My Destination seems utterly contemporary, and has maintained its status as an underground classic for fifty years. (Bester fans should also note that iBooks has reprinted ReDemolished, which won the very first Hugo Award in 1953.)
“A dark acid curio, brisk, fast, memorable, a rare improvisational duet from two of our best.”—Greg Bear “Alfred Bester was one of the handful of writers who invented modern science fiction.” —Harry Harrison, author of Adventures of the Stanless Steel Rat “Let there be light, and let there always be Roger Zelazny.”—Philip José Farmer, author of To Your Scattered Bodies Go From Publishers Weekly: This odd novel, left incomplete when Bester died in 1987, was finished by Zelazny, who himself died in 1995. In his introduction, Bear refers to Bester (The Deceivers) and Zelazny (Donnerjack) as masters of SF jazz, geniuses of improvisation, and the book has that feel to it. The plot is full of bizarre twists and turns. Neat ideas surface and disappear in an eyeblink and characters transform radically from one page to the next. Alf Noir, an investigative reporter, is sent to Rome to look into the mysterious Black Place of the Soul-Changer and its enigmatic proprietor, Adam Maser. Alf discovers that Maser is a Psychbroker, a sort of pawnbroker of the spirit, dealing in emotions, talents and psychological traits. Want more courage, the ability to see into the infrared, an understanding of ancient Persian? Maser will trade it to you for your mind-reading ability, or a rare coin, or perhaps for the secret of the collective unconscious. Alf discovers that Maser isn't human, but a highly evolved cat from the far future. Nothing is what it seems and no one can be trusted, not even Maser's sexy assistant, an evolved snake with whom Alf has an affair. There's much fun to be had here, but the book doesn't represent either writer in top form. Bester's style in the first part of the novel seems dated, and things don't gel until Zelazny takes over halfway through the book. Vintage has brought Bester's finest work back into print, and for this it deserves praise, but this novel is most likely to appeal to Zelazny's much larger readership.
This important collection of essays acknowledges the long and distinctive history of the alternate history genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late twentieth- and early twenty-first-century texts which have previously received little or no sustained critical analysis.
This spectacular novel established Thomas M. Disch as a major new force in science fiction. First published in 1965, it was immediately labeled a masterpiece reminiscent of the works of J.G. Ballard and H.G. Wells In this harrowing novel, the world's cities have been reduced to cinder and ash and alien plants have overtaken the earth. The plants, able to grow the size of maples in only a month and eventually reach six hundred feet, have commandeered the world's soil and are sucking even the Great Lakes dry. In northern Minnesota, Anderson, an aging farmer armed with a Bible in one hand and a gun in the other, desperately leads the reduced citizenry of a small town in a daily struggle for meager existence. Throw into this fray Jeremiah Orville, a marauding outsider bent on a bizarre and private revenge, and the fight to live becomes a daunting task.