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One of the first books published on the history of women and technology this text laid the groundwork for decades of impressive and increasing scholarship in this field. An edited collection of eleven essays based on scholarly research, it explores many of the ways women have affected technological change historically and how technology has impinged on them. Both European and American topics, from the eighteenth century into the twentieth, are included, although the United States in the last 100 years is the focus.
Annotation The first book in almost a century to concentrate exclusively on the beaux-arts mural movement in the United States.
The country's leading authority on use of artifactual evidence in historical research collects twenty-five classic essays and gives his overview of the field of material culture.
WHO SAYS SECULAR PEOPLE CANT BE SPIRITUAL? What do cities mean to you? Excitement? Dreams and goals? Glamor? Escape? Danger? Romance? Artistically planned parks, zoos and museums? Shopping? Ohmygod skyscrapers and bridges? Gershwins Rhapsody in Blue? From Aristotle to Ayn Rand, writers have analyzed and gloried in cities as the greatest expression of Man the rational builder and inventor. Architecture, especially, makes the city the temple of Rational Man. Frederick Cookinham is a New York City tour guide, specializing in New Yorks colonial and Revolutionary history and in AYN RANDS NEW YORK. In THE AGE OF RAND Cookinham taught you to see the landscape through history glasses. Now learn to see cities through temple glasses. See the spiritual in the secular! Be uplifted by the sight of Mans achievements. Make the city your temple to Mans mind, and dont be afraid to get all Ayn Rand about it. Appreciate better the deeper meanings behind the concrete (and steel!) facts of where you live. Analysis and insight on Ayn Rands life and work, embedded in a guide to New Yorks architecture and public art, wrapped in a paean to cities: how they work and what they mean to us. Victor Niederhoffer, NYC Junto
Novelist, columnist, cultural critic, political theorist-- Isabel Paterson was one of the most extraordinary personalities of the 1930s, renowned for her incisive wit and her unique interpretation of the American experience. The Woman and the Dynamo is the first biography of a woman who has long been a source of rumor and legend. From interviews, private papers, and her millions of published words, Stephen Cox weaves a narrative that brings Paterson vividly to life. A radical individualist in both theory and practice, Paterson spent her early life on the Western frontier, "lavished" two years on formal education, set a record for high-altitude flight, became a journalist by "accident," and made herself a fearless chronicler and conscience of New York literary life. At the same time, she made a permanent contribution to American political thought. Paterson identified the fundamental issues at stake in the crises of the twentieth century and responded with an original theory of history and political economy. In her view, the individual mind is the dynamo of history, working through the "long circuit" of institutions that maintain and enhance individual liberty; and America is the place where the advanced forms of those institutions were invented and are currently undergoing their severest trial. While other intellectuals derided the American ideal of progress and called for the restraint or abolition of the capitalist system, Paterson demanded a scrupulous application of the "engineering principles" on which American civilization had been built. The Woman and the Dynamo provides one of the few broad and detailed accounts of the origins of the American political Right, emphasizing the special role that women and imaginative writers played in its creation, and posing new questions about what it means to be "left" or "right," "liberal" or "conservative" in America. This will be compelling reading for those interested in twentieth century intellectual history, literature, and politics.
The influence of millenarian thinking upon Cromwell's England is well-known. The cultural and intellectual conceptions of the role of millenarian ideas in the `long' 18th century when, so the `official' story goes, the religious sceptics and deists of Enlightened England effectively tarred such religious radicalism as `enthusiasm' has been less well examined. This volume endeavors to revise this `official' story and to trace the influence of millenarian ideas in the science, politics, and everyday life of England and America in the 17th and 18th centuries.
Shifting Gears is a richly illustrated exploration of the American era of gear-and-girder technology. From the 1890s to the 1920s machines and structures shaped by this technology emerged in many forms, from automobiles and harvesting machines to bridges and skyscrapers. The most casual onlooker to American life saw examples of the new technology on Main Street, on the local railway platform, and in the pages of popular magazines. A major consequence of this technology was its effect on the arts, in particular the literary arts. Three prominent American writers of the time -- Ernest Hemingway, John Dos Passos, and William Carlos Williams -- became designer-engineers of the word. Tichi reveals their use of prefabricated, manufactured components in poems and prose. As designers, they enacted in style and structure the new technological values. The writers, according to Tichi, thought of words themselves as objects for assembly into a design. Using materials from magazines, popular novels , movie reviews, the toy industry, and advertising, as well as the texts of the nation's major enduring writers, Tichi shows how turn-of-the-century technology pervaded every aspect of American culture and how this culture could be defined as a collaborative effort of the engineer, the architect, the fiction writer, and the poet. She demonstrates that a technological revolution is not a revolution only of science but of language as well. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The post–World War II science-based technological revolution inevitably found its way into almost all international expositions with displays on atomic energy, space exploration, transportation, communications, and computers. Major advancements in Cold War science and technology helped to shape new visions of utopian futures, the stock-in-trade of world’s fairs. From the 1940s to the 1980s, expositions in the United States and around the world, from Brussels to Osaka to Brisbane, mirrored Cold War culture in a variety of ways, and also played an active role in shaping it. This volume illustrates the cultural change and strain spurred by the Cold War, a disruptive period of scientific and technological progress that ignited growing concern over the impact of such progress on the environment and humanistic and spiritual values. Through the lens of world’s fairs, contributors across disciplines offer an integrated exploration of the US–USSR rivalry from a global perspective and in the context of broader social and cultural phenomena—faith and religion, gender and family relations, urbanization and urban planning, fashion, modernization, and national identity—all of which were fundamentally reshaped by tensions and anxieties of the Atomic Age.
In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.