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Index of all items recorded in will books created by a Virginia county or city during the period 1800-1865. Compiled from microfilm records in the Library of Virginia, and organized by geographic region.
Old Rappahannock County, originally embracing lands lying on both sides of the Rappahannock River, was organized in 1656 and was formerly a part of Lancaster County. In 1692 Old Rappahannock was abolished. The portion lying south of the river was taken to form Essex County, and the area north of the river formed the county of Richmond. Records of Old Rappahannock and Essex counties, on which this work is founded, date from 1655 and are on file at the courthouse in Tappahannock, Essex County. Some marriage bonds of the period 1804 to 1853 were previously copied into the marriage register, instituted as the official catalogue of marriages. In compiling this work, Mrs. Wilkerson used not only the marriage bonds found in the register and the marriage register itself, but also inferential marriage proofs derived from wills, deeds, and court order books. The result is a work of astonishing magnitude; the period covered runs to nearly 250 years and the number of persons namedΓ including brides, grooms, parents, and guardiansΓ touches 10,000. The text is arranged alphabetically throughout and includes the date of the marriage record and the source.
Indexes County Court will books, v. A-Z, 2A-2E, 1757-1850; Superior Court records, v. A, 1810-1850; and deeds partly proved, 1767-1827.
In the first half of the twentieth century, white elites who dominated Virginia politics sought to increase state control over African Americans and lower-class whites, whom they saw as oversexed and lacking sexual self-restraint. In order to reaffirm the existing political and social order, white politicians legalized eugenic sterilization, increased state efforts to control venereal disease and prostitution, cracked down on interracial marriage, and enacted statewide movie censorship. Providing a detailed picture of the interaction of sexuality, politics, and public policy, Pippa Holloway explores how these measures were passed and enforced. The white elites who sought to expand government's role in regulating sexual behavior had, like most southerners, a tradition of favoring small government, so to justify these new policies, they couched their argument in economic terms: a modern, progressive government could provide optimum conditions for business growth by maintaining a stable social order and a healthy, docile workforce. Holloway's analysis demonstrates that the cultural context that characterized certain populations as sexually dangerous worked in tandem with the political context that denied them the right to vote. This perspective on sexual regulation and the state in Virginia offers further insight into why white elite rule mattered in the development of southern governments.
Philly native Roberta Forest is a precocious rebel with the soul of a poet. The thirteen-year-old is young, gifted, black, and Catholic—although she’s uncertain about the Catholic part after she calls Thomas Jefferson a hypocrite for enslaving people and her nun responds with a racist insult. Their ensuing fight makes Roberta question God and the important adults in her life, all of whom seem to see truth as gray when Roberta believes it’s black or white. An upcoming essay contest, writing poetry, and reading The Autobiography of Malcolm X all help Roberta cope with the various difficulties she’s experiencing in her life, including her parent’s troubled marriage. But when she’s told she’s ineligible to compete in the school’s essay contest, her explosive reaction to the news leads to a confrontation with her mother, who shares some family truths Roberta isn’t ready for. Set against the backdrop of Watergate and the post-civil rights movement era, Malcolm and Me is a gritty yet graceful examination of the anguish teens experience when their growing awareness of themselves and the world around them unravels their sense of security—a coming-of-age tale of truth-telling, faith, family, forgiveness, and social activism.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English and African women. This practice, along with making slavery hereditary through the mother, contributed to the cultural shift whereby women of African descent assumed from lower-class English women both the burden of fieldwork and the stigma of moral corruption. Brown's analysis extends through Bacon's Rebellion in 1676, an important juncture in consolidating the colony's white male public culture, and into the eighteenth century. She demonstrates that, despite elite planters' dominance, wives, children, free people of color, and enslaved men and women continued to influence the meaning of race and class in colonial Virginia.