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Writers of fiction have always confronted topics of crime and punishment. This age-old fascination with crime on the part of both authors and readers is not surprising, given that criminal justice touches on so many political and psychological themes essential to literature, and comes equipped with a trial process that contains its own dramatic structure. This volume explores this profound and enduring literary engagement with crime, investigation, and criminal justice. The collected essays explore three themes that connect the world of law with that of fiction. First, defining and punishing crime is one of the fundamental purposes of government, along with the protection of victims by the prevention of crime. And yet criminal punishment remains one of the most abused and terrifying forms of political power. Second, crime is intensely psychological and therefore an important subject by which a writer can develop and explore character. A third connection between criminal justice and fiction involves the inherently dramatic nature of the legal system itself, particularly the trial. Moreover, the ongoing public conversation about crime and punishment suggests that the time is ripe for collaboration between law and literature in this troubled domain. The essays in this collection span a wide array of genres, including tragic drama, science fiction, lyric poetry, autobiography, and mystery novels. The works discussed include works as old as fifth-century BCE Greek tragedy and as recent as contemporary novels, memoirs, and mystery novels. The cumulative result is arresting: there are "killer wives" and crimes against trees; a government bureaucrat who sends political adversaries to their death for treason before falling to the same fate himself; a convicted murderer who doesn't die when hanged; a psychopathogical collector whose quite sane kidnapping victim nevertheless also collects; Justice Thomas' reading and misreading of Bigger Thomas; a man who forgives his son's murderer and one who cannot forgive his wife's non-existent adultery; fictional detectives who draw on historical analysis to solve murders. These essays begin a conversation, and they illustrate the great depth and power of crime in literature.
“The most bizarre set of tragic events ever to occur…” – Fairmont Times “Gritty… Fascinating.” – Robert Markowitz, New York Times essayist “Alone and bitter, [the killer] fabricated a horrible revenge—on the world and himself.” – The West Virginian “Charlotte Laws is a tsunami.” – Snatch Magazine Devil in the Basement reveals the shocking truth about my family. I learned about the murders, bombings, and devil worship when I visited my ancestors’ hometown of Fairmont, West Virginia. As a former private eye, I investigated what had happened and even ventured into the eerie basement where the satanic rituals had occurred. The story begins in 1928 when thousands of Ku Klux Klan members march through this sleepy town. My great uncle Jal’s passions were ignited that day, as were those of my grandfather Tucker, who changed his Italian name to “sound white” with hopes of escaping poverty and racism, and of becoming a U.S. Senator. Meanwhile, my great-grandmother set up a criminal enterprise in the back barn, and my great aunt was hauled off to an insane asylum before becoming the mistress of a Detroit mobster. But this story is not just about my family. It is also about their creepy neighbor Ernie, who had a ghoulish, life-sized doll. He abused his wives and dabbled in his favorite pastime: evil. He liked evil. He was creative when it came to evil. He was all about evil. Devil in the Basement is a story of love and horror, racism and hope, of Christian piety and satanic ritual. It is a book that shines a light on one of the most ghastly real life incidents in West Virginia history. It is a story you will never forget.
In the century following the Civil War, Delaware, the District of Columbia, Maryland, Virginia and West Virginia legally executed hundreds of men and women convicted of capital crimes. Based on exhaustive research of court records, newspapers death certificates and even gravestones, this book provides the essential details of each case. Arranged by state, entries for each execution are listed in chronological order, giving the name, race and age of the prisoner and a description of the crime of which he or she was convicted. The motive, if known, the date and place of the execution, and relevant sources are also included. Appendices provide preliminary lists of executions in these states before 1866, including some cases dating back to the 17th century. A significant number of hitherto undiscovered executions, further reveals that America's experience with capital punishment is more extensive than previously known.
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.